rep> Mouzakis - Magic Tube (1965-73 us, stunning raw garage psych with rhythm and blues traces, 2007 bonus tracks edition)

Mouzakis were an East coast basement garage psych group and this is their full LP from 1971. The band started with R&B rock standards, adapted on its way bits of rock’n roll, early rock, and stayed mostly rather on the edge with a more garage rock sound. They learned songs like from Animals, and did a cover from Blues Magoos.

Groups of that time like The Who, Animals and even the Rolling Stones very much liked to keep that rawness of garage alive in their more into the 70s directing rock expressions, also Fabulous Pharoahs and Mouzakis fitted with that approach.

The tracks are a bit longer and especially the first two tracks show complex rhythm use in combination with their adapted R&B influence into rock territory. “Magic Tube” has a complex fast rhythm, (bass and drums) almost funky in its bluesy rock way, while on top is slower bluesy singing, with rhythm guitar, creating a unique kind of complexity I have not heard elsewhere. “Rock Around the clock” with additional organ parts continues a bit in the same direction.

Fred Dawson opined 'after trying to get 4-5 people to agree on 'stuff to play,' we ended up as a three piece band. What we lacked in personnel we made up for in amplification.' Magic Tube, very much the rough and ready hard garage psych album, features almost complete material from the collective pen of Dawson and Stevenson.

Of the band, one critic was moved to proclaim 'Mouzakis has to be heard to be believed. They are totally unique...and as a trio, they accomplish more in their sound than groups double their size!'" Two of the members continued to play under the name Capone until the 80s.

Tracks

1. Sometimes, I Think About You (Ronnie Gilbert, Ralph Scala, Emil Theilheim, Mike Esposito) - 3:01

2. Hold Me Tight (Fred Dawson, Ed Stevenson, Bill Rylander) - 2:41

3. Church Key (Aubry Fisher, Ed Stevenson) - 2:41

4. Route 66 (Bobby Troup) - 2:11

5. Run And Hide (Fred Dawson, Ed Stevenson) - 2:03

6. Fire Street (Fred Dawson, Ed Stevenson) - 2:59

7. Don't Need Your Money - 3:08

8. Gonna Give You Rock 'n' Roll - 2:33

9. Looking Back (Johnny Guitar Watson) - 2:28

10.We Will Be Together (Dick Taylor, Phil May, John Stax) - 3:14

11.Lady (Fred Dawson, Steve Stipo) - 3:06

12.Hey Hey Hey (Richard Penniman) - 2:13

13.Morning Sun (Fred Dawson, Ed Stevenson) - 2:40

14.Don't Want You No More (Fred Dawson, Ed Stevenson) - 2:46

15.Magic Tube - 7:26

16.Rock Around The Clock (Jimmy DeKnight, Max Freedman) - 2:30

17.White Horse - 3:28

18.Love Everyday - 3:56

19.Long Haired Bombardier - 4:07

20.Party Ball - 2:18

21.Lady - 5:31

22.Both Do Fine - 3:09

All songs by Fred Dawson, Eddie Stevenson, Steve Stipo except where stated 

Tracks 1-4 as The Fabulous Pharoahs

Mouzakis
*Ed Stevenson - Vocals, Trumpet, Drums
*Sam Stipo - Guitar
*Fred Dawason - Saxophone, Keyboards

The Fabulous Pharoahs

*Ed Stevenson - Lead Vocals, Drums 

*Aubrey Fisher, - Lead Guitar 

*Fred Dawson - Tenor Sax, Organ 

*Bill Rylander - Rhythm Guitar

*Bobby Walker - Bass

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The Bleu Forest - Ichiban Live At Jimmie's (1967 us, exciting rough garage psych rock, 2017 release)

I’m betting most of you have heard the Bleu Forest’s “A Thousand Trees Deep,” which was issued in 2016 on the Golden Pavilion label. Initially recorded in 1968, the disc duly renewed interest in the otherwise obscure Ventura County, California band. Prior to the birth of “A Thousand Trees Deep,” the Bleu Forest laid down a recording, that like “A Thousand Trees Deep,” had been hiding in the vaults for years.

