In The Land Of FREE we still Keep on Rockin'

It's Not Dark Yet

Plain and Fancy

Music gives soul to universe, wings to mind, flight to imagination, charm to sadness, and life to everything.

Plato

Sunday, August 5, 2012

Various Artists - Essential Pebbles Vol. 3 (60's europe, still more ultimate '66 garage classics!, two disc set)



This double disc set focuses on European freakbeat from the lands of Denmark, The Netherlands, Sweden, Germany, and Switzerland. Disc 1 is a rollercoaster ride of entertainment, from great peaks of garage bliss to barren lows of wannabe-Stones and Kinks. All the selections from Holland and Denmark are here, with the latter half hailing solely from Sweden. Disc 2 kicks off with Swedish freakbeat before taking the train to Germany and finishing the tour in Switzerland.


Artists - Tracks
Disc 1
1.Rob Hoeke - When People Talk - 2:49
2.Fun of It - Drollery - 2:41
3.Phantoms - Someday I'm Somebody - 2:19
4.Jets - I Was So Glad - 2:21
5.Haigs - Where to Run - 1:53
6.Jets - Worker in the Night - 1:57
7.Lords - Day After Day - 2:14
8.Counsellors - I'll Be Your Man - 2:20
9.Golden Earrings - Not to Find - 1:55
10.Lazy Bones - I'm Driftin' - 2:54
11.A B & C - Vies - 2:08
12.Danny And the Royal Strings - Get Away - 2:29
13.Slaves - Shut Up - 2:16
14.Jack And the Outlaws - Step Into My Heart - 2:43
15.Meteors - Anytime - 3:16
16.Mad Sound - To Masturbate - 4:14
17.Beatcher - What'd I Say - 2:23
18.Tages - Bloodhound - 2:42
19.Palmes - Nazz Are Blue - 2:57
20.Shakers - Move Out of My Mind - 2:28
21.Baby Grandmothers - Somebody Keeps Calling My Name - 7:15
22.Lee Kings - Oriental Express - 2:45
23.Stringtones - Ode to Rhythm and Blues - 2:19


Disc 2
1.Sooner or Later - This Hammer - 2:44
2.Sooner or Later - Night Time - 2:35
3.Melvins - The Man Down There - 2:06
4.Trappers - Too Much Monkey Business - 1:43
5.Shakers - Tracks Remain - 3:41
6.Fabulous Four - 438 S. Michigan Ave. - 3:24
7.Shakers - Who Will Buy These... - 3:43
8.Cads - Call My Name - 2:17
9.Comancheros - It's So Right - 2:19
10.Dee Jays - Striped Dreams - 3:10
11.Demons - You - 1:55
12.Gents - Honor Bright - 2:30
13.Dee Jays - You Must Be Joking - 2:37
14.Flippers - Louie, Louie - 3:04
15.Bootjacks - Stoned - 5:01
16.Ones - Love of Mine - 3:05
17.Drafi And the Magics - I Don't Need That Kind of Loving - 2:12
18.Dukes - I'm an Unskilled Worker - 2:45
19.Sevens - Talk About Her - 2:13
20.Sevens - Panam - 3:10
21.Sauterelles - No No No - 3:01
22.Countdowns - Sex Maniac - 2:35
23.Sevens - In God We Trust - 2:26
24.Sevens - What Can I Do - 2:47
25.Sauterelles - Hong Kong - 3:32

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Saturday, August 4, 2012

Various Artists - English Freakbeat, Vol. 4 (1963-67 uk, impressive raw rhythm and blues)



Issued in 1989 on LP, and on CD in 1997 with all fourteen original tracks intact, plus nine additional bonus cuts. The obscure mid-'60s British R&B here ranges from the generic to the truly exciting, like Thane Russal's Them-like cover of Otis Redding's "Security," and the Clique's pop-punk "She Ain't No Good," and the Syndicats' "Crawdaddy Simone," which has some of the most demented rock guitar of the mid-'60s (although the version here is of lower fidelity than ones that have appeared on other anthologies). Other highlights include the Sons of Fred manic rockabilly-R&B hybrid "I'll Be There" (with some of the zaniest guitar lines to be found on any British Invasion single) and Cops & Robbers' "You'll Never Do It Baby," which was covered by the Pretty Things. 
by Richie Unterberger


Artists - Tracks
1. Thane Russal And Three - Security - 2:41
2. Cops And Robbers - I've Found Out - 2:26
3. Cops And Robbers - You'll Never Do It Baby - 2:45
4. Clique - She Ain't No Good - 2:20
5. The In Crowd - Things She Says - 1:49
6. Mal Rider And Spirits - Forget It - 2:02
7. Snobs - Ding Dong - 2:32
8. Sons of Fred - Baby, What You Want Me to Do - 2:29
9. Sons of Fred - I'll Be There - 2:56
10.Sons of Fred - Sweet Love - 2:46
11.Soul Agents - Don't Break It Up - 2:56
12.Soul Agents - Mean Woman Blues - 2:59
13.Soul Agents - I Just Wanna Make Love to You - 2:27
14.Syndicats - Crawdaddy Simone - 3:11
15.Tony Dangerfield - She's Too Way Out - 2:23
16.Wheels - Call My Name - 2:08
17.Mickey Finn And Bluemen - Reelin' and Rockin' - 2:10
18.Others - Oh Yeah - 2:53
19.Primitives - Johnny Noooooo!!! - 3:12
20.Shorty And Them - Dimples - 5:57
21.4 Degrees - Too Much Monkey Business - 2:57
22.4 Degrees - I've Got My Brand on You - 2:56
23.Stovepipe No. 4 - Pretty Thing - 3:19

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Friday, August 3, 2012

rep>>> Thunderduk - Thunderduk (1972-74 us, fine heavy guitar jamming psych with jazz elements, 2007 Footprint issue)

Andwellas Dream - Love And Poetry (1969 ireland, brilliand psych, with killer guitar leads, occasionally veering towards progressive rock, 2009 Sunbeam extra tracks edition)



Andwella’s Dream was a thrusting injection of freakbeat that could not be ignored. Their slicing riffs were high core psyche injected from guitarist / keyboardist David Lewis, bassist Nigel Smith and drummer Gordon Barton who started out as The Method that at one time included Gary Moore.They were regulars at the Maritime Club where Van Morrison had his early days with Them.

The Method evolved into Andwella’s Dream and were the primal Irish psyche next to Eire Apparent. Dave Lewis the soaring guitarist who wrote all the songs also recruited keyboardist Dave McDougall, ex McCullochs Struthers & Paterson bassist Dave Stuthers, Nigel Portman Smith and ex One In A Million/Andromeda drummer Jack McCulloch.The bamboo flute and sax was played by future Egg Bob Downes. When Andwella’s Dream moved to London they released their primal 1969 debut Love And Poetry with surging numbers like the thrusty opener “The Days Grew Longer For Love” and guitar razzling “Sunday”.

