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Friday, October 2, 2026

rep>>> String Driven Thing - Live On The Foxtrot Tour (1973 uk, fine prog folk rock, 2012 release)



The classic early 70s String Driven Thing line up of Chris Adams guitar and vocals, Pauline Adams vocals and percussion, Colin Wilson bass, and Grahame Smith violin (Hamill/Van der Graaf) recorded on the Foxtrot Tour with Genesis. String Driven Thing were signed to Charisma Records 40 years ago in 1972 already having issued one album.

In fact, their second Charisma album ( and third release in historic terms) The Machine That Cried - originally released 1973- has since been acclaimed not, merely, String Driven Thing’s masterpiece, but one of the finest progressive rock albums of the entire era – its reissue a couple of years back on the British Ozit label was widely heralded as among the most intelligent re-releases of recent years. They are back again with this new CD 40 years later on the anniversary of them signing to Charisma.

On Dec 12th 1972, as Pauline Adams of String Driven Thing passed through customs at JFK Airport, in her suitcase was a full length orange dress. Nothing unusual in that, you might think, but the dress in question actually belonged to Peter Gabriel, to be worn at the climax of Genesis’ Foxtrot set which they were about to debut in New York’s Philharmonic Hall. For both bands, this was a first visit to the States, but whilst Genesis were classic Charisma Prog Rock, String Driven Thing were far harder to pigeonhole. Drummerless, and with a virtuoso lead violinist, they had just released their eponymous album to enthusiastic reviews and their first single “Circus” was already a turntable hit, so there was a real buzz in the city about both bands. On the night, the auditorium was packed and, unusually for a support band, the Thing were brought back for a rapturous encore.

Listening to this free blowing high octane set forty years on, it’s easy to see why. Fast forward six weeks, and the UK leg of the Foxtrot tour is due to start at London’s Rainbow, only in the interim, frontman Chris Adams has suffered a spontaneous pneumothorax (collapsed lung) and is rushed to hospital, where Doctors recommend that he take four weeks rest to let his lung reflate. But unwilling to drop out of the impending tour, Chris elects for the alternative treatment which, in his words involved “watching a brace and bit being used to drill a hole through my chest”.

14 days later, and against doctors’ advice, the band took to the Rainbow stage and, although understandably not being quite at their best, in the following gigs, including Manchester Free Trade Hall where this recently unearthed recording was made, the band performed sets with such stunning energy that multiple encores became the norm. Just listen to the 16 minute version of Jack Diamond and Graham Smith’s incredible virtuosity as he swoops and weaves around the hypnotic groove of Chris’ guitar, Pauline’s percussion and Colin Wilson’s subtly syncopated bass, and I think you’ll agree with me that Ozit has rediscovered a lost masterpiece.


Tracks
1. Let Me Down - 6:04
2. Then I Met The Lady - 6:21
3. My Real Hero - 4:13
4. Regent St Incident - 4:27
5. Circus - 7:57
6. Hooked On The Road - 4:49
7. Jack Diamond - 14:13
Music and Lyrics by Chris Adams

String Driven Thing 
*Grahame Smith - Violin
*Pauline Adams - Vocals, Percussion
*Colin Wilson - Bass
*Chris Adams - Vocals, Guitar

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rep>>> Roger McGuinn - Roger McGuinn (1973 us, amazing folk country classic rock, 2013 edition)



Roger McGuinn's 1973 self-titled solo debut was in most respects a breath of fresh air after the final days of the Byrds, in which the group was floundering in directionless mediocrity. In a sense, it's a back-to-basics album that emphasizes much of what McGuinn does so well: his forceful reedy vocals, his guitar playing, and his skills at both writing earnest folk-rock material (usually with future Bob Dylan collaborator Jacques Levy here) and interpreting unusual traditional and contemporary songs. Never was it folkier than on the acoustic "I'm So Restless," which benefited from harmonica by Dylan himself (about whom the song was partially about). 

All four of the other original Byrds play on "My New Woman," which is virtually a reunion of the original quintet, with the addition of saxophone by jazzman Charles Lloyd; David Crosby makes unobtrusive cameos on some other tracks. As likable as it is, however, the album isn't an unqualified triumph. Some of the songs aren't so hot, some of the Moog synthesizer (by McGuinn) is unnecessary, his vocals sometimes seem to have been recorded with too much brittleness, and none of this is as good as the best of the Byrds. Unexpected influences make themselves heard in the Beach Boys harmonies of "Draggin'" (with Bruce Johnston of the Beach Boys on piano and backup harmonies), the Vietnam blues of "Hanoi Hannah," and the gospel-rock of "Stone." 
by Richie Unterberger


Tracks
1. I'm So Restless - 3:05
2. My New Woman - 3:10
3. Lost My Drivin' Wheel (David Wiffen) - 3:27
4. Draggin' - 3:36
5. Time Cube (McGuinn, R. J. Hippard) - 3:15
6. Bag Full Of Money - 3:19
7. Hanoi Hannah - 2:50
8. Stone (Spooner Oldham, Dan Penn) - 2:59
9. Heave Away (Trad., Arranged By McGuinn) - 3:03
10.M' Linda - 2:42
11.The Water Is Wide (Trad. Arranged by McGuinn) - 3:05
All compositions by Roger McGuinn and Jacques Levy except where noted.