Recorded one night in August 1967 at producer Jimmie Haskell’s house, the effort portrays the band in all their bare bones bravado. Employing only a two track reel to reel tape machine and a pair of microphones, the fellows poured their hearts and souls into the performance as though they were courting a massive crowd at Madison Square Garden. Despite the limited technology and spontaneity of the session, the results are mighty impressive. The tone is punchy, while the Bleu Forest approaches their songs with a concentrated focus. Original material, matched by a solid vision, presents the musings of a self-contained band.

The dual influences of raggedy garage rock and psychedelic exploration prevail throughout “Ichiban – Live At Jimmie’s,” directing the tracks to shimmer and sizzle with West Coast cool. Thoughtful lyrics, occasionally flashing a flowery poetic quality, lend a sense of mystique to the mix.

Chiming Byrds styled licks snuggle side by side with aggressive acid-informed frequencies, recalling the barbed bite of Jefferson Airplane and the latter day Vejtables. Detached British inspired vocals, backed by excitable harmonies, along with free-flowing tempos and compact jamming seal the set.

My favorite songs on “Ichiban – Live At Jimmie’s” are “When I’m Alone,” “Bitter Street,” “A Woodland Spring” and “One I Love,” but the whole collection is a satisfying listen. 

Not a speck of dead space appears here, as the Bleu Forest rock relentlessly to a high energy level. A valuable piece of history, “Ichiban – Live At Jimmie’s” offers an enjoyable look at a great band that was not only hip to the sounds of the time period in which they were active, but capable of expressing themselves with genuine conviction. 

by Beverly Paterson

Tracks

1. Bitter Street - 3:21

2. Story Of A Sort - 2:37

3. When I'm Alone - 3:10

4. One I Love - 3:16

5. I Need Sunshine - 2:52

6. You Said You're Leaving - 3:54

7. Looking In - Introspection Song - 3:41

8. For You - 2:30

9. A Woodland Spring - 3:35

10.At Times - 4:13

11.Colored Rings - 3:05

All songs by Mike Cullen

The Bleu Forest

*Mike Cullen - Guitar, Lead Vocals

*Jack Caviness - Drums

*Gary Heuer - Guitar, Vocals

*Ed Steele - Bass

1968  The Bleu Forest - A Thousand Trees Deep (2016 release)  

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Green - To Help Somebody (1971 us, pleasant rural, classic rock, 2011 reissue)

One of the most unjustly-neglected bands of their time, Green got together at North Texas State University in the late '60s, and released a stunning psych-pop debut in 1969. Their largely-overlooked second LP first appeared in September 1971. In the interim between albums, multi instrumentalist James Neel had been replaced by pianist / trumpeter Jay Pruit.

"To Help Somebody" was self produced, and recorded at 2545 North Fitzhugh, Dalla Texas. It's still largely unknown, perhaps because it doesn't sound much like its predecessor, a punchy pop rock record, tightly performed and well recorded.

A classy combination of rock and roll and ballads, with acid-tinged guitar and tasteful horns, it comes across as an idiosyncratic amalgam of The Beatles, The Zombies and Buffalo Springfield, making it a must-have for fans of classic '60s psychedelia and early 1970s rural rock. 

Tracks

1. All My Bells - 3:24

2. To Help Somebody - 1:53

3. She Dont' Love Me - 2:58

4. Mary Magdalena - 2:04

5. Can You See Me (Wilson Fisher) - 2:52

6. Teenage Woman (Gary Casebeer) - 2:34

7. Lady, Oh Lady - 1:49

8. Big Dipper (John Martin, Wilson Fisher) - 3:48

9. High Time (Jay Pruitt, John Martin) - 3:02

10.Suzy - 2:49

11.Funny Faces - 3:11

12.San Fernando Valley Girls - 3:11

13.Forest Lawn - 1:35

All compositions by John Martin except where indicated

Green

*Gary Casebeer  - Drums, Vocals

*Richard Gardzina - Tenor Saxophone, Flute, Clarinet, Trumpet, Piano, Accordion

*Wilson Fisher - 8 String Bass, 12 String Guitar, Vocals

*John Martin - Guitar, Piano, Clavinet, Vocals

*Jay Pruitt - Piano, Trumpet

With

*Kathy Kelsey Pruitt - Cello (Tracks 5,7)

*Chuck Mandernach - Trombone (Track 11)

1969  Green - Green  

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Bob Hughes - The Kids Are Ok! (1978 uk, magnificent folk silky rock, 2011 korean remaster)

An obscured English singer songwriter Bob Hughes, was thirty-two years old at the time he recorded his first album (My Old Man) at Spaceward Studios in 1976. This was followed in the same Cambridge studios by In For a Penny with the group Hooknorton in 1977 and The Kids Are Ok! 1978, which was recorded in two sessions only!!