Dave’s throttling axe exerts fury on “Lost A Number Found A King” with its ancient Indian flute and ambient acoustic textures. The two finest numbers “Cocaine” with McDougall pushing hard and the soaring “Shades Of Grey” where ex Thunderclap Newman Jack McCulloch’s drums are best heard create a furnace of fusion.

Acoustic delights are “Midday Sun”, “Goodbye” and the Hammond rolling “Felix” which opens into crescendo breaks by Lewis. In 1970 they evolved into Andwella and launched a further two albums Worlds End (1970) and Peoples People (1971) plus a bounty of singles. World’s End although a lyrical romantic masterpiece did ignite the past as on the psyche “Michael Fitzhenry” exalting frenetic flute and Dave’s insatiable guitar riffs. The harmonies and melody that bend around the brassy I’m Just Happy To See You Get Her are creative marvels.

Future Bad Company definitely copped the riffs from “Just How Long” while the double linked “World’s End” is just so underplayed. Sterling jazz riffs trip through Steely Dan styled “Back To The Road” with Bob Downes giving it stick in the wind. There’s a bit of Billy Joel in the People’s People or even Tremeloes in the opener “She Taught Me To Love” which crystalises into the spiritual “Saint Bartholomew”.

Lewis was the songwriter extraordinaire having written the award winning film War and songs as varied as “Happy To Be An Island In The Sun”, #1 for ex Aphrodite Child Demis Roussos. David’s 1969 The Songs Of David Lewis remain a collector’s dream.
by Shiloh Noone


Tracks
1.The Days Grew Longer For Love - 3:55
2.Sunday - 3:13
3.Lost A Number, Found A King - 6:03
4.Man Without A Name - 2:41
5.Clockwork Man - 2:44
6.Cocaine - 4:59
7.Shades Of Grey - 3:36
8.High On A Mountain - 2:31
9.Andwella - 3:15
10.Midday Sun - 3:40
11.Take My Road - 3:22
12.Felix - 4:16
13.Goodbye - 2:17
14.Mrs. Mann - 3:59
15.Mister Sunshine - 3:17
16.Every Little Minute - 3:55
17.Michael FitzHenry - 3:42
18.Take My Road - 3:26
19.Man Without A Name - 2:38
20.Paradise Isle - 3:44
21.Miles Away From My Baby - 4:37
All songs by David Lewis
Bonus tracks from 14-21.

Andwella's Dream
*Dave Lewis - Guitar, Keyboards, Vocals
*Nigel Portman Smith - Bass
*Gordon Barton - Drums
with
*Bob Downes - Flute, Percussion, Chinese Bells, Tam Tam
*Wilgar Campbell - Drums

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Various Artists - English Freakbeat Vol. 3 (1963-68 uk, 25 beat-pop pounders)



This mid-'60s British rock compilation, offers an occasional surprise: the protest folk-rock of the Mockingbirds' "One By One" (featuring Graham Gouldman), the weird cover of "Surf City" by the Raving Savages (Screaming Lord Sutch's backup band, with Ritchie Blackmore and Nicky Hopkins), and Bryan & the Brunelles' Zombies soundalike "Jacqueline." 

The biggest surprise, however, will bring this to the attention of listeners who don't collect these kinds of compilations: there are three 1963 demos by the Ravens, a pre-Kinks group led by Dave Davies. Actually, it sounds suspiciously like Ray Davies is singing on these tracks, liner notes to the contrary. It's bound to create excitement, and controversy about their actual origin, among Kinks collectors, but in any case, "I'm a Hog for You Baby" is a respectable R&B cover, "I Believed You" a poppy number in the spirit of the Kinks' two pre-"You Really Got Me" singles, and "This I Know" a more introspective, folky tune that (like "I Believed You") certainly sounds like an unreleased Ray Davies composition. 
by Richie Unterberger


Artists - Tracks
1.Sons Of Fred - I, I, I Want You Lovin' - 1:46
2.Sons Of Fred - She Only Wants a Friend - 2:18
3.In Crowd - Why Must They Criticise - 2:29
4.Thee - There You Go - 1:44
5.UK's - You Love Is All I Want - 2:06
6.Attraction - She's a Girl - 2:38
7.Bryan And Brunelles - Jacqueline - 2:28
8.Ways And Means - Breaking up a Dream - 2:29
9.Thoughts - Memory of Your Love - 2:09
10.Couriers - Take Away - 2:21
11.Mockingbirds - One By One - 2:24
12.Answers - It's Just A Fear - 3:19
13.Raving Savages - Surf City - 2:23
14.Svensk - Getting Old - 2:09
15.Ravens/Dave Davies - I'm a Hog For You Baby - 1:42
16.Ravens/Dave Davies - I Believed You - 1:59
17.Ravens/Dave Davies - This I Know - 2:03
18.Quakers - She's All Right - 2:41
19.Quakers - Talk to Me - 2:23
20.Talismen - You Break My Heart - 2:08
21.Frays - Keep Me Covered - 2:35
22.Favourite Sons - Walking Walking Walking - 2:09
23.Shakespears - Burning My Fingers - 2:11
24.Dave Dee, Dozy, Beaky, Mick And Tich - He's a Raver - 2:09
25.Talismen - What Kind of Boy - 2:34

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Thursday, August 2, 2012

Kippington Lodge - Shy Boy / The Complete Recordings (1967-69 uk, fabulous beat psychedelia, sunshine pop, with young Nick Lowe and Brinsley Schwarz, 2011 RPM release)



Before he taught us that it was cruel to be kind, and even before he first wondered “what’s so funny ‘bout peace, love and understanding?,” Nick Lowe was one fourth of the groovy lite psych-pop outfit by the name of Kippington Lodge. The group, however, was short-lived, and morphed into pub-rock pioneers Brinsley Schwarz, folk/country/rockabilly revivalists. Thanks to Cherry Red’s RPM label we have the chance to listen the complete recorded output of Kippington Lodge for a window into “what might have been” for Messrs. Lowe and Schwarz. Shy Boy: The Complete Recordings 1967-1969, due the last week in July, is named for the debut single of Kippington Lodge, and collects all ten single sides plus five bonus tracks: an unissued song, two alternate takes and two BBC performances.

