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Music gives soul to universe, wings to mind, flight to imagination, charm to sadness, and life to everything.


Friday, June 22, 2012

The Smoke - The Smoke (1968 us, beautiful colorful psychedelic rock, 2010 Kismet edition)

Michael Lloyd clearly recalls the day he decided to be in a band. Aged 12, he was surfing in Hawaii in the summer of '62 with schoolfriend and fellow pianist Jimmy Greenspoon. "We were far out from the shore and we heard music coming from the beach. It sounded great. So we paddled in and there were these local guys playing Ventures songs - they were very good - and that started us thinking, We've got to have a band!" Michael took up guitar and thus were born The New Dimensions, a barely pubescent surf combo. When the British invasion turned the local band scene on its ear a couple of years later, Lloyd and his chums became The Alley Kats and then The Rogues.

Lloyd's musical obsession meant he wasn't giving school his full attention, so, in the autumn of 1964, he left Beverly Hills High School and started at the more relaxed Hollywood Professional School. When he deigned to attend classes, he met the Harris brothers, Shaun and Danny, sons of celebrated American classical composer Ray Harris. The trio quickly recognised their common enthusiasm for pop, and, inspired by seeing Jeff Beck and The Yardbirds at a Hollywood party, began recording songs in Michael's bedroom. 

The party's host, an older guy named Bob Markley, offered to fund recordings in a 2-track studio. In return he asked to join the band as a tambourine player, because it would help him attract girls. Their rudimentary recordings, mostly cover versions, were released locally on an album (recently reissued) as The West Coast Pop Art Experimental Band Volume 1. Lloyd left and the group subsequently signed to Reprise, creating three excellent albums that also deserve to be more widely heard. (They later reunited with Lloyd for an album entitled Bob Markley - A Group... It's a long story.)

In the meantime, Michael was introduced to young executive Mike Curb by ubiquitous LA scenester and producer Kim Fowley. Curb handed the precocious producer a number of projects for Tower under names such as The Laughing Wind and The Rubber Band. Epic Records then offered Lloyd the chance to produce a folk group who came to be called October Country. One afternoon in late 1967 the band assembled at Columbia Records Studios on Sunset. "That was my first time in a real studio. It was an 8-track and one of those union places where you couldn't touch a thing. 

The first thing that happened was that the drummer was so nervous he threw up and ran out! So I ended up playing the drums and then, after everyone left, I replaced all the instruments, overdubbed the strings and sang with the girl in the group." Although it flopped, the October Country album gave Lloyd a taste of what he could achieve with such facilities at his disposal. 'I promoted the fact that I could do it all. Mike Curb had this great studio called Hollywood Boulevard and he let me spend about six months there making an album. It was just me and those two guys. No engineers, no anything.' Thus was born The Smoke. 

Michael song lead vocals, played bass and keyboards while "those two guys" were Stan Ayeroff, who co-wrote three of the songs and played guitar, and Steve Baim who played drums. (Jimmy Greenspoon, by this time part of Three Dog Night, appeared in the shots on the sleeve although he didn't play on it.) Lloyd poured everything he'd learnt into the album. It opens with the organ-driven Cowboys And Indians, a song with parallels to Brian Wilson's Heroes And Villains. 'I met Bruce Johnston and he took me to a couple of sessions while Brian was recording Good Vibrations," recalls Lloyd. "it was a great experience. 

Obviously The Beatles and The Beach Boys were a prime motivation. I think I've always been trying to catch up with them." There are overt Beatles references throughout the record, the chorus of Lucy In The Sky With Diamonds is even quoted in the fade to Fogbound. The song's influence is also clear in Gold Is The Colour Of Thought. Elsewhere, the lush arrangements feature Pepperesque bursts of trumpet, strings, harpsichord and lashings of sweet singing. Including all the foregoing, October Country, the song, makes a spirited reappearance and there are further great pop moments in Umbrella and Odyssey. As a final nod to Lloyd's heroes, the album is dedicated to Stuart Sutcliffe.

As records by Beatle-obsessed youths of the '60s go, it all remains remarkably fresh, and should certainly delight fans of post-Pet Sounds psych-pop, say Millennium or Sagittarius. Perhaps only Stan's tricksy guitar shop-window, The Hobbit Symphony breaks the mood. Despite encouragement from Tower and a wide release, the album flopped. "I don't know if anybody really knew what to make of it," sighs Lloyd. "We never went on to play live as The Smoke as I'd planned.' Luckily, Lloyd had plenty of youthful confidence in reserve and didn't let failure faze him. "By the time I was 19, I'd already recorded over 10 albums with different bands and different labels, all unsuccessful! But after that my life changed a great deal." 

