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Plain and Fancy

Music gives soul to universe, wings to mind, flight to imagination, charm to sadness, and life to everything.

Plato

Sunday, January 24, 2016

Marshall Tucker Band - Searchin' For A Rainbow (1975 us, beautiful guitar blended country jam roots rock, 2004 remaster and expanded)



Old West dreams meet Southern memories in the tracks of Searchin' for a Rainbow, The Marshall Tucker Band's fourth album. Released in 1975, this song collection found the group refining its multifaceted sound into an appealing country rock essence. Still present were the jazz and blues-based elements that had always made Marshall Tucker a distinctive unit. By dressing up their music in Western garb, the band found a way to reach a huge new audience-all it took was a little "Fire On The Mountain" to light the way. "We'd found a bit more direction on how to design songs for a record," says lead singer Doug Gray. "Our record company Capricorn had always said, 'Try to give us something that would work on the radio.' We tried to do that, and at the same time please each other. We were known as a jamming band. This was the first time we really tried to give them Marshall Tucker's interpretation of what a hit song  was."

Some three years of near-constant touring and steady recording brought the  band to this point. Formed in Spartanburg, SC in 1972, the group united lead guitarist Toy Caldwell, vocalist Doug Gray, bassist Tommy Caldwell, rhythm guitarist George McCorkle, drummer Paul Riddle and reed player Jerry Eubanks in a unique musical partnership. Named for a local piano tuner, the band established itself on the road (often sharing the bill with the Allman Brothers) as a formidable live act. Marshall Tucker's compelling mix of rock, country, blues and jazz set them apart from their peers and ensured them a rabid following in the Southern States and beyond.

At the core of the band's sound was Toy Caldwell's guitar virtuosity and heart felt way with a song. By all accounts, he was constantly working on his music. "Toy was a compulsive songwriter," Paul Riddle says. "At times, music would just pour out of him. I remember one time we were on the road-Toy had just written a verse for 'Searchin' For A Rainbow.' We stopped at a truck stop and I went in to get him a cheese sandwich. By the time I came back, he had the tune finished in less than 10 minutes. It was amazing."

Toy's growing skill on the pedal steel guitar was a factor in the band's move towards a more countrified approach. He developed a jazz-influenced style that was a cut above the typical twanging sounds most players coaxed out of the instrument. "I think it was a challenge for him," says Doug. "The first night he got his pedal steel guitar in Atlanta, he sat there playing it for two or three hours before we started our show. He really developed his own way of playing it."

Searchin' for a Rainbow also reflected The Marshall Tucker Band's growing acceptance among mainstream country musicians. Waylon Jennings, for instance, went on to score a hit single on the country charts with a cover of "Can't You See," a track from the band's first album. Hank Williams, Jr. performed with them at shows in Birmingham. Some in the Nashville music establishment still thought Marshall Tucker was too rock 'n' roll to fit into country radio formats. Eventually, though, hit-makers like Alabama lead singer Randy Owens would acknowledge the group as a key influence. Helping to spur things on was "Fire On The Mountain," the lead track off Searchin' for a Rainbow. Released as a single in the fall of 75, the tune reached #38 on the pop charts. A vivid, Old West, lyric-storyline combined with bluegrass tinged instrumental licks and an ear-grabbing chorus brought Marshall Tucker its first Top 40 hit.

"Fire On The Mountain" was written by George McCorkle, his first composition to be recorded by the band. Doug remembers seeing its potential from the start: "George called me over and had me sing a little bit of it. I said “Man th is going to be a great song.'" Coincidentally, Charlie Daniels (who contributed fiddle to numerous Marshall Tucker albums, including Searchin' for a Rainbow) released an album by the same name around this time, causing a degree of confusion. Before "Fire ...," Marshall Tucker had primarily been heard on FM radio. The song served to introduce the band to a whole new crowd of listeners. Doug says, "At first, we just had the cool people coming to our shows. Then all of a sudden, we had this hit and these teenyboppers started coming out to see us. I remember all these young guys who were sporting cowboy hats and boots—it was a whole new world for them. We noticed that we were drawing a younger crowd, and we started playing more venues that people under 21 could come to." Those new fans who picked up Searchin' for a Rainbow discovered that Marshall Tucker was much more than a singles band. The album ranks among the group's best work, sonically rooted in Southern traditional styles while displaying an individual edge

As with previous albums, Toy Caldwell contributed most of the songs. Lyrically, he delves into Western scenarios in "Virginia" and the title track, contrasting the hunger for gold with the need for faithful love. The pleasures of Southern country life are celebrated in "Bob Away My Blues," while "Bound And Determined" is a bluesy look at a troubled romance. Musically, the album stretches from old-time country to steamy R’n’B and toe-tapping jazz. Toy's pedal steel playing swoops and swoons on "Bob Away My Blues" (invoking memories of Bob Wills and his Texas Playboys) and adds a gentle caress to "Keeps Me From All Wrong" (written by brother Tommy). Doug proves his vocalist mettle throughout, veering from honky-tonk testifying to blues belting as the songs require. Jerry Eubanks particularly shines on "Walkin" And Talkin'," a joyfully swinging number. Several guest players are worthy of note. Allman Brothers guitarist Dickie Betts and keyboardist Chuck Leavell contribute their signature touches to the title track and "Bound And Determined," respectively. As on earlier Marshall Tucker albums, producer Paul Hornsby adds dashes of New Orleans piano and gospel-drenched organ here and there.