Nick Lowe first met Brinsley Schwarz at the Woodbridge School, where they made music with Barry Landerman and Phil Hall. Lowe assumed bass duties and Schwarz guitar, while Landerman handled keyboards and Hall also guitar. As early as 1964, this group was performing as Sounds 4+1, but Sounds was short-lived, and Schwarz regrouped with Pete Whale (drums) and Dave Cottam (bass) as Three’s a Crowd in 1966. That, too, wasn’t destined to last, although Schwarz’s old friend Landerman joined in 1967 as the band was being renamed Kippington Lodge.

Three’s a Crowd/Kippington Lodge attracted enough local buzz to come to the attention of EMI’s Parlophone label and producer Mark Wirtz. The same year of 1967, Wirtz joined EMI as a staff producer where he helmed efforts by Keith West and Tomorrow. He was instrumental in signing The Pink Floyd to EMI, and is best known for 1967’s “Grocer Jack (Excerpt from A Teenage Opera),” a single he arranged, produced and conducted for West.

The hit single was just one part of Wirtz’s ambitious pop opera, but it was kept from the top spot on the British chart by Engelbert Humperdinck and “The Last Waltz.” (Engelbert was a force with which to be reckoned. His “Release Me” kept The Beatles’ “Strawberry Fields Forever”/”Penny Lane” double A-side from No. 1, too!) West and Wirtz followed up “Grocer Jack” with “Sam,” but that Teenage Opera tune stalled, leaving the whole opera’s fate in question. The complete Teenage Opera – shades of SMiLE – didn’t see release until 1996, but another song intended for it, “Shy Boy,” was given by Wirtz to Kippington Lodge for release in October 1967. Wirtz produced the first four sides (two singles) for Kippington Lodge, all in a lush harmony-pop vein.

It was around the same time that Dave Cottam left the band, and Nick Lowe filled the vacancy on bass. Lowe would soon be penning songs for the group, including “I Can See Her Face,” an edgier work than the sides produced by Wirtz. The band’s revolving door was still in full swing, though. Barry Landerman left to join Vanity Fare (“Hitchin’ a Ride”), Bob Andrews joined on keyboards and Pete Whale’s exit paved the way for Billy Rankin to join the band.

Kippington Lodge recorded “Tomorrow, Today,” a song by the hitmaking team of Roger Cook and Roger Greenaway, and even attempted a Beatles cover (“In My Life”). None of Kippington Lodge’s singles, all released between 1967 and 1969, ever caught chart fire. The quartet of Lowe, Schwarz, Andrews and Rankin had quietly morphed into Brinsley Schwarz, the band, by 1970, adding Ian Gomm on rhythm guitar. (Following that band’s breakup, Schwarz and Andrews would join Graham Parker and The Rumour.)

Shy Boy: The Complete Recordings 1967-1969 compiles all ten Kippington Lodge singles for the first time on CD under the band’s name. (They had somewhat haphazardly been brought together on a Brinsley Schwarz rarities compilation, Hen’s Teeth, in 1998.) RPM has added one unreleased song, “Land of Sea,” and four other alternates and live performances to round out the disc. Shy Boy is in stores on July 26 in the United Kingdom and one week later in the United States.
by Joe Marchese


Tracks
1 Shy Boy (Keith Hopkins, Ken Burgess) - 2:38
2 Lady On A Bicycle (Brinsley Schwarz) - 3:02
3 Land Of Sea (Brinsley Schwarz) - 3:13
4 And She Cried (Barry Landeman, Brinsley Schwarz) - 2:39
5 Rumours (J. Ferdy, Mark Wirtz) - 2:23
6 And She Cried (Barry Landeman, Brinsley Schwarz) - 2:47
7 Land Of Sea (Brinsley Schwarz) - 2:59
8 Shy Boy (Keith Hopkins, Ken Burgess) - 2:32
9 Younger Girl (John Sebastian) - 2:09
10 Tell Me A Story (Barry Landeman) - 2:50
11 Understand A Woman (Derek Lekenby, Keith Hopwood, Roger Brook) - 2:58
12 Tomorrow Today (Roger Greenaway, Roger Cook) - 2:39
13 Turn Out The Light (Barry Landeman) - 3:04
14 In My Life (John Lennon, Paul McCartney) - 3:21
15 I Can See Her Face (Nick Lowe) - 2:16

Kippington Lodge
*Brinsley Schwarz - Guitar, Vocals
*Barry Landerman - Keyboards
*Pete Whale - Drums
*Dave Cottam - Bass, Vocals
*Nick Lowe - Bass, Vocals
*Bob Andrews - Keyboards
*Bill Rankin - Drums

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Various Artists - English Freakbeat Vol. 2 (1964-67 uk, great rough hard 'n' rhythm)



With 10 bonus tracks this CD version of English Freakbeat Vol. 2,  including many unknown and some well know names like Ritchie Blackmore - The Lancasters, Steve Howe - The Syndicats, The Wheels,  The Koobas and many others.  A worthwhile compilation not only for historical reasons but also for the chance to listen some great lost gems.


Artists - Tracks
1. Glenn Athens And the Trojans - Let Me Show You - 4:30
2. Sessions - Let Me In - 2:47
3. Mickey Finn - Garden of My Mind - 2:32
4. Mickey Finn - Time to Start Loving You - 2:42
5. Peter Kubaska - I Love Her - 2:38
6. Peter Kubaska - Face - 2:33
7. Beat Merchants - So Fine - 2:43
8. Beat Merchants - Messin' With the Man - 2:15
9. Wolf Pack - We're Gonna Howl - 1:39
10.Syndicats - Howlin' for My Baby - 2:51
11.Soul Agents - Gospel Train - 3:48
12.Soul Agents - I Just Wanna Make Love to You - 2:28
13.Muleskinners - Back Door Man - 3:49
14.Muleskinners - Missed Your Lovin' - 2:27
15.Wheels - Don't You Know - 2:50
16.Wheels - Road Block - 3:21
17.Blueberries - Please Don't Let Me Know - 2:34
18.Blueberries - It's Gonna Work Out Fine - 2:51
19.Blue Rondos - Little Baby - 2:38
20.Dakotas - 7 Pounds of Potatoes - 2:24
21.Limeys - Cara-Lin - 2:24
22.Lancasters - Earthshaker - 1:44
23.Lancasters - Satan's Holiday - 1:55

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Wednesday, August 1, 2012

Various Artists - English Freakbeat Vol. 1 (1963-68 uk, crazed limey teens on a wyld sound rampage!)



I really want to say a big thank to my friend Cudawaver for his cooperation, and for all his hard work, it is very important to me, for this place we share here, which was created with the only aim to offer, we will continue to be here -despite all the difficulties- with consistency and dedication.