At the tender age of 20, Lloyd was appointed vice-president of MGM by Mike Curb and his first production job, Lou Rawls's Natural Man, won a Grammy. After that he turned out hits for teen sensations like The Osmonds and Shaun Cassidy, later producing Belinda Carlisle, Barry Manilow and, most lucratively, the multi-million selling soundtrack to Dirty Dancing. 

He worked on Pat Boone's recent, bizarre and surprisingly controversial album of orchestrated versions of heavy metal classics, and is in the studio with the Harris brothers hoping to resurrect the West Coast Pop Art Experimental Band.

But of all the things he's recorded it's clear Michael Lloyd's very fond of his forgotten classic created almost 30 years ago and is delighted that it's still finding fans. "It was great fun and gave me the opportunity to learn a little something. I'm very grateful for that."
Jim lrvin and Tim Forster,  MOJO, January 1998

1. Cowboys And Indians - 2:48
2. Looking Thru The Mirror - 1:43
3. Self-Analysis - 2:54
4. Gold Is The Colour Of Thought - 3:05
5. The Hobbit Symphony - 3:58
6. The Daisy - Intermission - 0:28
7. Fogbound - 2:22
8. Song Thru Perception - 1:46
9. Philosophy - 0:45
10.Umbrella - 2:27
11.Ritual Gypsy Music Opus 1 - 0:14
12.October Country - 2:46
13.Odyssey - 3:44

The Smoke
*Michael Lloyd - Vocals, Keyboards, Guitar, Bass, Horn,  String Arrangements
*Stan Ayeroff - Guitars
*Steve Baim - Drums

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Focal Point - First Bite Of The Apple (1967-68 uk, fantastic psychedelic rock with folk and baroque traces, 2005 Kissing Spell release)

Keen Followers of the 1960s Rock scene have become used to tales of long lost tapes and unissued recordings that have seemingly disappeared forever. Every so often, however, a cache of "lost" recordings does surface.

In subsequent years, the finally crafted pop-psych of "Sycamore Sid" helped earn the group a reputation for being one of the more intriguing- and most elusive- UK bands of the sixties. Yet nothing more was heard from Focal Point until 2002, when two previously unreleased tracks recorded at the same session as their Deram single appeared on the compilation CD 94 BAKER STREET which features artists who were signed to The Beatles' Apple Music Publishing company. Both, "Never Never" and "Girl on the corner" confirmed that "Sycamore Sid" was no fluke and that FOcal Point were perharps one of the great lost English pop groups of the 60's.

Since then, Paul Tennant, Dave Slater and Tim Wells of Focal Point have scoured lofts and basements across England in an effort to uncover tracks that were recorded during Focal Point's 1967-1968 heyday but were misplaced during ensuing decades. FIRST BITE OR THE APPLE represents the fruit of their labours. In addition to the four songs recorded for Deram in early 1968, FIRST BITE OF THE APPLE includes a number of tracks that were recorded independently at an 8-track studio in Manchester in late 1968.
by Stefan Granados

1. Miss Sinclair - 2:29
2. Sycamore Sid  - 2:39
3. Hassle Castle  - 3:39
4. Never Never  - 3:27
5. Lonely Woman  - 3:31
6. Far Away From Forever - 3:42
7. Love You Forever - 2:56
8. Tales From The GPO Files - 2:19
9. McKinnley Morgan The Deep Sea Diver - 3:10
10.Falling Out Of Friends (Paul Tennant, Dave Slater, Tim Wells) - 3:29
11.Girl On The Corner - 2:22
12.Goodbye Forever  (Dave Slater, Paul Tennant, Tim Wells) - 2:29
13.This Time She's Leaving   (Dave Slater, Paul Tennant, Tim Wells) - 3:22
14.'Cept Me - 2:28
15.Miss Sinclair (Demo) - 2:38
16.Miss Sinclair (Alternate Version) - 2:57
17.Hassle Castle (Demo) - 3:02
18.Never Never (Alternate Version) - 3:04
19.Reflections (Demo) - 2:54
20.Reflections - 2:59
All songs by   Paul Tennant and Dave Rhodes except where noted.

Focal Point
*Paul Tennant - Vocals, Guitar
*Dave Rhodes - Guitar, Vocals
*Neil MacDonald - Guitar, Backing Vocals
*Dave Slater - Bass
*Ray Gobin - Drums
*Dave Hardbattle - Drums, Backing Vocals
*Tim Wells - Keyboards
*Lionel Morton - Vocals
*Cosmo - Guitar
*Ted Hesketh - Drums

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