Robert Lester Folsom - Music And Dreams (1976 us, sparkling folk rock, 2010 korean remaster)

I was born at Moody Air Force Base in Lowndes County, Georgia January 3rd, 1955. I grew up in Adel, a small rural town in south central Georgia about 40 miles north of the GA/FL border. My parents were raised by poor sharecroppers and music played a large role in their hard day to day lives. Singing in church and listening to the Grand Ole Opry radio was a great source of musical entertainment. 

My mom's high soprano and my father's deep bass put me somewhere in the middle. They used to listen to the local AM radio station which featured gospel, country, pop, soul and Paul Harvey at noon. They also joined the Columbia Record Club and not only did I get to listen to Fat's Domino and Johnny Cash, they let me have a selection and that first choice was Rubber Soul by The Beatles. What a huge impact! Until then I thought The Beatles were just "yeah yeah yeah!" This was my favorite pop/rock band obviously inspired by Bob Dylan. So then there was Dylan. Now not only could I mimic The Beatles, but I could also write songs that expressed my every emotion. I started a band before I could even play the guitar. I traded my record player for my first guitar and the strings were so high off the neck that they could cut your fingers.

 My mother bought me a Mel Bay Chord Book and I went to town. I wrote song after song and formed band after band with my friends. Then a friend and I bought a Sears 4 track reel to reel and I started recording everything and everybody. Every reel of tape was an album. Eventually we would transfer a reel to 8 tracks and sell them to friends. We would pass around our lyric books to girls and we were rock stars in our own little world. We would play for 4-H Club events, church functions, and parties. This went on through high school.

I went on to South Georgia College where I met other musicians. I went there as a music major, but I was seriously looking into music in a much more major sort of way. I met Sparky Smith among many others and not only was he my bass player, but he became a forever trustworthy friend. Then there was Hans Van Brackle who I had already hooked up with in high school and Van Whiddon, Jimmy Whiddon and Sparky's buddy Don Anderson. There were others, like Don Fleming our amazing manager, but this was the nucleus of what would become my band Abacus. 

We played proms, VFW dances and parties mixing covers with our original music. It worked for the most part but we felt there had to be more, at least I did. We had a good grouping of original songs and we went to Atlanta to find a studio to record a demo. I grew up listening to the LeFevre Gospel Family and knew they had a fine studio in Atlanta so we went there first. There we were introduced to their head engineer Stan Dacus. He seemed like a nice cool guy so we booked a session there. 

We often rehearsed at Sparky's parents' house in Broxton, GA and his mom liked us quite a bit so she said she would pay for us to record our first serious demo. The session went great, Dacus was impressed and I had the fever to do something serious. I had a wonderful band, but it was hard for us all to get on the same page about recording. This frustrated me a little and I couldn't wait to sort it all out and do something. I told Stan Dacus that I wanted to do a solo album and he said he would like to help. I let him listen to some of the old tapes of my music and he said let's get started ASAP. I took out a loan at my local bank and booked some time at LeFevre in Atlanta. I told my band what I was doing and asked them if they would like to participate. 

They were all on board to get the opportunity to record so we began rehearsing. We got real tight with the music I had selected and soon in the summer of 1976 we started recording. We would lay down the basic tracks with a guide vocal, then we would add overdubs with instruments and serious vocals. Stan was helpful in getting the time we needed. We would book 4 hours and get 6. We spent serious time mixing. 

I introduced some new effects, especially a flanger which enabled us to get a sound that stood out over other music of that time. I may have thought at some point we went overboard but in retrospect I think we were dead on as far as capturing the sounds I was hearing in my heart and mind. We had vinyl and 8 tracks made, Danny Dickens (a college art major friend) did the cover art, and Music and Dreams became a reality. 

There was Georgia success and maybe some north Florida, but not nearly enough airplay and not enough money to do gigs to do the album justice. Music and Dreams became a small town success with a big debt to pay. I later recorded two songs ("Blues Stay Away" and "Warm Horizons") for a 45 rpm single as a possible leader to a follow-up LP but that was not to be realized. 

by Robert Lester Folsom 

Tracks
1. Music and Dreams - 3:28
2. Ginger - 2:48
3. Biding My Time - 3:28
4. April Suzanne - 4:03
5. Weeping Willow Tree - 3:38
6. My Stove's On Fire - 2:48
7. Untitled - 1:19
8. Spanish Lady/Brown Eyed Lady With Blonde Hair - 5:52
9. A New Way - 2:39
10.Show Me To the Window - 3:25
11.Jericho (My Quiet Place) - 3:43
12.Please Don't Forget Me - 3:24
13.Blues Stay Away - 2:35
14.Warm Horizons - 5:08
All compositions by Robert Lester Folsom.

