Rockasteria

Released in 1969, The House of Blue Lights was Don Covay’s bold, adventurous attempt to reach the underground audience.  Here Co...

Rainshine was recorded in April 1971 at AIR Studios under the aegis of George Martin. His vocal and orchestral arrangements were, ...

Less than a year ago, Brown Acid was released into the wild and took the world by storm. Feedback was so positive from the First T...

Apostolic was many things: a label, a collective, a state of mind even. But before all of that, it was a recording studio set up by N...

There's some sort of pop culture Rorschach test to be constructed around the question of whether a fan of esoteric '60s po...

Richard Supa! I can't say enough about him. Supa is a Brooklyn kid who got his basic training playing guitar in soul bands—oft...

The Humanist Advent "Concept" brought up from its very beginning by Peter Riden to those days, surges with the released ...

Jimmy Campbell's third and final album for Philips, 1972's Jimmy Campbell's Album was a contractual obligation and he ...

One of Jimmie Spheeris' Epic titles of the 1970s was his third album, a classic titled The Dragon Is Dancing. The album was pr...

Spectromorphic Iridescence from a Tube of Smarties For years, Rainbow Ffolly Sallies Fforth, PMC 7050 (stereo PCS 7050), has bee...

The late-1960s found guitarist Scipio Sargeant having left his native Trinidad for New York City.  Living in Brooklyn his lighteni...

Once you've heard them, how can you not like the Gosdin Brothers? Their 1968 album SOUNDS OF GOODBYE is one of the most satisf...

This 1971 Lighthouse album was produced by Jimmy Ienner. The album starts out on a strong note with "Take It Slow (Out In The...

Bubble Puppy was a Texan psychedelic rock band, formed in 1966 in San Antonio, Texas, by Rod Prince and Roy Cox. Looking to form a...

Exit emerged in 1972 in the Swiss Frauenfeld. The band around guitarist Andy Schmid and drummer Kafi Kaufmann was live very hardworki...