I would also like to Thank  all of  you, who stand next to us and give the support we need. Our love for music gives us strength to go on.....as far it goes

The first volume by the English Freakbeat series, contains some great stuff, among the others, an early incarnation of the Groundhogs, Ron Woods Birds, Mick Ronson's Rats, The In-Be-Tweens, a predecessor band to Slade, (discovered by Kim Fowley who was the co-writer on this song, duplicate to  "I take what I want" which was composed at the same year 1965 by Isaac Hayes, David Porter and Teenie Hodges).    


Artists - Tracks
1. Groundhogs - Shake It - 2:07
2. Johnny Neal & Starliners - Walk, Baby Walk - 2:32
3. In-Be-Tweens - Girl, I Am Your Evil Witchman - 2:23
4. Rebounds - Help Me - 2:18
5. Primitives - Help Me - 3:42
6. Primitives - Let Them Tell - 2:19
7. Beat Merchants - Pretty Face - 1:58
8. Steve Davies - She Said Yeah - 2:35
9. Loot - Baby Come Closer - 2:35
10.Miki Dallon - I'll Give You Love - 2:21
11.Chasers - Inspiration - 2:37
12.Sheffields - Plenty of Love - 2:22
13.Couriers - Done Me Wrong - 2:12
14.Rats - Headin' Back - 2:18
15.Wild Ones - Purple Pill Eater - 2:10
16.Primitives - Cara-Lin - 3:35
17.Primitives - Forget It - 2:05
18.Birds - Say Those Magic Words - 3:16
19.Birds - Daddy Daddy - 4:07

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Tuesday, July 31, 2012

Tamam Shud - Evolution (1969 aussie, significant hard psych rock with prog traces, 2007 japan extra tracks edition)



As the year progressed The Sunsets, now immersed in the blossoming psychedelic scene, reinvented themselves as Tamam Shud. Their new name was a Persian phrase meaning "the very end", which was taken by Bjerre from the closing words of the Rubaiyat of Omar Khayyam. (The naming of the group is recounted in a hidden track at the end of Permanent Culture, narrated by Tim Gaze's father.) They were certainly one of the first Australian groups to take up the new acid-rock style led by artists like Cream, Hendrix and Pink Floyd. As the above quote indicates, they were also strongly influenced by free jazz, and by the American West Coast groups like Love, Big Brother & The Holding Company, The Grateful Dead and Jefferson Airplane -- although they were (in my opinion anyway) far more coherent musically than the Dead, and their songs were less strident lyrically than some of the Airplane's more politicised material.

On stage, their live sound had a distinctive edge thanks to Bjerre's use of an acoustic guitar, amplified by a pickup, and right from the start they were respected by audiences and players alike for their musicianship. Their first appearance as Tamam Shud was at the Intermedia Circus in Sydney in 1967 and they soon became recognised as one of Australia's most innovative bands, with their sets including long, improvised instrumental sections. According to Noel McGrath, "...audiences never danced - they sat and listened".

Over the next five years Shud became one of the most popular live acts of the east coast scene, playing at all the major disco and 'head' venues in Sydney and Melbourne. The lingering "surf band" tag linked them with Sydney's northern beaches surf culture, and it's a misnomer that has been repeated in several refernece books, but according to Lindsay, Tamam Shud hardly ever played the northern beaches. In reality, the major fan base fopr them, and for contemporaries like The Dave Miller Set was on Sydney's university and college dance circuit, and with the 'hippy' audiences at inner city underground venues like the Mandala Theatre in Darlinghurst and the Beacon Theatre in Newtown.

The Shud also had a notable association with the famous Sydney film/lightshow collective UBU who promoted many pioneering multimedia events in Sydney, and Shud were regularly teamed with other leading progressive acts including Tully. They often played at UBU-organised events, including the legendary Underground Dances of 1968-69. In the press release for the first Underground Dance in December 1968, they were described as "the wildest new group on the local scene". They became firm favourites with Go-Set magazine (especially Sydney staff writer David Elfick) and featured regularly in its pages.

Not everyone was so appreciative however. At one early UBU concert -- a benefit for the Coogee Boardriders Club at the Heffron Hall in East Sydney on 10 August 1968 -- the Shud's performance and the UBU lightshow were brought to an early halt by the hall manager, who turned off the power, condemning the event as "the ultimate in depravity"!

Their first LP, recorded at the end of 1968, has been justly hailed by Ian McFarlane as: "... one of the first wholly original rock albums issued in Australia".

It was made independently, the session financed by filmmaker Paul Witzig to provide music for his surf film Evolution (the first Australian surf film to abandon narration and accompany the images with music alone). Four tracks -- Evolution, I'm No-One, Mr Strange and< Lady Sunshine -- were used in the film. These four tracks were later re-recorded, along with eight other originals, for what became Tamam Shud's debut album Evolution.

Most of Witzig's budget was committed to the considerable expense of transporting and filming surfers in exotic overseas locations (air travel was very expensive back then, relative to today) so the budget for the music was minuscule. Consequently, the twelve songs that make up Evolution were recorded live, with very basic equipment, in a single 2-1/2 hour session, and mixed in a mere 1-1/2 hours. Evidently most if not all of the tracks are first takes. The spontaneity is delightfully revealed by the intro to the bluesy Feel Free; the song breaks down just after the count-in and Bjerre is heard to laughingly say "Wait until the bass turns his amp on." Barron had indeed forgotten to switch on!

Although the recording quality is fairly rough, both the material and the performances are very strong, and it stands up extremely well today. Arrangements are excellent, performances are very energetic; Bjerre's strong, soulful vocals carry the songs with ease, Zytnic contributes some tasty acid-tinged lead breaks, and Barron and Davidson provide a solid and supple backing throughout. The standout track is without doubt the beautiful, jazzy Lady Sunshine, which was included on Raven's Golden Miles anthology in 1994. In the Freedom Train interview Lindsay named Falling Up as his personal favourite.