Musicians
*Robert Lester Folsom - Acoustic, Electric Guitar, Hammond B3, Piano, Vocals
*Stephen Clayton - Drums, Syndrum
*Stan "Quack" Dacus - Percussion
*Alva Dickerson - Guitar
*Fonda Feingold - Clavinet
*Roni Goss - Bass
*Mark Hammond - Drums
*Danny Heitzhausen - Bass
*Sparky Smith - Bass, Vocals
*Hans Vanbrackle - Electric, 12 String Acoustic, Slide Guitar, Bass, Vocals
*Jimmy Whiddon - Hammond B3, Vocals
*Van Whiddon - Fender Rhodes, Piano, Vocals

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The Buoys - Timothy "Golden Classics" (1971-73 us, fine classic rock with counrty folk influence)

"Timothy” really was about a mule, but a lot of people thought he was another trapped miner." Rupert Holmes, the man who wrote "Timothy", was still trying to explain his 1971 hit for The Buoys in a 1988 interview to promote his new Broadway musical, "The Mystery of Edwin Drood." Laughing, Holmes swore the anguished song about the two survivors in a trio of trapped miners was not an ode to cannibalism. 

It was easy to laugh then, but it wasn't so funny when Scepter Records issued the single by the Wilkes-Barre, Pennsylvania quintet. Even though the song would eventually go into Billboard's Top 20, many radio programmers were reluctant to play the song, especially when listeners called demanding to know why some band was singing about eating this poor miner. It also didn't help when there were media reports about college students holding 'Timothy For Lunch Bunch" gatherings. 

Whatever the song was about, the notoriety did help get a hit for the group made up of Fran Brozena - keyboards, Gerry Hludzik - bass, Chris Hanlon - guitar, Carl Siracuse - drums, and Billy Kelly - lead vocals. They were discovered by a Scepter engineer, who then approached Holmes about writing a song to help the quintet get some attention. He agreed, and the song ultimately became Holmes' first real hit as a writer. Holmes also wrote a number of songs and played keyboards on The Buoys' debut Scepter album. 

It featured 'Timothy" and two other minor chart successes that also told odd stories. "Bloodknot" was said to be about a reform-school ritual while "Give Up Your Guns" was about an old West shootout. Although Holmes would go on to chart success as a singer, going Top 10 with "Escape (The Pina Colada Song)" and "Him", The Buoys soon sank out of sight. Scepter issued a few other singles, all featured here. 

The group then signed to Polydor, cutting two singles, "Don't Try To Run" and "Liza's Last Ride", also included on this album. In 1980, a couple of Buoys - Billy Kelly and Gerry Hludzik, who was also known as Joe Jerry - were back in music as a group called Dakota. Their self-titled album on Columbia failed to generate any attention.

by  Mark Marymont

Tracks
1. Timothy (Rupert Holmes) - 2:49
2. Give Up Your Guns (Rupert Holmes) - 4:16
3. Sunny Days/Memories - 5:02
4. Tell Me Heaven Is Here - 3:33
5. The Prince of Thieves (Rupert Holmes) - 4:17
6. Castles - 2:27
7. Bloodknot (Rupert Holmes) - 2:13
8. Tomorrow (Rupert Holmes) - 3:26
9.Streams Together - 2:48
10.Good Lovin' - 2:30
11.Pittsburgh Steel - 4:13
12.Absent Friend - 3:51
13.These Days - 2:47
14.Sunny Days - 1:25
15.Don't Try to Run (Brozena, Kelly, Hludzik) - 3:21
16.Dreams (Brozena, Kelly, Hludzik) - 3:26
17.Look Back America - 6:34
18.Liza's Last Ride - 2:55
All songs written by the Buoys except where noted

The Buoys
*Bill Kelly - Lead Vocals, Guitar
*Jerry G. Hludzik - Bass, Vocals
*Chris Hanlon - Guitar
*Fran Brozena - Keyboards
*Carl Siracuse - Drums
with
*Sally Rosoff - Cello

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Reg King - Reg King (1971 uk, great classic rock with glam shades)

Reg King belonged to the Action, Mighty Baby, Blossom Toes,  B.B. Blunder family tree, leaving the Action before they became Mighty Baby and performing with (ex-Blossom Toes) B.B. Blunder after releasing this acclaimed and rare solo record.