Rounding out Searchin' ... is a live recording of "Can't You See," taken from a July 1974 show in Milwaukee. This smoldering treatment of the tune-first heard in studio form on the group's debut album-reaffirms Marshall Tucker's status as one of rock's premier jam bands. There's a wrinkle in his playing, Paul Riddle points out: "Listen to the intro-the song is in half-time, but something compelled me to play the first eight beats in double time. Tommy got so tickled, I swear we were about to stop the song. It's an absolute hoot!" Searchin' for a Rainbow brought the band another gold album and eventually 'went platinum as well. "Fire On The Mountain" helped pave the way for even greater success on radio with the 1977 hit "Heard It In A Love Song." Enduring personal tragedy and weathering line-up changes, The Marshall Tucker Band has continued on into the present day. Their creative fires continue to burn bright.
by Barry Alfonso


Tracks
1. Fire On The Mountain (George McCorkle) - 3:56
2. Searchin' For A Rainbow - 3:52
3. Walkin', Talkin' - 2:31
4. Virginia - 4:54
5. Bob Away My Blues - 2:47
6. Keeps Me From All Wrong (Tommy Caldwell) - 4:17
7. Bound, Determined - 4:24
8. Can't You See (Live) - 6:31
9. It Takes Time (Live) - 3:44
All songs by Toy Caldwell except where indicated

The Marshall Tucker Band 
*Toy Caldwell - Vocals, Electric, Acoustic, Steel Guitars
*Tommy Caldwell - Vocals, Bass Guitar
*George McCorkle - Electric, Acoustic Guitars
*Doug Gray - Vocals, Percussion
*Jerry Eubanks - Saxes, Flute, Vocals
*Paul Riddle - Drums
Guests Friends 
*Richard Betts - Guitar Solo On "Searchin' For A Rainbow"
*Paul Homsby - Piano, Organ
*Charlie Daniels - Fiddle
*Chuck Leavell - Electric Piano
*Jerome Joseph - Congas
*Al McDonald - Mandolin
*Leo LaBranche - Trumpet, Horn Section Arrangements

1973  The Marshall Tucker Band - Way Out West, Live From San Francisco (2010 remaster)
1974  The Marshall Tucker Band - Where We All Belong (2004 remaster with bonus track)

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Wednesday, January 20, 2016

Various Artists - Golden State Psychedelia (1966-69 us, impressive psych rock, 2015 release)



Rare or previously unissued psychedelic gems from late 1960s San Francisco, produced at Leo Kulka’s studio, Golden State Recorders.

When it opened for business in the autumn of 1965, Golden State Recorders was the first large Hollywood-style studio inSan Francisco, with a brand new solid-state board and an expansive main room, perfect for replicating the ambience of the psychedelic ballrooms. Indeed, founder and chief engineer Leo de Gar Kulka had begun offering his services right as the Bay Area witnessed the explosion of its own well-documented rock scene, and thus during its first few years Golden State was the local independent recording venue most frequently visited by the city’s new breed of musician, along with the hordes of attendant A&R men hopeful for the next big thing.

Golden State hosted some of the most genuinely trippy and experimental rock recording sessions held in San Francisco in the late 1960s, but Kulka could not keep his large facility going on bookings alone, and so he also used the studio to attract talent that could be secured to a contract and sold on to labels. Reflecting the prevailing atmosphere in the Bay Area, much of what Golden State recorded under its own production umbrella had a frisson of psychedelic fancy, and at this juncture some 50 years hence, recordings deemed failures at the time are now collectors items, or certainly worthy of a second look, as “Golden State Psychedelia” amply demonstrates.

Some of the earliest and best-loved releases in Big Beat’s “Nuggets From The Golden State” series were based on repertoire from Golden State Recorders. This latest instalment continues to celebrate the studio’s legacy, restoring material from deleted volumes, as well as exhuming more psychedelic gems from the GSR vault. Since Ace Records acquired the catalogue in 2006, we have had the opportunity to revisit the tapes, this time with a fine-toothed comb.

Therefore, aside from rare singles by the Tow-Away Zone and Seventh Dawn, “Golden State Psychedelia” is comprised wholly of material that did not see release at the time, and was all recorded between 1966 and 1971. Highlights include the commercial pop-psych stylings of the Bristol Boxkite, Carnival and Ticket Agents, the punkadelic Goody Box and Immediate Family, and some outrageous studio experiments by Magician and the Gants. With full details on the participants contained in the liner notes, “Golden State Psychedelia” is a package no fan of this entrancing genre will want to miss.
by Alec Palao