Evolution is now rare indeed; a good copy - if you can find one -- will set you back several hundred dollars on the collector's market, and it cries out for a CD release. There has been talk of one of the local reissue labels doing so, but nothing has eventurated to date. The album was leased to CBS, and both the film and its soundtrack were very successful, thanks in part to Go-Set, who supported the film with a poster competition, a 'win-a surfboard' competition, and regular features on the Shud throughout 1969

Tracks
1a. Music Train - 3:52
1b. Evolution - 2:45
2. I'm No One - 2:08
3. Mr Strange - 2:34
4. Lady Sunshine - 4:39
5. Falling Up - 2:48
6. Feel Free - 3:12
7. It's A Beautiful Day - 2:53
8. Jesus Guide Me - 3:53
9. Rock On Top - 2:49
10.Slow One And The Fast One - 6:58
11.Too Many Life - 3:04
12.Bali Waters - 6:14
13.Got A Feeling - 2:37
14.My Father Told Me - 3:48
All songs by Lindsay Bjerre
Tracks 12-14 from "Bali Waters EP" (1972)

Tamam Shud
*Lindsay Bjerre - Songs, Guitar, Vocals
*Peter Barron - Bass
*Larry Duryea - Congas
*Tim Gaze - Guitar
*Kevin Stevenson - Reeds
*Richard Lockwood - Sax, Flutes
*Nigel Macara - Drums

1970  Goolutionites And The Real People

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Kaleidoscope - White-Faced Lady (1970 uk, a luscious sustained reverie, japan two disc set edition)



This elaborate two-CD set collects two albums by Fairfield Parlour: From Home to Home, a somber, more mature album that was inspired by early Pink Floyd and released on Fontana's more progressive Vertigo imprint in 1969, and White Faced Lady, the band's so-called "lost masterpiece." Burning Airlines Records' 2001 reissue of White Faced Lady collects both albums -- which are accredited to the band's previous moniker, Kaleidoscope -- with the best packaging of these recordings thus far, including two lavishly designed, glossy booklets, including one that features singer Peter Daltrey's original White Faced Lady story and lyrics. 

The origin of White Faced Lady is quite interesting: over the spring and summer of 1970, the band's two songwriters -- Peter Daltrey and Eddie Pumer -- had noticed that quite a few of their new songs seemed to have a similar theme. They began shaping these tracks into what turned out to be an ambitious and conceptual pop opera, taking its name from a pivotal track, "White Faced Lady." The narrative followed the tragic life of a troubled movie starlet named Angel, desperate for both love and fame but finding neither. The story was said to have been based loosely on the tragic life of Marilyn Monroe. 

Musically, White Faced Lady was less British pop-like than their earlier recordings, as the band was then becoming more "renaissance/progressive" overall, even as it revealed they may have been straining beyond the scope of their sweeping orchestration vision. The first part of White Faced Lady had a wistful, somewhat light air about it, with acoustic guitars, flutes, full orchestra, and choir giving way to more complex and cluttered arrangements that sometimes blended in sitar ("Song for Jon") and other psychedelic elements along the way. 

Without a label's backing, however, the band had to invest their own money into the recordings. Later, their longtime producer, former Radio One DJ David Symonds, signed a leasing deal with a Vertigo exec who agreed to pay them upon delivery of the album. The sessions were continued the following spring at Sound Techniques in London's Chelsea district. 

Toward the end of the sessions, the band found out that their leasing deal was off, so this ornate and abstruse album was shelved for 20 years. It wasn't officially released, in a complete form, until 1991, when the band issued the vinyl version on their own Kaleidoscope label. Both albums were later collected on CD as Kaleidoscope: The Fairfield Parlour Years. 
by Bryan Thomas


Tracks
Disc 1
1. Overture - 2:47
2. Broken Mirrors - 2:49
3. Angel's Song: "Dear Elvis Presley..." - 2:38
4. Nursey, Nursey - 3:47
5. Small Song - Heaven In The Back Row - 3:21
6. Burning Bright - 2:03
7. The Matchseller - 3:50
8. The Coronation Of The Fledgling - 2:14
9. All Hail To The Hero - 3:09
10. White-Faced Lady - 4:46


Disc 2
1. Freefall - 5:13
2. Standing - 1:47
3. Diary Song: The Indian Head - 4:24
4. Song From Jon - 7:51
5. Long Way Down - 4:05
6. The Locket - 2:58
7. Picture With Conversation - 3:38
8. Epitaph: Angel - 7:54
All compositions by Peter Daltrey and Eddy Pumer.

Kaleidoscope
*Eddy Pumer - Lead Guitar, Keyboards
*Steve Clark - Bass, Flute.
*Dan Bridgman - Drums, Percussions.
*Peter Daltrey - Lead Vocals, Keyboards

Kaleidoscope's mosaic 
1967  Kaleidoscope - Tangerine Dream
1967-71  Please Listen To The Pictures / The BBC Sessions
1967-69 Kaleidoscope - Dive Into Yesterday
1969  Kaleidoscope - Faintly Blowing
1970  Fairfield Parlour - Home to Home

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Monday, July 30, 2012

rep>>> Various Artists - Floor Filler Killers • New Directions Vol. 3 (60's uk, excellent groovie garage beat psych)

Various Artists - Pebbles Vol. 6 • English Freakbeat • The Roots Of Mod (60's uk, rud 'n' sharp mod freakbeat)



Since the late 1940s when Joe Turner sang "Shake Rattle and Roll", the root of all rock and roll music has been rhythm and blues -Elvis Presley, Little Richard. Jerry Lee Lewis, they all played their part in exposing the white teenage audience to black music in various adaptations. 

Later, in the 60's; blues became familiar and commonplace to everyone, and was therefore abandoned by America's black culture, replaced by soul, then funk, then disco- all of which in turn influenced newer generations of white musicians. But let's take a look now at that period in the early 60s when blues and R & B were known only to the most adventurous whites, and considered dangerous, unknown, darkly mysterious territory. 

Into this unknown territory came a generation of musicians who were forming bands in the early 60's in America too, but primarily in England where the appallingly bland pop music of the time led to a massive backlash of bands and music that were, for the time, quite daring. Imagine the illicit thrills experienced by these lads of conservative British upbringing upon finding a rare imported album by John Lee Hooker, taking it home, learning to play the songs and practicing acting, talking, singing like the Negroes of their glamorized imagination. It's easy to see why it became an obsession among the musically-inclined hipsters of the time. 

The rhythm and blues scene in England had its peak in the years 1961-64, though its influence was felt for many years thereafter in the work of Eric Clapton, Alvin Lee, John Mayall, Jeremy Spencer, and many others. But by then it had become something different. In the early years it was a raw, impromptu music of the streets, scruffy and nasty. It was the punk music of its time and place, and it related to the Merseybeat trend of the same period just like today's punk bands relate to their more pop-oriented New Wave colleagues. 

It was a purer, tougher expression of the same rebellion against cultural tedium. On this album we have brought together some of the strongest and most sought-after examples of British R & B from the classic period. Are you ready? You may think you are, but just wait 'til you hear the contents of these grooves... 

I predict you'll be rubbing Shinola on your skin, hitting the streets in search of a beat-up Cadillac, a cheap harmonica in your back pocket, bent on jamming with Eric Burdon if it's the last thing you do...
by Nigel Strange, editor of "The Web of Sound" magazine. 