Members from the bands above would form the backbone for this project, recorded over three years and guesting Stevie Winwood on keys. The Action had cut their teeth covering Motown soul during the mid 60s and those influences had not gone amiss for this LP, albeit through distorted guitars and stoney jams. 

The leadoff track “Must Be Something Else Around” is a blistering slice of hard English rock that probably gave Led Zep a brief jolt of anxiety. “That Ain’t Living” has the explosive impatience of certain tracks I know from The Action, but add this album’s key ingredient: raw and relentless blue-eyed soul, propelled by Reg King’s voice – probably the best of the British hard-rock-soul singers.

It’s not a grand slam on the other hand. I’m not much of a blues-hound, so “Down The Drain,” or six-minutes of predictable blues doesn’t do it for me. But “That Ain’t Living” pushes hard through a fully worthwhile six of spirited rock. There are a couple less memorable tracks, but the good hooks make this record worth a spin. Perhaps a good introduction to the Action family tree .

by Brendan (The Rising Storm)

Tracks
1. Must Be Something Else Around - 4:35
2. You Have Yourself a Good Time (Reg King, Peter Dale) - 3:10
3. That Ain't Living (Reg King, Peter Dale) - 6:41
4. In My Dreams (Reg King, Alan King) - 3:54
5. Little Boy - 2:57
6. 10,000 Miles (Reg King, Peter Dale) - 3:30
7. Down the Drain - 6:15
8. Savannah - 11:52
9. Gone Away (Reg King, Peter Dale) - 2:38
10.Must Be Something Else Around (Guide Mix) - 6:20
11.Must Be Something Else Around (Rough Mix) - 4:37
12.You Have Yourself a Good Time (Reg King, Peter Dale) - 4:23
13.Down the Drain - 3:10
14.Nobody Knows Where We Are - 5:58
15.10,000 Miles (Reg King, Peter Dale) - 4:05
16.Gone Away (Reg King, Peter Dale) - 4:21
All tracks written by Reg King unless as else stated

Musicians
*Reg King - Guitar, Vocals
*Brian Auger - Keyboards
*George Barker - Trumpet
*Brian Belshaw - Bass, Vocals
*Marc Charig - Trumpet
*Peter Dale - Vocals
*Elton Dean - Saxophone
*Michael Evans - Bass
*Frank Farrell - Bass
*Brenda French - Vocals
*Brian Godding - Guitar, Vocals
*Barry Jenkins - Drums
*Nic Jones - Percussion
*Alan "Bam" King - Guitar
*Danny McCulloch - Bass
*Paul Nieman - Trombone
*Roger Powell - Drums
*Martin Stone - Guitar
*Peter Swales - Vocals
*Mick Taylor - Guitar
*Dick Thomas - Drums
*Doris Troy - Vocals
*Kevin Westlake - Drums, Guitar
*Ian Whiteman - Bass, Flute, Keyboards
*Steve Winwood - Keyboards
*Jo Wright - Guitar

Related Act
1964-90  Action - The Ultimate Action

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The Skeptics - The Complete Early Years (1965-69 us, splendid garage beat, 2012 Gear Fab release)

The Skeptics were one of Oklahoma's most famous rock bands. They started playing as a band sometime in either 1964 or 1965 and hailed from the town of Bartlesville, about 80 miles north of Tulsa. Jerry Waugh, their lead singer, a principle songwriter , had his first known recording with  “It's A New Thing To Me” b/w “Not Another Cloudy Day” which was released in early 1965. 

“Not Another Cloudy Day” featured the female vocals of Nedra Price, who had an earlier hit “Let’s Have A Party” with the Moonglows in 1964 on the Ponca label with b/w “Sugar Booger”. Bobby Shivel  played bass for Nedra on this recording, thus the connection to The Skeptics. 

The Skeptics first release as a band came in 1965 with “For My Own” w/b “I Told Her Goodbye” on the Trush label with a great picture sleeve. Original members included Jerry Waugh on Vocals and Harp, Bobby Shivel on Bass, Gary Shivel on Organ,  Luis Biggerstaff on Lead Guitar, and Garry Mars on Drums.  

