Rockasteria

Taking their name from the Stratford, Ontario region of the same name, Perty County Conspiracy was centred around British immigran...

Like a rough, more obscure counterpart to Syd Barrett, Skip Spence was one of the late '60s' most colorful acid casualtie...

This is Marc Ellington's 4th album, recorded late 1972 and released early 1973, musically he moves around at the same levels as hi...

Gene Clark’s musical legacy is most certainly assured as a singer, songwriter and member of some exclusive company as an inductee...

Vanilla Fudge started focusing more on their European exposure in 1969. Unfortunately, I don't have the many European itinera...

Though much more Americanized through it’s audible influences, being recorded / released almost simultaneously with it, this is a ...

Tim Hollier has, until now, remained a cult artist, beloved of a few but unknown to the many. He made some superb music, some of w...

Falling somewhere in the musical spectrum between David Clayton-Thomas and Blood, Sweat and Tears and The Young Rascals,  the shor...

When Richie Havens was making his third album it appears as if George Orwell had really got under his skin. He’d become filled wit...

An album called White Bear has my undivided attention by virtue of its name alone. But when its cover also shows a lanky long-hair...

Carole Ann Pegg was born Nottingham, September 1944. Summarises working class family background and recalls early musical experien...

The debut of Glass Harp is undeniably their strongest work, with a more unified sound and a more polished feel overall than the ot...

As put by Stefan Granados in the accompanying liners, “perhaps due to it being recorded at the fag end of the psychedelic pop ye...