Artists - Tracks
1. The Fairies - Get Yourself Home - 2:17
2. Junco Partners  - Take This Hammer - 2:10
3. The Fairies - I'll Dance - 2:01
4. The Cheynes - Respectable - 1:51
5. The First Gear - Leave My Kitten Alone - 2:14
6. The Betterdays - Here 'Tis - 2:18
7. The Wild Ones - Bowie Man - 2:31
8. David John And The Mood - Bring It To Jerome - 2:07
9. The Wheels -  Road Block - 3:35
10.The Fairies - Anytime At All - 2:21
11.Rhythm And Blues Inc.- Honey Don't - 2:25
12.Erkey Grant And The Eerwigs - I'm A Hog For You - 2:11
13.David John And The Mood - I Love To See You Strut - 2:13
14.Bill And Will - Goin' To The River - 2:33
15.Blues By Five - Boom Boom - 2:25
16.Steve Aldo - Baby What You Want Me To Do - 3:49
17.Jason Eddie And The Centremen - Spoonful - 2:22
18.The Rats - Singing The Blues - 2:28
19.Bo And Peep - Young Love - 2:46

Saturday, July 28, 2012

Kaleidoscope - Please Listen To The Pictures / The BBC Sessions (1967-71 uk, unique essential psychedelia)



Most of these recordings have seen the light of day in the form of a CD bootleg some time back, but I'll wager there are more people who want to hear them than actually have already. Therefore, this beautifully presented set is a most welcome addition to the much revered and loved Kaleidoscope / Fairfield Parlour canon. As with all the Circle releases, the packaging and presentation is sumptuous. If you have a record deck, plump for the vinyl edition, I do every time. The double LP comes in a heavy duty gatefold sleeve. The Kaleidoscope LP has a faux Fontana label and the Fairfield Parlour LP has a faux Vertigo label.

The liners by Peter Daltry in the gatefold itself tell of the dilemma of being a progressive band in a regressive recording environment (with the indifference of the BBC's white coated clock-watching engineers). The four page LP sized booklet features a raft of memorabilia in colour and b/w and further liner notes by Nigel Leese on the intriguing life expectancy of BBC transcription records and master tapes!

So how groovy are the grooves then? It should be said straight off, as do Circle themselves, that there are four off-air cuts from a manky old reel to reel tape, the only remaining extant recordings from two Kaleidoscope sessions. The first features 'Faintly Blowing' and '(Further Reflections) In The Room of Percussion' from a Tommy Vance hosted Top Gear session. These are actually pretty reasonable sound wise. Once the ears adjust, they are strangely compelling. Indeed 'Faintly Blowing' sounds like it has some interesting extemporisation going on which makes it worthwhile in itself. The second two off-air numbers, 'Do It Again For Jeffrey' and '(Love Song) For Annie' come from Radio 1 Club session and are pretty rough in sound quality, but nonetheless we're not exactly awash with Kaleidoscope sessions (see why in the liners! - there were plenty more at one time), so even a rough old tape has an aesthetic value.

That said, the rest of the album's 22 tracks are in excellent sound quality and all feature the introductions of Brian Matthew whose perky, effervescent style never really changed even though the music and the times did. Matthew 's continuity links indeed must amount to more than the sum total of some acts recorded musical output on reissue discs these days given the number of Saturday Club etc. sessions that have found their way onto reissues in recent years! Indeed, just listening to the brief interview he conducts with Kaleidoscope at the beginning of Side 1, LP 1, shows just how mannered and polite not to mention self-effacing some of these acts were (think Zombies, Eclection etc) in conversation, so unlike the 'yeh of course I'm brilliant, tell me something I don't know already' attitude of many of today 's popsters (and that's my pitch for a grumpy old man interview!).

As for the rest of the music, the Kaleidoscope tracks on Side 1 especially, throw the sound images of the released versions into relief. It is great to hear songs like 'Flight From Ashiya', 'The Murder of Lewis Trollani', 'A Dream For Julie' and 'Dive Into Yesterday' in the raw. The songs are so strong that even without the dreamlike embellishments of the studio, these songs stand up as masterpieces now as much as they did nearly 40 years ago. 'Snapdragon' is especially excellent. Daltry tells of the widespread practice of taking in pre-recorded backing tapes to the BBC studios to record against as it saved time and made the engineers happy! Both 'Snapdragon' and the studio version (as opposed to the off-air version) of 'Do It Again For Jeffrey' would appear to be of this ilk, featuring as they do brass sections, pianos etc.

The Fairfield Parlour numbers sound more produced (but it was 1970-71 by then) But it's very cool to hear the prominence of the sitar for instance on 'Bordeaux Rose' or the chorused guitar on the first version (of two) of 'Free'. 'Long Way Down, 'Diary Song' or 'Matchseller' are excellent renditions and enjoyable to the utmost, you'll be rooting out your 'White-Faced Lady' and 'From Home To Home' CDs to compare them with.

Overall this is another quality package from Circle and I can't think how the justice done to most of the songs here could be bettered. Fans will love this set, it's a real treat for the eyes and ears, rough old tapes and all!
by Paul Martin


Tracks
1. Kaleidoscope - Flight From Ashiya - 3:05
2. Kaleidoscope - The Murder Of Lewis Tollani - 2:51
3. Kaleidoscope - A Dream For Julie - 2:36
4. Kaleidoscope - Dive Into Yesterday - 3:32
5. Kaleidoscope - Do It Again For Jeffrey - 2:17
6. Kaleidoscope - Snapdragon - 2:25
7. Kaleidoscope - Bless The Executioner - 3:07
8. Kaleidoscope - Jump In My Boat - 2:31
9. Kaleidoscope - Balloon - 2:40
10.Kaleidoscope - Faintly Blowing - 4:50
11.Kaleidoscope - (Further Reflections) In The Room Of Percussion - 3:23
12.Kaleidoscope - Do It Again For Jeffrey - 3:16
13.Kaleidoscope - (Love Song) For Annie - 1:46
14.Fairfield Parlour - Bordeaux Rose - 2:34
15.Fairfield Parlour - Free - 3:20
16.Fairfield Parlour - By Your Bedside - 2:30
17.Fairfield Parlour - Aries - 2:49
18.Fairfield Parlour - Monkey - 2:26
19.Fairfield Parlour - Long Way Down - 3:38
20.Fairfield Parlour - Diary Song - 3:06
21.Fairfield Parlour - The Matchseller - 2:49
22.Fairfield Parlour - Free - 3:31
Words by Peter Daltrey Music by Eddy Pumer.