The group enlisted the songwriting service of Wayne Carson Thompson for their final two 45’s. Thompson had enjoyed some earlier success with such hits as “Always On My Mind”,  “The Letter” and “Somebody Like Me”. This line up continued on until 1969 when Jerry Waugh left the band and the group moved towards for more of the funky, horn driven sounds of the early 70’s. 

They formally disbanded in 1974. Rumor has it that their manager  released an unauthorized  LP in 1969 which contained all their 45’s but a copy of it has yet to turn up with collectors. 

by Roger Maglio, April 2012

Tracks
1. It's A New Thing To Me (Jerry Waugh) - 2:03
2. Not Another Cloudy Day (Maynard Helmuth) - 2:54
3. For My Own (Jerry Waugh) - 2:42
4. I Told Her Goodbye (Jerry Waugh) - 2:15
5. Ride Child (Jerry Waugh) - 2:15
6. Apple Candy (Original Version) (Jerry Waugh) - 2:56
7. Apple Candy (Alternate Version) (Jerry Waugh) - 3:01
8. Stripes (Jerry Waugh) - 3:09
9. Certain Kind Of Girl (Jerry Waugh) - 2:46
10.Bit O' Honey (Wayne Carson Thompson) - 2:14
11.East Side Tenement House (Wayne Carson Thompson) -2:39
12.Turn It On (Wayne Carson Thompson) - 2:24
13.She's A Gas (Wayne Carson Thompson) - 2:25
14.Down To the Bone (The Skeptics) - 2:53

The Skeptics
*Jerry Waugh - Vocals, Harp
*Bobby Shivel - Bass
*Gary Shivel - Organ
*Luis Biggerstaff - Lead Guitar
*Garry Mars - Drums
Guest
*Nedra Price - Vocals

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Various Artists - Sing Me A Rainbow: A Trident Anthology (1965-67 us, marvelous sunshine psych folk garage beat, double disc set)

Previous volumes in the Nuggets From The Golden State series devoted to the late Frank Werber’s Trident Productions have been enthusiastically received, and Big Beat is proud to issue the best of the rest in this double CD package, “Sing Me A Rainbow: A Trident Anthology 1965-67”.

Werber formed Trident Productions in 1964 and dissolved it in late 1967. As manager and ‘fourth member’ of the incredibly successful Kingston Trio, he had taken the act’s profits and invested them on their behalf in a range of intellectual properties, such as publishing, and physical ones, such as the Trident Restaurant in Sausalito and, most significantly, the flat iron Columbus Tower building in San Francisco’s North Beach district. With the production company, Werber wanted to apply his proven management abilities to a new wave of artists, but he didn’t bargain with how different, and contrary, that next generation might be. Based as it was in the San Francisco of the mid-1960s, Trident was at once in the vanguard of rock’s next phase, and a victim of it. The organization only foundered because, after ten years at the top of his profession, the man driving the whole shebang didn’t want to play the game anymore.

Based on a thorough investigation of his catalogue, this collection documents Werber’s attempts to create a Brill Building-like production line of writers, producers and acts, though focused on the new folk-rock San Francisco sound. His flagship artist in this regard was the hugely popular We Five, and the comp includes rare mono single and album mixes not previously on CD. Cuts by the Mystery Trend, Sons Of Champlin and Blackburn And Snow are also previously unissued rarities that are not featured on their respective anthologies.

Werber believed in nurturing his handpicked acts, and we have included his best examples here, such as the Justice League, the San Franciscans, the Front Line and the Tricycle. Outside of We Five, none of Trident’s acts had any success. Yet, although Sing Me A Rainbow contains 95% unissued material, it is a surprisingly strong and accomplished set of folk rock, pop and garage band sounds with a San Francisco flavour. There is also a rare folk rock experiment by Kingston Trio member John Stewart and selected demos by hopefuls who auditioned for Trident, including Thorinshield, The All Nite Flight and The New Tweedy Brothers.