Musicians
*Roger McGuinn - Vocals, Guitar, Banjo, Moog Synthesizer, Harmonica
*Buddy Emmons - Pedal Steel Guitar
*Chris Hillman - Bass
*Bob Dylan - Harmonica
*Jerry Cole - Guitar
*Bruce Johnston - Piano, Voices
*Jim Gordon - Drums
*Hal Blaine - Tambourine
*Michael Clarke - Drums
*Chris Ethridge - Bass
*John Guerin - Drums
*Spooner Oldham - Organ, Piano
*David Vaught - Bass
*Spanky McFarlane - Vocals
*Charles Lloyd - Saxophone
*Leland Sklar - Bass
*David Crosby - Guitar, Harmony Vocals
*Graham Nash - Guitar, Harmony Vocals


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Text Host

rep>>> Hookfoot - Headlines (1975 uk, astonishing guitar rock with southern tastes prog shades and funky vibes, 2016 double disc set)



Hookfoot were,  very much a band of "musician's musicians". All of them were in great demand as session players, both individually and collectively. As well as backing Elton John on many of his early albums they also perform en masse on Mick Grabham's 'Mick The Lad' solo LP (possibly it was this which led to the misinformation that Grabham was himself a Hookfoot member) and on Steve Swindell's solo LP from 1974 (the astute amongst you may recognise Swindell's name as a former Hawkwind member). The band also backed Harry Pitch and Zack Laurence on the chart-topping one-hit wonder 'Groovin' With Mr Bloe'; and although his voice is perhaps an acquired taste, Long John Baldry's 'It Ain't Easy' LP from 1971 also featured bassist Dave Glover, drummer Roger Pope and guitarist Caleb Quaye throughout, some of the songs sounding distinctly Hoofoot-esque.

Great songwriters, great musicians, with their tastes strayed too far towards bluesy country funk for the heads to ever fully embrace them. A bit like Steve Stills, in some ways: you kinda dug the way he did it, but not always what he actually did. Thing is though, Caleb Quaye was undeniably one of THE finest guitar players the UK has ever produced - not for nothing did Eric Clapton surprise David Letterman a lttle while ago by informing him "I'm not the world's best guitar player. Caleb Quaye is." - and I can't help wondering, if Hookfoot had played hard rock and psychedelia, whether their albums might not today be held in the same kind of reverential, big-dollar high esteem by collectors as, say, Little Free Rock, Ashkan, Aunt Mary, Blonde on Blonde and especially I suppose Black Cat Bones (who likewise featured a stellar guitar player in the shape of a young Paul Kossoff). I still challenge any fan of the above not to go into a toe-curling trance of guitar-fuelled ecstasy on hearing Hookfoot blister through 'Nature Changes' on the 'Live in Memphis' album though, or to goggle in awe at the pyrotechnics on display on all twelve minutes of 'Shoe Shine Boy', one of the otherwise unreleased songs on the 'Headlines' compilation album.

Headlines', the double LP compilation put out by DJM 1975,a year or so after Hookfoot's demise. Interestingly, it includes 4 non-album cuts, but no live material and none of the band's singles!
by Phil McMullen, April 2010


Tracks
Disc 1
1. Don't Let It Bring You Down (Neil Young) - 3:07
2. Movies (Ian Duck) - 4:53
3. S.B.W. (Ian Duck, Caleb Quaye) - 2:36
4. Shoe Shine Boy (Caleb Quaye) - 12:05
5. Nature Changes (Caleb Quaye, Ian Duck) - 5:25
6. Bluebird Revisited (Stephen Stills) - 4:03
7. Coombe Gallows (Caleb Quaye) - 3:09
8. Gimme Shelter (Mick Jagger, Keith Richards) - 4:19
9. Fire And Rain (James Taylor) - 3:38


Disc 2
1. Sweet Sweet Funky Music (Caleb Quaye) - 3:18
2. Living in the City (Caleb Quaye) - 4:57
3. If I Had the Words (Ian Duck, Roger Pope, Caleb Quaye, David Glover) - 3:31
4. Good Times a Comin' (Ian Duck, Fred Gandy, Roger Pope, Caleb Quaye) - 6:18
5. Cruisin' (Ian Duck, Fred Gandy, Roger Pope, Caleb Quaye) - 5:32
6. Just a Little Communication (Caleb Quaye) - 5:38
7. Nothin' Changes (Caleb Quaye) - 4:44
8. Tradin' Riffs (Caleb Quaye) - 4:45
9. Rockin' on the Good (Ian Duck) - 5:09
10.So You Want to Be a Rock 'n' Roll Star (Chris Hillman, Roger McGuinn) - 3:18

The Hookfoot
*Caleb Quaye - Electric, Acoustic Guitars, Keyboards, Pianos, Organ, Percussion, Tambourine, Vocals
*Ian Duck - Electric, Acoustic Guitars, Harp, Percussion, Tambourine, Vocals
*Roger Pope - Drums, Percussions, Tambourine, Cow-Bell
*Dave Glover - Bass (1969-72)
*Fred Gandy – Bass (1973)
With
*Dicky Birds – Whistling
*Bob Kulick – Guitar, Vocals

1969  Hookfoot - A Piece Of Pye (2010 japan Remaster)
1971  Hookfoot - Hookfoot (2010 japan remaster)  
1973  Hookfoot - Roaring (2005 expanded edition)

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