Kaleidoscope
*Peter Daltrey - Vocals, Keyboards
*Eddy Pumer - Guitars
*Steve Clark - Bass, Flute
*Dan Bridgman - Drums

Kaleidoscope's mosaic 
1967 Kaleidoscope - Tangerine Dream
1967-69 Kaleidoscope - Dive Into Yesterday
1969  Kaleidoscope - Faintly Blowing
1970  Fairfield Parlour - Home to Home

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rep>>> Various Artists - Three O'Clock Merrian Webster Time (1966-68 us, great texas psychedelic brands)

Friday, July 27, 2012

William Penn And His Pals - William Penn And His Pals (1966 us, remarkable garage psych, with Gregg Rolie pre Santana)



Also known as the William Penn Fyve on many bootlegs. It's been a long time coming, in fact about 35 years. This group was formed in 1965 and extinct by 1968. They were one of the most famous groups in The San Francisco Bay Area at the time and their name was all over Radio KYA, KFRC and KLIV as opening act for the biggest national and international acts as well as headlining their own shows.

The lineup boasted Mickey Hart (for a brief period) of the Grateful Dead and Gregg Rolie of Santana/Journey fame was a full time member for 1 1/2 years before he started a group with a dude name Carlos Santana. Gregg sings lead on all but one of these songs.

Wm. Penn used to go toe to toe in Battle of the Bands with the Grateful Dead and recorded one of the most famous Garage Rock Classics by the name of Swami. Swami appears on at least five bootleg compilations along with the flip side.. Blow my Mind. The group changed it's name briefly to Wm. Penn V for Swami (actually it was William Penn Fyve but Pebbles called them William Penn V since they were/are bootlegging Swami) and there is some confusion as to whether William Penn and His Pals was in fact the same Wm Penn Fyve; they were. 

Other songs have appeared on "The Scorpio Record Collection" put out by Ace/Fantasy. Finally all the songs of this classic group are available to the public in one professionally manufactured CD with 8 pages of facts and photos. There are even a few gems that nobody except a select few have heard. Here are clips from all of the songs on the CD so you can get a good sample of what you will get. Hearing these songs is almost like being at an show in the 60's at The Longshoremans Hall in San Francisco. 

Besides the wonderful songs the liner notes include the original copy from San Francisco's I.D. magazine with the run down on Wm Penn and his Pals written by their manager. You must read this to get the full scope of just how popular this group was.


Tracks
1. Swami - 2:57
2. Gotta Get Away - 2:34
3. Far And Away (Ron Cox, Gregg Rolie, Mike Shapiro, Jack Shelton, Steve Leidenthal) - 2:32
4. Blow My mind (Gregg Rolie, Mike Shapiro, Ron Cox, Steve Leidenthal) - 2:25
5. There I go I've Said It Again - 2:29
6. E2D - 2:25
7. Blow My mind(Gregg Rolie, Mike Shapiro, Ron Cox, Steve Leidenthal) - 2:06
8. Gotta get away - 2:44
9. There I go I've said it again - 2:36
10. Fly Fly PSA (Ron Cox, Neil  Holtman, Mike Shapiro, Jack Shelton, Steve Leidenthal, Vern Justus) - 1:00
All songs by Mike Shapiro except where indicated
Tracks 7-9  alternate versions

William Penn And His Pals
*Neil  Holtman (aka William Penn) - Lead Vocals, Hawaiian Guitar Steel
*Ron Cox - Vocals, Drums
*Mike Shapiro - Lead Guitar, Rhythm Guitar, 12-String Guitar
*Steve Leidenthal - Vocals, Bass
*Jack Shelton - Rhythm Guitar
*Gregg Rolie - Vocals, Organ
*Mickey Hart - Drums
*Vern Justus - Voice Over

Related Act

The Syndicate Of Sound - Little Girl (1966 us, superb garage beat, 1997 Sundazed and 1994 Perfomance edition)



Formed in San Jose, CA, in1964, the Syndicate of Sound were one of the premier garage bands and forerunners of psychedelic rock, establishing a national following based on one massive 1966 hit, "Little Girl." Comprised of vocalist/guitarist Don Baskin guitarist/keyboardist John Sharkey, lead guitarist Larry Ray, bassist Bob Gonzalez, and drummer John Duckworth, the predecessors to the Syndicate of Sound were groups called the Pharoahs and Lenney Lee and the Nightmen. After winning a Bay Area “Battle of the Bands” the Syndicate recorded an unsuccessful single for Del-Fi, “Prepare for Love”. On January 9, 1966, the Syndicate off Sound recorded "Little Girl", penned by Gonzalez and Baskin, at a studio in San Francisco for Hush Records; it became a regional hit in California after San Jose radio station KLIV latched onto it, attracting the attention of executives at Bell Records in New York, who later asked the group to record an album.

"Little Girl" began to break nationally first in Oklahoma City, and the record entered Billboard Magazine's Top 40; just before the single broke, original guitarist left the band, and was replaced by Jim Sawyers. Bell Records was anxious to get their group on the road, the Syndicate of Sound toured constantly for the latter half of 1966, taking time off to tape TV shows like “American Bandstand” and “Where the Action Is”. James Brown, who appeared with them on one of the TV shows, was so impressed that he invited them to open his Cow Palace show in San Francisco.

Drummer Duckworth joined the 6th Army Band rather than risk being drafted, and was replaced by Carl Scott. The pressures of constant touring and the need for a second hit caused tension in the group that ended with Sharkey’s leaving. As a four-piece group the Syndicate of Sound went back on the road and toured with a number of notable bands. They shared the stage with the Yardbirds, Mitch Ryder, Neil Diamond, Paul Revere and the Raiders, the Association, ? and the Mysterions, Janice Joplin, Jefferson Airplane, Sam the Sham and the Pharoes, the Left Bank, the Rascals and many others.

Little Girl topped out at number 8 on Billboard in May of 1966. The group recorded three additional singles up to the end of 1969, "You're Lookin' Fine" (a Kinks cover), "Brown Paper Bag," and "Mexico." Baskin moved to Los Angeles in 1970— the only remaining original member of the band — mounted an unsuccessful attempt at recording another album for Capitol Records in 1970, and then he disbanded the group.

Over the years, other artists have rerecorded "Little Girl" such as England's the Banned, who made it a Top Ten hit, and a “Punk Rock” classic. The DeVinyls made a video of their single, "Little Boy" (a gender change from the original “Little Girl”) which became a hit on MTV, and Dwight Yokham featured the song on his La Crox D’Amour album and subsequently made his recording of “Little Girl” part of his acclaimed “reprise Please, baby” boxed set. Not too surprisingly, a new radio-programming concept called classic rock was catching on and began kicking the dust off the hits of the 1960s up to current. "Little Girl," naturally, was among those getting significant airplay. In June 2007 reached the milestone of having over 1,000,000 major market plays, spurring on renewed interest in the Syndicate of Sound.

