Rockasteria: Sep 26, 2026

Saturday, September 26, 2026

Winterhawk - Dog Soldier (1980 us, awesome hard rock, 2021 hard sleeve remaster)

San Francisco band Winterhawk were years ahead of their time. They’re best remembered for frontman/guitarist Nik Alexander’s distinctive mashups of 70s acid rock and Cree Indian folk music. Alexander was fiercely proud of his heritage, and that connection to the land resonates potently in the band’s many politically-oriented songs. In addition to rocking out ancient folk melodies, they sometimes employed indigenous instruments like shakers and wood flute. Drummer Alfonso Kolb would frequently diverge into native rhythms as well.

On Dog Soldier, the group are tighter. Fringed leather tunics, furs, feathers, and loincloths are not the standard garb of the average rock band, and neither were many popular bands quite literally gushing with Indian blood and heritage. Likewise, few bands indeed carry high the philosophies, and traditions of their forefathers cultures as did Winterhawk. A Native American foursome that specialized in rapidfire, hard rock and roll. But the striking thing about this band is not so much the warrior beliefs, but their sincerity and genuine faith in themselves and their culture. Winterhawk appeared in the 1983 US Festival and has opened for such big names as Tina Turner, Santana, Country Joe and the Fish, Steve Miller, Van Halen and Motley Crue. The Electric Warriors LP was produced by Tom Bee of XIT, AKA Lincoln St Exit. A must have for Native American, Hard Rock, Metal music fans. Nik Alexander's song writing and guitar playing skills are the best.

We Are the People is a towering, defiantly timeless reminder of how much more civilized the North American natives were, compared to the imperialist invaders. There’s also Crazy, shifting between hammering riffage and a spare, cantering native rhythm; We’re Still Here, a surreal attempt at politically-fueled disco; Warriors Road, a subdued acoustic freedom-fighter anthem; and I Will Remember. a stark, mystical folk tune. Good to have this distinctive band back in print.

Unfortunately, Nik Alexander passed away in July 5, 2017 after battling with cancer. His memory lives on through the timeless compositions he created, that will surely be remembered and enjoyed by every serious music fan and collector unto the ages of the ages.

Tracks

1. Our Love Will Last - 3:11

2. Honey Lady - 3:41

3. Crazy - 4:50

4. Loser - 4:14

5. Lady Blue - 4:04

6. We're Still Here - 3:46

7. Warriors Road - 3:15

8. We Are The People - 5:45

9. I Will Remember - 3:12

All compositions by Nik Alexander

Winterhawk

*Nik Alexander - Guitar, Vocals

*Doug Love - Bass, Vocals

*Gordon Campbell - Bell

*Jon Gibson - Drums, Vocals

1979 Winterhawk - Electric Warriors (2021 remaster)

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rep>>> Winterhawk - Electric Warriors (1979 us, outstanding hard rock, 2021 remaster)

San Francisco-based Indigenous hard rockers Winterhawk put out two records—one in 1979, one in 1980—that are both re-released by Don Giovanni Records, so we thought it was a good time to dive into the band’s first album, ’79’s Electric Warriors, to find out if it deserves the reissue.

This Winterhawk—who, by all accounts, took their culture’s traditions and values into their music and aimed to be good role models to youth—isn’t to be confused with Chicago’s Winterhawk, who were also around at the same time. (This band’s “Don’t Die” shirt is one sXe slogan away from being a piece of Earth Crisis merch.) Indeed, this Winterhawk took a positive and damn near squeaky-clean approach to their craft, and it only adds to the music.

“Prayer” is a killer opener, starting off with a slow burn that has tons of ’70s feel to it; it’s a courageous way to kick things off, not exactly diving head first into hard rock, but setting a mood, and doing it with authority. Then on to “Got to Save It,” and, man, I really like what this band is laying down here, incredibly solid on their instruments with a fantastic vibe—good-time KISS at its best—and a strong message. Fantastic opening pair of songs here. This song is 5:30 but doesn’t get old, it actually just gets stronger and stronger as it goes on.

“Black Whiskey” tells a tale of the evils of alcohol over a mid-tempo kinda-mellow tune, a song that wouldn’t sound half bad playing in a car stereo at 8pm on a summer night while you’re killing time in a parking lot with the buds. Winterhawk is doing absolutely nothing wrong on this record so far, three songs in. Win, win, win.

“Dark Skin Lady” ends off the original album’s side A with some killer guitar work that immediately brings to mind classy and classic Thin Lizzy, the band just incredibly solid, tight, working as a cohesive unit here. Love it. Side A done and done and absolutely no complaints here.

“Restaurant” is a slinky groover with tons of attitude, kinda absurd lyrics, and—I can’t stress this enough—a tight delivery. Seriously, these guys were incredibly locked in together on this album. This song rules, and, honestly, those stoopid lyrics only help.

“Selfish Man” is when the band’s personality really starts to shine, with some of their traditional Native American musical sounds coming through both in the music and vocals. Excellent track here, one that handles both quiet and louder parts with ease and power.

“Custer’s Dyin’” absolutely kills it, the band laying into a slinky boogie with charged lyrics and tons of their own flair in there. A great song, and then they end the album even stronger with “Fight.” This closes the album off with another streamlined rocker, vocals threatening to be a bit much at points but generally staying just this side of too much and instead rocking all night long, the band showing off their excellent riff skills one final time here, drumming concise and tight, everyone locked in for one final groove, bassist holding it down, man… I love Winterhawk, and the spoken part that ends off this song, and the album, just nails that home. Incredible.

This record being legit rocking, with tons of personality and a positive message behind it to boot. It’s aged perfectly and is one of the finest pieces of shoulda-been early metal/hard rock we’ve come across in this column to date.

by Greg Pratt, October 14, 2021