20 blasts of long-forgotten British Freakrock. The Glorious British Psychedelic music scene did not cease to exist at midnight on December 31st 1969, it took on the previous decade with furore, new gadgets and studio gimmicks, but with some of the same key players.
From the hard and loud sound of J.C. Heavy, Rainbow Family and Steel Mill to the sublimely bonkers Asylum, Monsoon, Mighty ‘Em and Galahad interspersed with spoonfuls of Psychedelia, Doom and Acid Rock.
Artist - Track - Composer
1. Mighty 'Em - Jekyll And Hyde (Bob Wright, Ralph Murphy) - 3:23
2. Asylum - Suzy's Back (John Burton, Sev Lewkowicz) - 2:36
3. Iron Horse - Magic Love (Eddie Seago) - 3:04
4. Monsoon - Night Of The Fly (Eddie Seago, Geoff Stephens) - 3:01
5. Galahad - Rocket Summer (Gerry Morris) - 3:06
6. J.C. Heavy - Is This Really Me (John Needham, Kenny Anders, Josephine Levine Musaphia, Neil Levine, John Hajok) - 3:12
7. The Rainbow Family - Travellin' Lady (Manfred Mann) - 2:49
8. Puzzle - Do You Feel The Pain (Dion Wesley Martin) - 2:48
9. The Grumbleweeds - In A Teknicolor Dreem (Alan Hawkshaw, Albert Sutcliffe, Carl Sutcliffe, Don Preston, Edgar Winter, George Harrison, Leon Russell, Maurice Lee, Robin Colvill) - 3:44
10.The Explosive - Hey Presto, Magic Man (Bill Dale, John Melton, Sid Cade) - 3:05
11.J.C. Heavy - Do What You Like (Michael Schepior) - 3:15
12.Choc - The Devil (Alain Arnaud, Keith Fawcett) - 3:07
Guy Clark waited a long time to get himself on record, despite a proven pedigree as a songwriter penning sometimes joyous, sometimes bittersweet, frequently autobiographical, always poetic narratives of Western life. Jerry Jeff Walker had cut Clark’s “L.A. Freeway” and “Desperadoes Waiting For A Train” for his eponymous 1972 album, whilst Townes Van Zandt included “Don’t Let The Sunshine Fool Ya” on his sublime The Late Great Townes Van Zandt the same year. Meanwhile, Monahans, TX, native Clark had held down a day job as a TV station art director in Houston whilst playing the city’s folk clubs with the likes of Townes and K.T. Oslin, and, during a brief unhappy spell in Los Angeles, worked as a staff songwriter for Sunbury Music and as a luthier building Dobros. It wasn’t until several years after he moved to Nashville that he finally signed to RCA and released his own first album in 1975, effectively “covering” some of his own tunes that others had put down years earlier.
Under his RCA contract Clark turned out two country-meets-folk albums of such homely, unassuming beauty that it’s amazing in retrospect to think it took him so long to find his own voice on vinyl. On the first, Old No. 1 , Clark’s own belated versions of “Desperadoes” and “Freeway” proved peerless, and other future classics such as “Texas 1947”, “Let Him Roll” and “A Nickel For The Fiddler” rounded out a faultless ten-track set taking in folk, bluegrass, honky-tonk and the most lonesome of torch ballads in a respectful, authentic fashion that contrasted with both the bland country-pop of Chet Atkins’s Nashville roster and the hyperactive rawk’n’roll of Waylon Jennings’s Outlaw clique.
Alongside Clark’s own masterful acoustic guitar picking, the album featured gorgeous, restrained accompaniments from a bevy of Music Row sessioneers including Reggie Young (guitar), Johnny Gimble (fiddle), Micky Raphael (harmonicas), David Briggs (piano) and Hal Rugg (pedal steel and Dobro) plus almost all of Emmylou Harris’s entourage as guest backing vocalists, with Harris’s own crystal soprano harmonies embellishing Clark’s warm, cracked Texas brogue in similar fashion to the way she’d counterpointed the fragile warblings of Gram Parsons.
None of which, sadly, provided Clark with a hit; there were no singles released and the album itself struggled only to a lowly 41 on the Billboard country chart. The next year’s follow-up Texas Cookin’ similarly made no commercial impact despite being of nearly as high a quality and including such wonderful waxings as “Virginia’s Real”, “Don’t Let The Sunshine Fool Ya” and the incomparable “The Last Gunfighter Ballad”, and that did it for Clark’s RCA contract.
It would be another two years before he resurfaced on Warner for his third long-player, since when he’s put out infrequent albums on that and no fewer than seven other imprints with no-better-than-modest sales all the way. Yet his songs have been repeatedly covered by country royalty: Johnny Cash, Emmylou Harris, Ricky Skaggs, Vince Gill, Brad Paisley, Rodney Crowell, Alan Jackson, Bobby Bare, Jimmy Buffett and the Highwaymen. In 2011 a slew of the aforementioned plus Steve Earle, Joe Ely, Roseanne Cash, Willie Nelson, Kris Kristofferson, Ron Sexsmith, Townes’s son John and others returned the compliment with a double CD of Clark’s best known tunes entitled This One’s For Him: A Tribute To Guy Clark. Rarely has such a tribute been so genuinely justified, but if this sounds just too gratulatory, treat yourself instead to the twofer CD containing Old No. 1 and Texas Cookin’.
by Len Liechti
Guy Clark died in Nashville on May 17th, 2016, following a lengthy battle with lymphoma.
Tracks
1. Rita Ballou - 2:51
2. L. A. Freeway - 4:57
3. She Ain't Going Nowhere - 3:27
4. A Nickel For The Fiddler - 2:46
5. That Old Time Feeling - 4:12
6. Texas - 1947 - 3:10
7. Desperados Waiting For Thetrain - 4:30
8. Like A Coat From The Cold - 3:17
9. Instant Coffee Blues - 3:15
10.Let Him Roll - 4:04
All songs by Guy Clark
Personnel
*Guy Clark – Lead Vocals, Guitar
*Mike Leach - Bass
*Jerry Kroon - Drums
*Larrie Londin - Drums
*Chip Young - Guitar
*Pat Carter - Guitar, Vocals
*Steve Gibson - Guitar
*Jerry Carrigan - Drums
*Dick Feller - Guitar
*Jim Colvard - Guitar
*Reggie Young - Guitar
*Hal Rugg - Dobro, Pedal Steel
*Jack Hicks - Dobro
*David Briggs - Piano, Vocals
*Chuck Cochran - Piano
*Shane Keister - Piano
*Johnny Gimble - Fiddle
*Mickey Raphael - Harmonica
*Lea Jane Berinati - Vocals, Piano
*Rodney Crowell - Vocals
*Emmylou Harris - Vocals
*Gary B. White - Vocals
*Florence Warner - Vocals
*Steve Earle - Vocals
*Sammi Smith - Vocals