The Kids Are Ok! is a step in a new world. Firstly, it's the work of a band, The Bob Hughes Band which comprised of Bob Hughes (12 string guitar, 6 string guitar and vocals) and 5 talented musicians: John Kaliski (lead guitar, bass guitar, vocals), Alan Buxton (same as John), Gary Moore (drums), Adrian Nash (keyboards and vocals) and Ron Turner (lead guitar). Secondly, this album is much more folk rock than My Old Man, with plenty of electric guitar. Melodies are so catchy they will stay in your head for days.

Tracks

1. When I Get There - 3:25

2. Jeannie - 3:48

3. Black Haired Girl - 3:34

4. The Kids Are Ok - 3:06

5. Belinda Blue Eyes - 3:24

6. I Ain`t Got You - 3:55

7. Losing You - 4:10

8. French Wine - 4:22

9. Jacqueline - 5:05

10.Nichola`s A Place - I Know - 3:09

11.In Love With You - 3:01

12.You Broke My Heart - 4:12

Words and Music by Bob Hughes

Personnel

*Bob Hughes - 12-String Acoustic Guitar, Guitar, Vocals

*Gary Moore - Drums

*Adrian Nash - Keyboards, Vocals

*Ron Turner - Lead Guitar

*Alan Buxton - Lead Guitar, Bass Guitar, Vocals

*John Kaliski - Lead Guitar, Bass Guitar, Vocals

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rep> Bear Mountain Band - One More Day (1971 us, outstanding hard psych blues rock, 2015 remaster)

A loud hardrock /heavy psych U.S. group from Arizona with lots of fuzz guitar and gritty vocals. Local mountain air rocker with psychy west coast flashes on the excellent titles track ‘One More Day’ and else where, more melodic numbers rural rock vibe, with a couple of extended jams showing good playing and a nice atmosphere all around. ‘Crotch Crickets, has a really catchy heavy riff, other song that really stands out is ‘Crossroader’, which has some really memorable up-tempo and wah-heavy guitar playing. It’s a real rock burner. Mount is also a great instrumental track. The rest of the album is also a high standard bluesy hard psychedelic rock. 

Tracks
1. One More Day - 2:47
2. Crotch Crickets - 4:08
3. Somethin' to Say - 5:28
4. Aspen Jam (Cam Empens, Bill Richardson, Frank Ford) - 5:24
5. Bagdad Boogie (Bill Richardson, Bill Keisler) - 2:26
6. Crossroader (Bill Richardson, Cam Empens) - 3:53
7. Mount (Bill Richardson, Frank Ford, Cam Empens) - 4:48
8. Fallin' (Bill Richardson, Cam Empens) - 3:50
9. Tihsllub (aka Irondoors) - 2:24
All songs by Bill Richardson except where indicated

Bear Mountain Band
*Bill Richardson - Guitar
*Bill Keisler - Bass
*Cam Empens - Organ
*Frank Ford - Drums

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Farm - Farm (1971 us, superb heavy jammer blues rock, 2022 remaster)

Tasty rural boogie blues rock with Crazy Horse influences, this lone album from Illinois’ sextet Farm is an air-guitarist’s delight. Intricate, dual guitar interplay is the order of the day, with lots of meandering solos full of those West Coast druggy vibes. If you’ve worn out all your bootleg outtakes of David Crosby and The Pure Earth Rock and Roll Orchestra’s Wally Heider sessions, then this is the next logical step for your musical mind expansion.

