Every autumn, when the nights start to get longer, the air begins to cool and all of the leaves start to change colors, I get an insatiable craving for folk music, but specifically English and psychedelic/acid folk and folk rock.
I’m not entirely sure why I prefer this particular sound at this time of year, but I think it has to do with these records often having a sort of chilly and rustic quality to them, which I immediately associate with the harvest, strolls through damp forests of yellow and orange under darkly overcast skies and vacant, leaf-strewn cemeteries. (A bit vague, I admit, but hopefully you know what I mean.)
The usual go-to albums that fit the bill for me include the likes of: First Utterance by Comus, The Hangman’s Beautiful Daughter by The Incredible String Band, the first four or five Pentangle and Fairport Convention records and of course the enigmatic work of Vashti Bunyan and Nick Drake. However, there are several artists and albums that I revisit each autumn that have sadly gone a little under the radar but still deserve just as much praise as some of their better-known contemporaries.
To help share my love of these lesser-known folk albums and to celebrate the season (the best time of year, in my opinion) I’m going to review a personal favorite of mine once per week until late November. I want to go all through the fall and we all know that winter doesn’t officially start until around December 21st, but let’s face it, by Thanksgiving, we’re so buried in Christmas music, decorations and much colder weather, it really doesn’t feel like autumn anymore.
Seeing that it’s still September, why not start with a band that recorded a track called “September Song”?
Fly On Strangewings by Jade (or ‘Marianne Segal and Silver Jade,’ as they were known in the US) is a unique yet successful hybridization of the traditional English folk rock style with the more polished American folk-pop sound. Imagine if Sandy Denny-era Strawbs recorded with the likes of Judy Collins or John Phillips.
Released in 1970, Fly on Strangewings is surprisingly accessible, even for its time, despite its eclectic instrumentation, which includes electric violin and generous amounts of harpsichord. The songs are all generally catchy and focus greatly on melody while mainly being constructed around piano and acoustic guitar parts, sounding similar to Unhalfbricking-era Fairport Convention.
The strongest moments of the album happen when the group leans the furthest into their English folk roots, like the galloping, Fotheringay-like “Mrs. Adams” and the dreamy, harvest imagery-laden opening track, “Amongst Anemones.” Another major highlight is the hazy, almost Jefferson Airplane-like “Reflections on a Harbour Wall,” with its phased, acidic electric guitar lines. These stand out moments also all share a sharp, driving rhythm, which makes sense, seeing that they all feature Pentangle’s Terry Cox behind the drum kit.
The one complaint that I have is that sometimes the orchestrations sound a little corny. Perhaps I’m spoiled by the superb Joe Boyd productions that came out around the same time, but I feel like the few songs on this record that feature orchestrations could have benefited from being arranged by the likes of Robert Kirby. That’s just my personal preference and I’m really nitpicking, because it really doesn’t detract that much from the album.
While this is the only record officially credited to Jade, some reissues feature bonus tracks made by Marianne Segal prior to and after Strangewings. The best of this other material include the previously mentioned “September Song” as well as an excellent cover of “Carolina in My Mind.” However, as of only a few weeks ago, a 3CD set called Fly on Strangewings: Anthology was released with tons of unreleased rehearsal and demo recordings as well as other songs by Segal as a solo artist as well as a duo with fellow Jade-member, Dave Waite. I have yet to hear this set since it just came out, but I imagine that it would be worth seeking out.
Talk about good timing!
If I could give a copy of this album to every person that liked Fairport, Roy Harper or Marianne Faithfull, then I’d do it in a heartbeat.
