Monday, December 28, 2020
Tuesday, December 22, 2020
Tuesday, December 15, 2020
The history of rock and roll has produced innumerable drummers. A small number of them have become household names, Ringo Starr, Ginger Baker, Charlie Watts,John Bonham. How many though, have been talented and forceful enough to carve out a successful solo career, without the advantage of being in the public eye, via involvement with a big selling group? The answer must be, very few indeed. This article centres on one such drummer and band leader, Keef Hartley. His recorded legacy spans the era's of Merseybeat, R&B, The British blues boom, and prog rock,leaving a host of highly collectable records in his wake. Additionally, he's contributed his considerable talent to genres as diverse as folk, Jazz, Kraut-rock and one of the biggest selling albums of the 1970's.
To find the start of Keef's career, we must go back to his home town of Preston in Lancashire and the year 1962. At this time Keef was playing with a highly regarded local outfit, "The Thunderbeats". Whilst this name will be unfamiliar to most readers, it is worth a brief mention if only for the fact, that this group would be the starting point for other collectable artists of the next decade. Examples of these include David John and The Mood, Little Free Rock and Thundermother (who were to perform on one side of the extremely rare "Astral Navigations" L.P. released by Holyground in 1971). The Thunderbeats were to perform regularly around the NorthWest, even supporting The Beatles at Morecambe, however Keef was about to make his first move.
When a Liverpool promoter and club owner discovered Keef was keen to turn professional, he offered him the chance to join Rory Storm and the Hurricanes as permanent replacement for Ringo Starr. Keef didn't view his new band too highly, having seen them countless times on the same gig circuit. "Nah, I didn't rate 'em much. I always thought Rory was a bit of a prat, but I couldn't turn down the chance to earn a tenner a week, which was a small fortune in those days". So, Keef became a full time Hurricane, wearing Ringo's old luminous pink stage suit and playing gigs up and down the country. The group recorded only a handful of tracks during their six year existence, and Keef's part in them has never been properly documented before.
However he clearly remembers the day, when John Schroeder from Oriole records came to record the group in the Rialto Ballroom. "I was surprised to read in a back issue of Record Collector (Rory Storm feature, issue 99) that Brian Johnson played on the session, because that was certainly me. It was done very quickly as I remember. We came up did our set, and that was it, time for the next band." These recordings were to appear on the Oriole compilation "This is Merseybeat", and the track "Dr Feelgood",was lifted to become the first single by the group.
Keef's friendship with the producer Mike Vernon enabled him to play on many more great albums, some of which are highly sought after today. Joining friends such as Eric Clapton, Tony McPhee, Peter Green, Mick Taylor and John Mayall, he played on countless sessions for visiting American bluesmen, such as Champion Jack Dupree and Jimmy Witherspoon. This informal group of friends were to also feature (frequently uncredited for contractual reasons) on many other L.P's that Mike Vernon produced for Decca and later Blue Horizon.
The first tentative steps to a solo career were made following a call from Marshall Chess ( owner of Chess Records )to Mike Vernon and Neil Slavern. As Neil remembers, "Marshall was keen for Chess to keep pace with the move from straightforward R&B to a more progressive sort of blues. He'd heard the stuff Mike had produced and was looking for something similar. Keef quickly put a band together consisting of himself, Gary Thain, Paul Rogers and Paul Kossoff. They went into the studio and finished about 3 tracks. These were sent over to the States but nothing came of it."
Keef was keen to push on, and he began auditioning friends and newcomers for the new outfit. The nucleus of this was to be Peter (Dino) Dines on keyboards, Spit James (better known as Ian Cruickshank) on guitar, Gary Thain on bass, Keef on drums and Owen Finnegan on vocals. Things were beginning to gel. The Keef Hartley Band began to gig regularly and their Chicago based blues rock was getting a good audience response.
Of the original band members, Gary Thain went on to join Uriah Heep, but suffered an electric shock on stage from which he never fully recovered. Unable to continue with the band, he became addicted to heroin and died of an overdose at the untimely age of 27.
Peter 'Dino' Dines and Miller Anderson both joined Marc Bolan's backing group, which lasted until Marc himself died tragically in a car crash just before his 30th birthday. Dino then went on to work with Bolan tribute band T Rextasy before he died of a heart attack in 2004 aged 59.