Side one opens with the lengthy headnodder “Jungle Song” and the more traditional, Canned Heat style blues courtesy the self-explanatory “Let That Boy Boogie”. Flip the album over and the band flash their Allman Brothers’ influences on more structured and accessible tracks like “Sunshine In My Window” and “Cottonfield Woman”, which are both full of dueling fuzz guitars and emotional, bluesy vocals. Their faithful interpretation of “Statesboro Blues” reiterates their influential nod towards the Allmans, and is just another highlight on this fun album. Put on your boogie shoes, darling, break out the Jack Daniels and party the night away. Yee hah!

by Jeff Penczack, October 18, 2013

Tracks

1. Jungle Song - 7:50

2. Let That Boy Boogie - 8:15

3. Sunshine In My Window - 4:00

4. Cottonfield Woman - 4:04

5. Statesboro Blues (Blind Willie McTell) - 4:25

All songs by Del Herbert, Gary Gordon, Jim Elwyn, Roger Greenwalt, Steve Evanchik, Mike Young except track #5

Farm

*Del Herbert - Lead Guitar, 12-String Acoustic Guitar

*Gary Gordon - 2nd Guitar, Bottleneck Guitar, Vocals

*Jim Elwyn - Bass, Vocals

*Steve Evanchik - Congas, Timbales, Cymbals, Mouth Harp

*Roger Greenwalt - Organ, Piano

*Mike Young - Drums

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Drywater - Backbone Of The Nation (1973 us, essential rural garage rock, cool folky texture switches between a great slightly surf-tinged ringing reverb tone and frenetic fuzz figures, 2017 digipak remaster)

Recorded in 1973 by guitarist/vocalists, Dennis Cheplick and Jack Sarvis, aided by Cheplick’s brother, Greg, on drums and Sarvis’ future brother-in-law, Ken Turcic on bass, Backbone Of The Nation was originally released on the RPC label in a limited pressing of 25 copies. The album was recorded “live” by the quartet at a local Pennsylvania studio, Marjon Records, with the LPs ten tracks being recorded in 3 hours with no overdubs or editing, at a total cost of $100. In this Gear Fab Records reissue the album’s ten tracks are supplemented by two bonus tracks, for a total run time of slightly over 41 minutes.

The original album opens with the four and a half minute title track, which features nice fuzz guitar by Sarvis, and is the heaviest number on the LP. Turcic and Greg Cheplick supply a driving beat, supplemented by solid rhythm guitar from Dennis Cheplick, and a very tasty lead line by Sarvis, who also delivers a fuzz filled solo. The band also features a more mid-tempo side, as evidenced by “If Only I Had Told You” with its jangling 12-string acoustic guitar by Cheplick. The tune includes gorgeous vocal harmonies by Cheplick and Sarvis. “I Don’t Love You Anymore” is a mid-tempo number, with a country rock feel, more vocal harmonies and a restrained lead guitar line courtesy of Sarvis. “Too Much Of Nothing” is another mid-tempo number showcasing the jangling 12-string guitar of Cheplick and a gentle lead line by Sarvis. Side one of the LP closed with “Airplane Rider” a return to more up-tempo material fueled by Sarvis’ fuzz guitar and Cheplick’s jangling rhythm guitar.

Side two opens with a straight ahead rocker, “Untitled Love.” Dennis Cheplick’s gorgeous lead line is joined by Turcic’s bass, which booms over top of Sarvis’ husky vocals. “The Stones You Throw” another mid-tempo rocker features more booming bass from Turcic and a nicely textured lead line by Sarvis. “Hooky Player” showcases jangling rhythm guitar by Cheplick and more restrained lead from Sarvis, who also supplies a tasteful solo. “Sweet And Free” is a mid-tempo ballad with jangling 12-string guitar by Cheplick and a gentle, nicely picked solo from Sarvis. The original Backbone Of The Nation closes with another mid-tempo number “How Many More Years.” The tune is a return to the band’s more country rock side with ballad style vocals and a withheld lead line by Cheplick, supported by Sarvis’ rhythm guitar and gorgeous harmony vocals. The original LP is supplemented by two bonus tracks, “Like A Vine” and “Deception.” Both tunes feature gentle acoustic guitar and restrained lead lines as well as showcasing the band’s vocal harmonies.