Artist - Track
1. The Goody Box - Blow Up (Norman Hadsell) - 2:37
2. The Carnival - Meditorium - 2:19
3. The Tow-Away Zone - Shab'd (Joan Cutting, Phil Franks, Randy Molitor) - 2:58
4. The Bristol Boxkite - Sunless Night (Bill Ellis, Sandra White) - 3:03
5. The Immediate Family - Rubaiyat (Kriss Kovacs, Omar Khayyam) - 2:38
6. The Ticket Agents - Black Diamonds (David Salk) - 2:04
7. The Short Yellow  - Highway Highway (Gary Thorp) - 2:21
8. Celestial Hysteria - Speed (Harold Greer, John Allan, John Barsotti, Mark Buvelot, Mary Hazlewood) - 2:38
9. Magician - Fuck For Peace - 3:58
10.The Carnival - Infinitation - 2:16
11.The Bristol Boxkite - Mad Rush World (Bill Ellis) - 2:44
12.The Seventh Dawn - Don't Worry Me (Darius Phillips, Sue Phillips, Tom Noyer) - 2:37
13.Just Slightly Richer - My Kind Of People (Dan Talbot) - 3:01
14.The Tow-Away Zone - Daddy's Zoo (Bill deHaan, Phil Franks, Randy Molitor, Ray McCarty) - 3:45
15.The Short Yellow - Hand Full (Gary Thorp) - 2:43
16.The Goody Box - Ah Gee (Norman Hadsell) - 2:31
17.The Immediate Family - Wet Chant (Kriss Kovacs) - 5:36
18.The Bristol Boxkite - Chasing Rainbows (Frederic Chopin, Harry Carroll, Joseph McCarth) - 2:22
19.Celestial Hysteria - New Song Aka Going Home (Harold Greer, John Allan, John Barsotti, Mark Buvelot, Mary Hazlewood) - 2:57
20.The Carnival - Years Have Passed Away - 2:13
21.Just Slightly Richer - Solitude (Al Roberts, Dan Talbot, Larry Goldberg, Robert Sanders, Steve Allyn) - 2:51
22.The Bristol Boxkite - Who Are We (Bill Ellis) - 2:27
23.The Short Yellow - Start Seeing (Gary Thorp) - 2:29
24.The Royal Family - Love Is The Greatest Thing (The Royal Family) - 2:48
25.The Gants - Sunday At The Lotus Parlor (Brian Johnson, Dennis Battaglia, Kim Edwards, Tim Grand) - 2:51

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Monday, January 11, 2016

Indian Summer - Indian Summer (1971 uk, solid post psych prog rock with heavy organ driving, 2011 repuk mini LP edition)




Indian Summer were formed in the summer of 1969 by keyboardist Bob Jackson, guitarist/vocalist Colin Williams, drummer Paul Hooper and bassist Malcolm Harker. Based in Coventry they toured the local universities and colleges in their native Midlands before being spotted by manager Jim Simpson who also looked after Black Sabbath and Bakerloo amongst others.

In fact, they often filled in for Sabbath when they were too poor to be able to afford to get to the gigs they were booked to play! Ex-Vertigo Records manager Olav Wyper had been employed by RCA to head its progressive Neon Records label and, after a recommendation from Simpson, he signed the band after witnessing them go down a storm at Henry's Blues House in Birmingham. Teaming them with producer Rodger Bain, who'd produced Black Sabbath's self titled debut album, he put them into London's legendary Trident Studios to record their debut album.Indian Summerwas released in early 1971 (NE3) though a proposed single "Walking On Water" failed to see the light of day.

Immediately after the album's release, Harker left to take over his father's engineering firm (he currently lives in America). His replacement was Wez Price, ex-The Sorrows, who undertook the promotional duties required of the band, including dates in Switzerland. However, on returning from a gig in early 1972 with no money (and a bag of chips between them!) the band felt that something was wrong and decided to call it a day.

Colin Williams retired totally from the music industry to take up employment in the motor industry. Paul Hooper played in various Midlands based bands before teaming up with Bob Jackson in The Dodgers for 1978's Love On The Rebound album, and is currently a member of The Fortunes.

After extracting himself from his contract with Jim Simpson, Bob Jackson teamed up with ex-John Entwhistle vocalist Alan Ross for two LPs and numerous tours. He then joined Moon on their Too Close For Comfort LP of 1976 before passing an audition for Badfinger who he stayed with for nearly three years. He then formed the Dodgers with Paul Hooper before joining ex-Uriah Heep vocalist David Byron for theOn The RocksLP. Since then he's played with the likes of The Motors, The Searchers, Jeff Beck, Jack Bruce and Pete Brown and still plays in local bands as well as teaching music.
by Mark Brennan - Special thanks to Bob Jackson


Tracks
1. God is the Dog - 6:37
2. Emotions on Man - 5:44
3. Glimpse - 6:44
4. Half change Again - 6:26
5. Balck Sunshine - 5:25
6. From the film of the Same name - 5:52
7. Secret reflects - 6:46
8. Another Three will Grow - 6:06
All compositions by Indian Summer

Indian Summer
*Malcolm Harker - Bass, Vibes, Vocals
*Paul Hooper - Drums, Percussion, Vocals
*Bob Jackson - Lead Vocals, Keyboards
*Colin Williams - Guitar, Backing Vocals