by Alec Palao 

Artists - Tracks - Composer

Disc 1

1. We Five - You Were on My Mind (Sylvia Fricker) - 2:36 

2. Randy Steirling, John Stewart - Leave Me Alone (Randy Cierley, John Stewart) - 2:52 

3. Front Line Assembly -  Need You No More (Dennis Lanigan) - 2:00 

4. San Franciscans - I Love You So (Jack Fischer) - 2:16 

5. Blackburn And Snow - Stranger in a Strange Land (Samuel F. Omar) - 2:41 

6. Herb Jackson Group - She's Mine (Herbert Jackson) - 1:55 

7. Front Line Assembly - I Don't Care (Dennis Lanigan) - 2:58 

8. San Franciscans - If You Lie (Jack Fischer) - 2:25 

9. We Five - You Let a Love Burn Out (Randy Steirling) - 2:11 

10.Front Line Assembly - Got Love (Dennis Lanigan) - 1:51 

11.Randy Steirling - Green Monday (Randy Steirling) - 3:10 

12.Blackburn And Snow - It's So Hard (Jeff Blackburn) - 2:10 

13.Justice League Featuring Kwame - Love Me Not Tomorrow (John Stewart) - 2:12 

14.We Five - Five Will Get You Ten (Frank May) - 2:19 

15.Thorinshield - Brave New World (Bobby Ray) - 2:04 

16.Randy Steirling - Places I've Been (Randy Cierley) - 2:29 

17.The Mystery Trend - Carrots on a String (Bob Cuff) - 2:01 

18.Frank May - I'll Make You Happy (Frank May) - 2:08 

19.Justice League Featuring Kwame - I Really Want You (Ron Cornelius) - 2:11 

20.The Sons of Champlin - Sing Me a Rainbow (Estelle Levitt, Lou Stallman) - 3:06 

21.New Tweedy Brothers - Letters (Steven Ekman) - 3:27 

22.Jeff Blackburn, Randy Cierley, John Lennon, Estelle Levitt, Paul McCartney, Rob Moitoza, Lou Stallman - MGM Verve Presentation Medley: Green Monday/Sing Me a Rainbow/Fat City/ - 5:27 

Disc 2
1. Blackburn And Snow - Stranger in a Strange Land (Samuel F. Omar) - 2:28
2. We Five - There Stands the Door (Herbert Jackson) - 2:25
3. New Tweedy Brothers - Time (Steven Ekman) - 4:01
4. The Mystery Trend - Johnny Was a Good Boy (Bob Cuff) - 2:37
5. Justice League Featuring Kwame - Thinkin' It Over - 2:12
6. Thorinshield - Wrong My Friend (Bobby Ray) - 2:03
7. All Nite Flight - Here I Stand (Jack King) - 2:39
8. We Five - What's Goin' On - 2:16
9. Ron Davies - This Time (Ron Davies) - 3:45
10.The Mystery Trend - Mambo for Marion (Bob Cuff) - 2:04
11.Justice League Featuring Kwame - Can't Get Over How You Left Me (Ron Cornelius) - 2:59
12.The Sons of Champlin - Go and Hide (Bill Champlin) - 2:13
13.Tricycle - All the Time (Mason Williams) - 2:20
14.Ron Davies - Pleasant Avenue (Ron Davies) - 1:45
15.Tricycle - Not a Single Word (Debbie Burgan, Jerry Burgan) - 2:33
16.Crystal Set - She's on My Mind (Ron Cornelius) - 2:34
17.Blackburn And Snow - Time (Jeff Blackburn) - 2:47
18.Ron Nagle - 61 Clay - 1:33
19.Crystal Set - Peaceful Times (Ron Cornelius) - 2:50
20.Tricycle - Somewhere (Ron Davies) - 2:25
21.Blackburn And Snow - See More Tomorrow (Jeff Blackburn) - 3:32
22.The Sons of Champlin - Shades of Grey (Barry Mann, Cynthia Weil) - 3:13

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The Strawberry Alarm Clock - Incense And Peppermints (1967 us, classic psychedelic flower power, debut album, 2011 sundazed issue)

The Strawberry Alarm Clock made musical history with its first single, the infectiously psychedelic “Incense and Peppermints,” which topped the singles charts in December 1967. It remains one of the Aquarian Age’s most enduring anthems. And as the California combo’s debut LP demonstrates, there was a lot more to the Strawberry Alarm Clock than their iconic trademark hit.