Gear Fab’s reissue Of Backbone Of The Nation features a foreword by label owner Roger Maglio and an informative essay by Jack Sarvis and Dennis Cheplick. The digipak package is rounded out by complete song annotations and gorgeous photos of the band members. A wonderful example of home-made garage/psych music, original copies of the album have gone for as much as $1000. Thankfully, Gear Fab has made it available at a much more realistic cost. This release will appeal to fans of garage and psychedelic rock and be a welcome addition to fans of these genres.

by Kevin Rathert, August 30, 2017

Tracks

1. Backbone To The Nation (Jack Sarvis, Dennis Cheplick) - 4:24

2. If Only I Would Have Told You (Jack Sarvis, Dennis Cheplick) - 2:54

3. I Don't Love Her Anymore (Jack Sarvis) - 2:41

4. Too Much Of Nothing - 3:44

5. Airplane Rider (Jack Sarvis, Dennis Cheplick) - 3:27

6. Untitled Love (Jack Sarvis) - 3:57

7. The Stones You Throw - 4:11

8. Hooky Player (Jack Sarvis, Dennis Cheplick) - 2:51

9. Sweet And Free - 2:36

10.How Many More Years - 3:07

11.Like A Vine (Dennis Cheplick, E. Webber) - 3:41

12.Deception - 3:38

All songs by Dennis Cheplick except where noted

Drywater

*Dennis Cheplick - Vocals, Rhythm, 12-String Acoustic Guitars 

*Jack Sarvis - Lead, Rhythm Guitars, Guitar, Vocals

*Greg Cheplick - Bass, Percussion, Backing Vocals 

*Ken Turcic - Percussion, Bass

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rep> Fever Tree - Live (1969 us, awesome heavy psych blues jam rock, 2011 digipak issue)

The never-released 1969 live effort from Fever Tree! Gulf Coast punk phenoms the Bostwick Vines see Cream and Hendrix and bring their tough interpretation of that combination to Hollywood, California. With three unique studio albums to their name, Fever Tree splinters after this live gig in Texas, but not before laying down one final testament to their evermore worth as swooning psychedelic rockers.

Sharpening their chops on the Gulf Coast circuit, followed by a high-profile opening night gig at Hollywood’s legendary Kaleidoscope, Fever Tree developed a keen sense of musical drama and dynamics. This versatility is in sharp display on the concert’s rendition of their underground radio hit “San Francisco Girls (Return of the Native).” For the rest, Live 1969 focuses on groovers, a perfect set-up for the gliding fuzztones of lead guitarist Michael Knust, the sonic organ of Rob Landes, the thick rhythms provided by E.E. “Bud” Wolfe III on bass and John Tuttle on drumsand the dynamic, driving lead vocals of Dennis Keller.

“Don’t Come Crying to Me Girl,” a song originally found on the band’s second album, levitates the band beyond any earthly confines. Elsewhere, the set moves between a soaring cover of Donovan’s “Hey Gyp,” their own power pop “Grand Candy Young Sweet” and a whirlng psych take on Wilson Pickett’s “Ninety-Nine and One Half (Won’t Do).” Playing as if their lives depended on it, Live 1969 captures a band at the height of its powers, forever preserved on this final audio testament. 

Sundazed

Tracks
1. Grand Candy Young Sweet (F. Davis) - 8:37
2. Ninety-Nine and One Half (Won’t Do) (E. Floyd, S. Cropper, W. Pickett) - 11:06
1. Don’t Come Crying to Me Girl ( R. Landes, S. Holzman, V. Holzman) - 8:15
4. Hey Gyp (D. Leitch) - 8:19
5. San Francisco Girls (Return of the Native) (Michael Knust, S. Holzman, V. Holzman) - 4:14

Fever Tree
*Dennis Keller - Vocals
*John Tuttle - Drums
*Rob Landes - Keyboards, Flute
*E.E. Bud Wolfe III - Bass
*Michael Knust - Guitar

1968  Fever Tree - Fever Tree (2011 digipak remaster)
1968-69  Fever Tree - Fever Tree / Another Time, Another Place
1969-70  Fever Tree - Creation / For Sale

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Ben Atkins - Patchouli (1971 us, sweet silky folk r 'n' b, 2021 korean remaster)

Curious the case of Ben Atkins . And it is that if he has gone down to posterity for something, it is for being the first non Afro-American artist signed by Stax (through its subsidiary Enterprise), and not for his magnificent debut « Patchouli » (1971). Curious and unfair, because despite the modest success of the album, his "melting pot" of southern music deserved to climb higher and provide him with a solid career, which he never achieved (he only released another album in 1982, "Reachin' for the feeling ", under the name of Big Ben Atkins).