In 1990, original members Bob Gonzalez, and Don Baskin, along with John Duckworth, put the band back together. They called on Jim Sawyers for guitar and Ned Torney for keyboard. Jim was with the band during all the heavy touring after “Little Girl” became a hit. After the passing of Ned Torney in the fall of 2005, the band continues on as a four piece. With its current line-up, the band features three of its original members.

In 1995, Gonzalez and company were informed by the Rock & Roll Hall of Fame Museum that they were installing a plaque with the bands picture to be displayed in the museum citing "Little Girl" as a pivotal song in the history of rock & roll. Next to it is a tape-looped recording of "Little Girl" played at 20-minute intervals. The band achieving status as one of the most notable “One Hit Wonders”.

“Little Girl” was picked up by Touchstone in the spring of 2002 to featured in it’s movie; “Sorority Boy’s”. And Dick Clark featured “Little Girl” during a few episodes of his NBC series “American Dreams”.

The Syndicate of Sound was inducted into the San Jose Rocks Hall of Fame during its inaugural induction ceremony, October 2006.

The constant resurgence and ongoing popularity of their hit “Little Girl”; and their cult status as one of the greatest “Garage Bands” ever; will give the Syndicate of Sound their place in Rock and Roll history.


Tracks
Sundazed 1997
1. Big Boss Man (Luther Dixon, Al Smith) - 2:54
2. Almost Grown (Chuck Berry) - 2:11
3. So Alone (John Sharkey) - 3:04
4. Dream Baby (Cindy Walker) - 2:37
5. Rumors (John Sharkey) - 2:06
6. Little Girl (Don Baskin, Bob Gonzalez) - 2:27
7. That Kind of Man (Don Baskin) - 2:17
8. I'm Alive (Clint Ballard, Jr.) - 2:20
9. You (John Sharkey) - 2:44
10.Lookin' for the Good Times (John Sharkey) - 2:24
11.The Witch (Gerald Roslie) - 2:30
12.Is You Is or Is You Ain't My Baby? (Bill Austin, Louis Jordan) - 2:20
13.The Upper Hand (Bob Gonzalez, Don Baskin) - 2:14
14.Mary (Don Baskin) - 2:32
15.Keep It Up (Don Baskin) - 2:44
16.Good Time Music (Don Baskin) - 2:12


Perfomance 1994 
1. Little Girl (Bob Gonzalez, Don Baskin) - 2:29                      
2. Games (Don Baskin) - 2:42 
3. Rumors (John Sharkey) - 2:09 
4. Dream Baby (Cindy Walker) - 2:37 
5. Big Boss Man (Luther Dixon, Al Smith) - 2:56 
6. I'm Alive (Clint Ballard Jr.) - 2:23 
7. Mary (Don Baskin) - 2:39 
8. Get Outta My Life (Don Baskin) - 2:44
9. Keep It Up (Don Baskin) - 2:54 
10.The Upper Hand (Bob Gonzalez, Don Baskin) - 2:16 
11.You (John Sharkey) - 2:47
12.You're Lookin' Fine (Ray Davies) - 3:10 
13.Change The World (Eric Burdon) - 4:38 
14.Brown Paper Bag (Steve Jenkins) - 2:19 
15.Mexico (Don Baskin, Steve Jenkins) - 2:26 
16.First To Love You (Don Baskin, Steve Jenkins) - 2:35 
17.Reverb Beat (Don Baskin, Steve Jenkins) - 2:18 
18.Prepare For Love (Don Baskin, Bob Gonzales, Larry Ray, John Sharkey, John Duckworth) - 2:46 
19.Tell The World (John Sharkey) - 2:32 
20.Saturday Night (George Young, Harry Vanda) - 2:50 
21.Way Over There (Smokey Robinson) - 2:46 
22.Memphis Underground (Herbie Mann) - 3:06 

The Syndicate Of Sound
*Don Baskin - Flute, Saxophone, Vocals
*John Duckworth - Drums, Vocals
*Bob Gonzales - Bass
*John Sharkey - Guitars,  Keyboards, Organ, Piano, Vibraphone, Vocals
*Larry Ray - Lead Guitar
*Jim Sawyers - Guitar, Vocals

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Thursday, July 26, 2012

The (Blues) Creation With Felix Pappalardi - Live At Budokan (1976 japan, raw hard blues rock, rare double disc japan issue)



Blues Creation was formed by guitarists Kazuo Takeda, Koh Eiryu and singer Fumio Nunoya, in early 1969, after the dissolution of their Group Sounds outfit The Bickies. Takeda played many guitar sessions and slowly began to gain confidence in himself as a lead vocalist, so much so that when he returned to the Japanese music scene, in 1973, to support Mountain, it was as the lead singer/guitarist of a new power trio called simply Creation. 

The urbane and gregarious Takeda hit it off with Leslie West and Mountain drummer Corky Laing, but became even bigger mates with bassist Felix Pappalardi and his wife Gail Collins, who had written most of the lyrics for Mountain's hits. 

However, Creation did not release their first LP until 1975, by which time Takeda ? nervous of his new role as lead singer ? invited rhythm guitarist Yoshiaki Iijima to join drummer Masayuki Higuchi and bassist Shigeru Matsumoto in the new line up. Takeda contacted Felix Pappalardi and asked him to produce the second Creation LP. 

Pappalardi, temporarily deafened by the high volume at which Mountain always played concerts, had already decided to concentrate on studio production, and so he and his wife began to write songs with Takeda at their Nantucket home in Massachussets. In April 1976, the results were released in Japan as "Creation With Felix Pappalardi" and in the US as  "Felix Pappalardi Creation". Unfortunately, the international acclaim that Kazuo Takeda so longed for was still unforthcoming, although the record was once more a mighty success in Japan. 
by Julian Cope


Tracks
Disc 1
1. Pretty Sue - 2:46
2. Lonely Night  / You Better Find Out - 3:53
3. A Magic Lady - 1:37
4. Tobacco Road - 6:15
5. Secret Power - 6:51
6. Dark Eyed Lady Of The Night - 8:07
7. MC / Blues - 8:46
8. Theme From A Imaginary Western - 5:58


Disc 2
1. Nantucked Sleighride (To Owen Coffin) - 11:57
2. Preacher’s Daughter - 3:26
3. Watch ‘N’ Chain - 15:16
4. MC - 1'06
5. Dreams I Dream Of You - 4:10
6. Guitar Solo - 1:05
7. High Heel Sneakers  - 3:32
8. Roll Over Beethoven -  3'41

The Creation
*Kazuo Flash Takeda - Guitar, Vocals
*Yoshiaki Iljima - Guitar
*Shigeru Matsumoto -  Bass
*Masayuki Higuchi -  Drums
*Felix Papalardi - Vocals, Bass

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