Incense and Peppermints combines gorgeously melodic flights with a Sunset Strip sensibility—the album is filled with trippy soundscapes, fuzzy guitars, sophisticated harmonies and the evocative lyrics of tracks such as “The World’s on Fire,” “Birds in My Tree,” “Rainy Day Mushroom Pillow” and “Paxton’s Back Street Carnival.” The result is a surprise-filled collection that All Music Guide calls “a strangely compelling mix of psychedelia, sunshine pop, garage rock, and California harmony.”

Mastered from the original stereo UNI?reels, this compact disc edition includes new liner notes by Domenic Priore and features the album’s unique original cover art. 

Sundazed

Tracks
1. The World's on Fire (E. King, G. Bunnell, L. Freeman, M. Weitz, R. Seol) - 8:25
2. Birds in My Tree (S. Bartek, G. Bunnell) - 1:54
3. Lose to Live (C. King, T. Stern) - 3:15
4. Strawberries Mean Love (G. Bunnell) - 3:02
5. Rainy Day Mushroom Pillow (S. Bartek, G. Bunnell) - 3:04
6. Paxton's Back Street Carnival (S. Bartek, E. King, G. Bunnell, L. Freeman, M. Weitz, R. Seol) - 2:04
7. Hummin' Happy (E. King, G. Bunnell, L. Freeman, M. Weitz, R. Seol) - 2:24
8. Pass Time With The SAC (G. Bunnell, L. Freeman, E. King, J. Pitman, M. Weitz) - 1:21
9. Incense and Peppermints (J. Carter, T. Gilbert) - 2:47
10.Unwind with the Clock (E. King, M. Weitz) - 4:13

Strawberry Alarm Clock
*George Bunnell - 2nd Bass Guitar, Vocals
*Randy Seol - Drums, Bongos, Vibes, Vocals
*Lee Freeman -  Rhythm Guitar, Harmonica, Vocals
*Edward King - Guitar, Vocals
*Mark Weitz - Vocals, Organ, Piano, Harpsichord
*Gary Lovetro - 1st Bass Guitar, Vocals

For more Strawberries
1968  Wake Up...It's Tomorrow
1968-69  The World In A Sea Shell / Good Morning Starshine

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Betty - Handful (1971 us, rough psych biker boogie roll, Shadoks remaster)

Originally recorded in 1971 by California's long-forgotten Betty, Handful is an interesting and frustrating album, but not because of any of the songs on it. The ten tracks are standard for the time period and show that the musicians were competent if not particularly imaginative songwriters. Opener "Boogie with You" has a distinct roadhouse feel reminiscent of the Doors or Canned Heat. Guitarists Mike McMahon and Anthon Davis lay down some funky guitar licks accented by Tom Jordan's piano and an able rhythm section comprising Al Rodriguez on drums and Kerry Kanbara on bass. And the other nine songs on the album are variations on this theme.

"Blind with Shame" contains some poppy guitar hooks and a catchy chorus, and "Thank You" replaces the piano with an organ and blues riffs with Moby Grape-inspired metal chords. On "Lights Gonna Shine," the band travels the farthest afield by trading out the shouted lyrics and boogie sensibility of the other tracks for a more folk-oriented point of view. 

Listening to the album does pique an interest in the band that put them together, and in that regard Shadoks Music misses out. There was a huge opportunity here to track down the members of the band for interviews and have them put Handful into both an artistic and a historic context. It's nearly impossible not to wonder what became of Betty. 

by Mike Burr

Tracks
1. Boogie With You (Anthon Davis) - 2:53
2. Blind With Shame (Anthon Davis) - 2:60
3. Just For Fun (Mike Mcmahon, Anthon Davis) - 4:01
4. High Rollin' On The Freeway (Lee Marks, Anthon Davis) - 3:33
5. River Bummin' (Lee Marks, Anthon Davis) - 3:35
6. Handful (Of Love) (Mike Mcmahon, Anthon Davis) - 3:19
7. Thank You (Lee Marks, Anthon Davis) - 4:09
8. Learn How To Boogie (Lee Marks, Anthon Davis) - 3:28
9. Harley Perdoo (Lee Marks, Anthon Davis) - 3:23
10.Lights Gonna Shine (Mike Mcmahon, Anthon Davis) - 3:05

Betty
*Al Rodriguez - Drums
*Mike McMahon - Guitar
*Kerry Kanbara - Bass, Vocals
*Anthon Davis - Lead Vocals, Guitar
Guest Musicians
*Tom Jordan - Keyboards
*Lee Marks - Chorus
*Ed O'Donnell - Chorus