by Keith Hadad, September 22, 2017
Tracks
Disc 1
1. Amongst Anemones - 3:56
2. Raven - 2:37
3. Fly On Strangewings - 4:27
4. Mayfly - 3:35
5. Alan's Song - 3:20
6. Bad Magic - 3:21
7. Clippership - 2:49
8. Five Of Us - 4:08
9. Reflections On A Harbour Wall - 2:35
10.Mrs Adams - 3:30
11.Fly Me To The North - 3:24
12.Away From The Family - 4:51
13.Big Yellow Taxi (Master, 1971) (Joni Mitchell) - 3:35
14.Carolina In My Mind (Master, 1971) (James Taylor) - 4:06
15.Chicago Radio Spots (1971) - 2:06
16.Moses (Master, Circa 1971) - 3:00
17.Raven (Rehearsal, 1970) - 2:46
18.September Song (Rehearsal, 1970) - 3:32
19.How Can That Be Right (Demo, 1970) - 5:14
Music and Lyrics by Marian Segal except where noted
Tracks 1-12 origina LP 1970 "Fly On Strangewings "
Disc 2
1. Paper Flowers (Dave Waite) - 2:25
2. It's Really Quite Alright - 3:26
3. I Can't Love You More - 3:43
4. Safe In Your Castle - 2:46
5. Miranda In The Sun (Demo) - 2:45
6. Percy's Song (Bob Dylan) - 5:27
7. Just Like Tom Thumb's Blues (Bob Dylan) - 4:13
8. Dawn Song - 2:35
9. Milkwood Dragon - 2:33
10.September Song - 2:02
11.All The Reasons - 3:38
12.Rainbow - 3:57
13.I Think It's Going To Rain Today (Randy Newman) - 2:21
14.Miranda (Demo) - 2:45
15.Released - 2:22
16.All The Good Times - 3:10
17.It's Really Quite Alright (Demo) - 3:29
18.I Can't Love You More (Demo) - 3:30
19.Country Meets Folk (Radio Introduction) - 0:38
20.Shine A Candle (Live) - 2:05
21.Circles (Live) - 2:32
22.The Hedgehog Song (Mike Heron) - 4:05
23.The Dove (Jacques Brel) - 4:37
24.Chelsea Morning (Joni Mitchell) - 1:58
25.Alan's Song (Demo) - 4:02
26.Paper Flowers (Demo) (Dave Waite) - 2:19
All songs by Marian Segal axcept where stated
Disc 3
1. Circle Round The Sun (Master, 1971) - 3:57
2. Middling Man (Master, 1971) - 4:11
3. Gold Dust And Dirt - Song For Leonard Cohen (Demo, 1973) - 4:26
4. Sit Yourself Down (Demo 1974) - 4:45
5. Lucky Seven (Demo 1974) - 3:52
6. Fly Me To The North (Live, 1975) - 3:32
7. Deal Out The Cards (Master, 1976) - 2:13
8. Miranda (Master, 1976) - 4:33
9. Peaceful Easy Feeling (Master, 1976) (Jack Tempchin) - 3:28
10.So Sure Tonight (Master, May 1979) - 3:32
11.Kiss Of The Buddha (Master, May 1979) - 3:45
12.Outside The Wall (Master, 1984) (John B. Spencer, Graeme Taylor) - 4:57
13.Gypsy Girl (Master, 1990) - 3:34
14.This Life (Demo 1996) - 4:17
15.The Water Is Wide (Master, 2013) (Traditional) - 5:43
16.Better Side Of Me (Demo 1972) - 4:17
17.Topanga (Demo 1972) - 4:34
18.Swallow (Demo 1973) - 4:24
19.Bullseye On A Rainy Night (Demo 1974) - 4:00
All compositions by Marian Segal except where indiacated
Musicians
*Marianne Segal - Vocals, Guitar
*Dave Waite - Vocals, Guitar
*Rod Edwards - Vocals, Piano
*John Wetton - Bass
*Clem Cattini - Drums
*Herbie Flowers - Bass
*Barry Morgan - Drums
*Phil Dennys - String, Brass Arrangements
*Dave Moses - Bass
*Brian Brocklehurst - Bass
Free Text
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This could be interesting. Thank you Marios for your work in discovering and presenting the buried treasure of a bygone era
ReplyDeleteHello,
ReplyDeleteThe link of te part1 (FLAC) in hitfile is wrong (is part3). Can you change this and put the corrct link to part1 in hitfile.
Thank you very much
Anonymous, ok it's fixed now.
ReplyDeleteThanx very much!
ReplyDeleteGaius said
ReplyDeleteMost of the mp3 aren't working, the complete discs 2 and 3 and more than half of disc 1, f.ex. Tracks 11 to the end, tracks 3 and 9.
Thank you!
ReplyDeleteThanks Marios.
ReplyDeleteHi--this link to part 1 FLAC is instead to part 3 FLAC:
ReplyDeletehttps://qn.d-ld.net/bb799725b5
Thanks.
Mr Bill, when I click upon the specific link you added, leads me to this: https://hitfile.net/jAjpcRR?short_domain=hitf.to under the name Ma Se Ja Fl St Wi.part1.rar (342,00 Mb)
ReplyDeleteExcellent and very cool! Thanks a lot, Marios!
ReplyDeleteThanks, Marios.
ReplyDeleteThanks very much Marios! Excellent music.
ReplyDeleteAfter listening to it i've come to the conclsion that Jade were not in the same class as Fairport,Roy Harper and the rest of the artists mentioned in the blurb.
ReplyDeleteWhat we have here is rather mediocre Folk of a type that you could hear in just about every English folk club in the 1970's.Thanks for giving us the chance to hear it though.
As always, you do great work, thanks M!
ReplyDelete