Keef Hartley carried on playing, leading bands and doing sessions, but eventually found himself in constant physical pain from the drumming – a similar fate has befallen Ginger Baker – and had to wear a neck brace. He went into retirement from music in the 80's, working as a cabinet maker, and died of complications arising from surgery, aged 67, in 2011.
by Stevie King
1969 Halfbreed (2008 Esoteric)
1969 The Battle Of North West Six (2008 Esoteric)
1970 The Time Is Near (2008 Esoteric remaster)
1970 Overdog (2005 Eclectic)
1971 Little Big Band
1972 Seventy Second Brave (2009 Esoteric)
1972 Lancashire Hustler (2008 Esoteric)
1964-67 Tha Artwoods - Singles A's & B's
Friday, December 11, 2020
Saturday, December 5, 2020
Sunday, November 29, 2020
Wednesday, November 25, 2020
Southwind - What A Place To Land (1971 us, excellent bluesy country classic rock, 2015 korean remaster)
Thursday, November 19, 2020
In 1972, Bert’s music was to be featured in a movie. The film in question was called “Ultra Violet’s Hot Parts”, a seedy film in which a French painter called Vampy – who had studied under Salvador Dali and had moved to New York in the early 1960s, going by the stage name “Ultra Voilet” – narrated over pornographic videos, often referred to as satire. The showings of the film had reportedly been raided on each occasion forcing the film underground. It has since been considered lost. However, the soundtrack - Karma Sutra KSBS 2054 was released on Karma Sutra records, a division of Buddah, and featured 4 of Bert’s songs from his first two albums.
Saturday, November 14, 2020
Bert Sommer - Inside (1969 us, elegant psych folk, with baroque prettiness, and peculiar undercurrent of melancholy, 2017 korean remaster)
Tuesday, November 10, 2020
1965, in the heat of the nights of San Francisco and Los Angeles, the rock-rhythm and blues changes itself into psychedelism. Towards Jefferson Airplane and Arthur Lee's Love, the Seeds appear then as the major group of this Weil Coast musical revolution. The Seeds leaded by Sty Saxon arc from Los Angeles He has already tried to become famous in the music business by recording a first 45 RPM under his real name Richie Marsh and the Hood winks rock'n'roll style, before to begin again with two other singles.
1966-67 The Seeds - Web Of Sound / A Full Spoon Of Seedy Blues (2013 double disc)
1967 The Seeds - Future (Vinyl edition)
1967 The Seeds - Future (2013 double disc digipak)
1986 Sky "Sunlight" Saxon And Firewall - Destiny's Children
Friday, November 6, 2020
Sunday, November 1, 2020
Renaissance - Live At Carnegie Hall (1976 uk, gorgeous art prog rock, 2019 three disc box set remaster)
In 1976, British progressive/symphonic rock/folk act Renaissance released of the greatest live albums the genre has ever seen, titled Live at Carnegie Hall. It's a double live album that doesn't get nearly the credit it deserves, but all its majesty is contained here on this new box set from Esoteric Recordings, along with some incredible bonus material.
1970 Renaissance - Illusion (2010 bonus tracks remaster)
1974 Renaissance - Turn Of The Cards
Tuesday, October 27, 2020
Steve Howe joined Yes in 1970, just in time to reinvent progressive rock on the band’s third LP, The Yes Album. Ever since, his guitar work—a blend of Wes Montgomery jazz finesse, Chet Atkins country pickin’, and supercharged psychedelia—has been the band’s defining instrumental element. And if Steve Howe is Yes, then here’s technically a long-lost Yes album: his 1969 recordings with short-lived, ill-fated act Bodast.
Tuesday, October 20, 2020
Formed in Los Angeles, California, USA, in 1970, Morning comprised by Jim Hobson (keyboards, vocals), Jay Lewis (guitar, vocals), an ex-member of Love under the name Jay Donnellan, Barry Brown (guitar, drums), Jim Kehn (guitar, drums), Terry Johnson (guitar) and Bruce Wallace (bass). After the country rock album Morning, Johnson and Wallace left and in came bass player Stuart Brotman, lately of Kaleidoscope.
Thursday, October 1, 2020
Bones was a four piece rock band on the L.A. scene in the years 1969 – 1973. An exciting live act as well as a remarkable recording outfit, Bones crafted a sound which combined great melodies, sophisticated vocals, rockin’ instrumental tracks, and (always) a danceable beat. The members were Jimmy Faragher, bass, Danny Faragher, keys, Greg Tornquist, guitar, and Casey Cunningham, drums. The band also had an unplugged, sensitive side, which featured sweet harmonies, and finger picked guitar. The guys had been known as the Peppermint Trolley Co., but in early ’69, after differences with their producer/manager, they’d walked away from all their ties, including the Acta record deal, to reinvent themselves.