The cover already gives us an idea of ​​its content: southern soul, swamp rock and touches of gospel and folk. An authentic sound delicatessen that sails through all the possible styles of the southern United States, and that was recorded between two of the great temples of American black music, Muscle Shoals and Stax Studios.

He is accompanied on this journey by legendary musicians such as David Hood, Donald »Duck» Dunn, Jimmy Johnson and Barry Beckett among many others, allowing the powerful voice of the singer from Vernon (Alabama) to be the main axis of the LP.

A sublime and sweaty instrumentation, the genuine feminine gospel choirs and a borrowed repertoire (which he makes his own) of jewels from people like Dan Penn, Bobby Manuel (who also acts as producer of the whole group) or Howlin' Wolf gives the album a halo of timelessness still in force today. An authentic and natural trip that Ben Atkins proposes to us: bordering the Mississippi without leaving home. Good times are coming…!!!

by Albert Barrios, April 25, 2023

Tracks

1. I Love This Song (Dan Penn, Jimmy M. Johnson, Len Renfro) - 2:29

2. Cross My Mind (Dennis Lambert, Brian Potter) - 4:39

3. Shine On (Carson Whitsett, Eric Mercury) - 2:35

4. Holding On To Friends (Bob McRee, Cliff Thomas, Ed Thomas) - 3:24

5. Smokestack Lightnin'/Brighter Side Of It All (Howlin' Wolf/Charles Feldman, J. Wiker, Steve Smith, Tim Smith) - 4:12

6. Solid Ground (Bob McRee, Cliff Thomas, Ed Thomas) - 2:57

7. That Brings Me Down (Jerry Puckett) - 3:39

8. A Long Way To Go (Bettye Crutcher, Bobby Manuel) - 4:14

9. Would I Be Better Gone? (Bobby Manuel, Darryl Carter, William Brown) - 3:11

10.Good Times Are Coming (Bobby Manuel) - 3:22

Musicians

*Ben Atkins - Vocals

*Barry Beckett - Keyboards

*Joe Correro - Drums

*Donald "Duck" Dunn - Bass

*John Gaston - Bass

*Jeanie Greene - Vocals

*Roger Hawkins - Drums

*Ginger Holladay - Vocals

*Mary Holladay - Vocals

*David Hood - Bass

*Al Jackson, Jr. - Drums

*Alan Jackson - Guitar

*Jimmy Johnson - Rhythm, Acoustic Guitars

*Bobby Manuel - Guitar

*Wayne Perkins - Guitar

*Temple Riser - Vocals

*Marvell Thomas - Keyboards, Piano

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Tony Kelly - Bring Me Back (1972 uh, a splendid mixture of folk, soft rock and psych, 2014 korean remaster)

Tony Kelly’s “Bring Me Back” Is an album that has been secretly known among people who like this kind of music for a long time, but for some reason it's extremely less exposed compared to other artists from the same genre. 

His voice is similar to Ernie Graham in a slightly nasal area. Sound creation is also a feeling that made Ernie Graham a little more swamp-oriented. Produced by Grease Band's Bruce Rowland this 1972 album,  released by polydor, has something in common with Gerry Lockran's "Wun".

Terry Stannard (drums) is also familiar with albums by Roger Morris, Gerry Lockran, Bryn Haworth.  A melancholy British swamp masterpiece album. The photo of the jacket that looks cold matches well with the content and is the best. Increasingly popular in recent years. It continues to be difficult to obtain.

Tracks

1. Not Knowin` What`s Goin` On - 5:00

2. Makin` The Same Mistakes - 3:14

3. The Way It Is - 4:16

4. Blue Bird - 3:56

5. Bring Me Back - 3:12

6. The Elements - 3:13

7. Blues Run The Game (Jackson C. Frank) - 2:10

8. One Love - 5:19

9. Further Down The Road - 5:03

Lyrics and Music by Tony Kelly except track #7

Personnel

*Tony Kelly - Vocals, 6, 12 String Acoustic Guitars

*Paul Millins - Keyboards 

*Jack Mills - Electric Guitar

*Keith Evans - Bass Guitar

*Cody Congas - Percussion, Harmonica

*Terry Stannard - Drums

*Claudia Lennear - Backing Vocals

*Kathi MacDonald - Backing Vocals

*Linda November - Backing Vocals

*Helen Miles - Backing Vocals

*Hilda Harris - String Arrangements

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