The album commences with its title song, which was at once the first real hit for the band as well as the single song which made Clapton decide to depart. “For Your Love” was presented to the band by publisher Ronnie Beck and everyone in the group, aside from Clapton, loved it. Written by then 19-year-old Graham Gouldman, the song contains a distinct harpsichord by session man Brian Auger and is overall a strong departure from the blues-rock style of most of the other material on the band. Still, it was melodic and catchy and peaked in the Top 10 on the pop charts of both the UK and US. Clapton played the sessions for this song and then immediately left the group.
When Clapton departed, Gomelsky asked Jimmy Page, then the top session man in London, to join the group. However, Page was busy and happy with his session work and suggested Beck, who was sort of an understudy, for the position which Page would ultimately fill himself a few years later. Beck immediately makes an impact on “I’m Not Talking”, with its heavy rock, crunchy riffs and rudiments along with great rhythmic elements by bassist Paul Samwell-Smith and drummer Jim McCarty. “Putty (In Your Hands)” contains a cool 60s groove while the bridge has some jazz elements, while Calvin Carter’s blues classic, “I Ain’t Got You”, features the fine harmonica playing by Relf for the first time on the album.
“Got to Hurry” is the first real original composition as an instrumental credited to Gomelsky (as “Oscar Rasputin”), but really a jam composed by the group. Rhythmically, this instrumental has surf music elements while it also acts as a showcase for Clapton’s bluesy leads. “I Ain’t Done Wrong” is a driving rocker with blues vocals by Relf and some great rudimental riffs thrown in for fun, while “I Wish You Would” is another blues standard with consistent, upbeat guitar rhythm by Dreja and Relf adding harmonica between every line during the verses. This side two opener also has a bridge section which builds towards a frenzied crescendo and was released as a single in August 1964. Although “A Certain Girl” was just the ‘B-side’ for the previous track, but is the first real shot at pop with a bright sound, strong melody, call and response vocals, and a blistering pop lead by Clapton which sounds like a souped-up Byrds lead.
The Yardbirds sound like a whole different band on “Sweet Music”, a song produced by Manfred Mann who also brought in some outside session players and vocals. The track is interesting because of the players involved, but really out of place on this album. In contrast, “Good Morning Little Schoolgirl” is pure fifties-style pop style with harmonized vocals, Relf’s fine harmonica, and an outstanding, bluesy lead by Clapton. The song was originally composed and recorded by Williamson nearly three decades earlier. “My Girl Sloopy” is an interesting album closer as a fun rendition of a song which had not yet been made famous as “Hang On Sloopy” by The McCoys. The vocals here are odd but entertaining, especially the exaggerated high pitched harmonies and this extended track adds some Beatles elements.
While For Your Love barely broke the Top 100 on the album charts, it set The Yardbirds up for their first American tour, where Beck began to forge his own sound as well as help direct the group’s evolving sound through the mid sixties.
Tracks
1. For Your Love (Graham Gouldman) - 2:33
2. I'm Not Talking (Mose Allison) - 2:35
3. Putty (In Your Hands) (Kay Rogers, John Patton) - 2:21
4. I Ain't Got You (Calvin Carter) - 2:03
5. Got To Hurry (Giorgio Gomelsky) - 2:36
6. I Ain't Done Wrong (Keith Relf) - 3:42
7. I Wish You Would (Billy Boy Arnold) - 2:22
8. A Certain Girl (Allen Toussaint) - 2:21
9. Sweet Music (Major Lance, Otis Leavill Cobb, Walter Bowie) - 2:33
10.Good Morning Little Schoolgirls (H.G. Demarais) - 2:49
11.My Girl Sloopy (Bert Russell, Wes Farrell) - 5:41
12.Steeled Blues (Keith Relf, Jeff Beck) - 2:38
The Yardbirds
*Keith Relf - Lead Vocals, Harmonica, Acoustic Guitar
*Eric Clapton - Lead Guitar
*Jeff Beck - Lead Guitar (Tracks 2, 4, 11, 12)
*Chris Dreja - Rhythm Guitar, Lead Guitar
*Paul Samwell-Smith - Bass Guitar, Backing Vocals
*Jim McCarty - Drums, Backing Vocals
With
*Giorgio Gomelsky - Backing Vocal
*Brian Auger - Harpsichord
*Denny Pierce - Bongos
*Ron Prentice - Bass
*Manfred Mann - Keyboard, Backing Vocals
*Paul Jones - Backing Vocals
*Mike Hugg - Vibes
*Tom McGuinness - Guitar
*Mike Vickers - Guitar
*Unknown- Sitar
*Unknown- Tabla
1963-68 The Yardbirds - Glimpses (five disc box set, 2011 release)
1964 The Yardbirds - Five Live Yardbirds (2007 Repertoire digi pack with extra tracks)
1965-68 The Yardbirds - Live At The BBC (2016 double disc remaster)
1968 The Yardbirds - Live Yardbirds! (2008 edition)
Related Acts
1969 Renaissance - Renaissance (2008 remaster)
1970 Renaissance - Illusion (2010 bonus tracks remaster)
1977 Illusion - Out Of The Mist (2011 remaster)
1978 Illusion – Illusion (2011 remaster)
Free Text
Just Paste
The most recent release I have of this has 24 tracks, including German and Italian plus some alternate tracks. I listened to them from their first releases, this isn't my favourite, I prefer the Beck/Page years. Lots of energy, the finesse and experimentation was yet to surface. Worth a listen though.
ReplyDelete