1973  Good Dog Banned - Good Dog Banned 

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The Who - Live At Fillmore East (1968 uk, high energy rock 'n' roll, japan press, excellent sound quality)

The second night of The Who's first run ever playing at the Fillmore East is an unbelievably great document of the band in its early prime, still full of the punk attitude that they would initially define while beginning to venture off into more artistic and experimental territory. Every minute of this performance is fascinating and much of this material cannot be found, in better quality or at all, on any other Who recordings. This set captures the entire band fully engaged in their music. Although many songs were still short and concise during this stage of their career, the intensity level is undeniable. Opening the show with Eddie Cochran's "Summertime Blues," they immediately set a bar that most other bands could never even approach.

The previous year, two members of The Rolling Stones were arrested on drug charges under questionable circumstances, and were victimized by the U.K. courts. They were harshly sentenced in an attempt to make an example out of them, which immediately caused an uproar that shook London to the core. Following Jagger and Richards' ridiculous sentencing, The Who quickly recorded two of their more popular songs in support and vowed to record nothing but Stones songs until the two were released. Their second song of this set is the Stones' cover of the Allen Toussaint penned "Fortune Teller," which they had just performed for the first time ever the previous night.

They continue with "I Can't Explain," one of the few songs American audiences were familiar with at the time, but with a new level of aggression that wasn't apparent on that early single. Next up is their current single at the time, "Happy Jack," a tune that found them exploring new directions and beginning to experiment with dynamic changes. Extremely rare live performances of "Relax" and "My Way" follow and continue to explore and expand on the boundaries within the band's music. "Relax" surprisingly turns out to be one of the heavier numbers on this set and the band takes flight into some inspired jamming following the verses. Unfortunately, the jam fades out and is incomplete.

John Entwistle then steps up for his defining song, "Boris The Spider," lending his dark sense of humor to the proceedings. At this point, the band launches into "My Generation" and this version is amazing. The improvisational section following the verses is a great early example of the band letting the music propel itself. Although at times it seems like they are on the verge of being out of control, they never are, and early signs of Townshend developing themes within a jam are also surfacing. The approach to their instruments and the sound they create as a unit is utterly unique and unlike any other band at that time. The reels were changed during this jam, so a small part of it is missing on this recording.

This surely must have left the audience breathless, so while they were recovering, the band embarks on their most experimental composition yet, "A Quick One While He's Away," which is incomplete and begins in the middle of the song. This adventurous suite of songs, loosely tied together, is a hint at Townshend's future aspirations that would eventually be realized in his first full-blown rock opera, Tommy. This is a fascinating performance for its entire eight minutes.

They close their set this night with another propulsive jam on "Shakin' All Over," again letting the music propel the band through several pulverizing jams, including spontaneous flailing of riffs familiar from other songs. Again, the raw energy is astounding. This and the previous night's performance must have gone a long way towards cementing their reputation in New York City. This should be required listening for anyone interested in that era of rock music and especially for anyone interested in The Who - absolutely essential.

The Wolf-gang

Tracks
1. Summertime Blues - 4:17
2. Fortune Teller - 2:29
3. Tattoo - 4:01
4. Little Billy - 2:32
5. I Can't Explain - 2:20
6. Happy Jack - 3:00
7. Relax - 8:07
8. A Quick One While He's Away - 8:03
9. My Way - 2:31
10.Shakin' All Over - 9:28
11.Boris The Spider - 2:52
12.My Generation - 9:28
13.I'm A Boy - 2:53
14.Substitute - 2:51
15.My Generation - 4:50
Tracks 13-15 recorded Live at The Pier Pavillion, Felixstowe, UK.

The Who
*Pete Townshend - Guitar, Vocals
*Roger Daltrey - Vocals
*John Entwistle - Bass
*Keith Moon - Drums

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Emily - Emily (1972 us, amazing vocals in an acid psych folk rock trip, 2011 edition)

Emily Bindiger is a NY singer who has performed on hundreds of recordings, including commercials, movie soundtracks, industrials and records, as well as concert stages worldwide. 

She started out as a teenager playing clubs in Greenwich Village, then moved to France at 16 where she recorded and released in the spring of 1972, this extremely rare album that has been acclaimed as a psychedelic folk masterpiece. With sensitive backing from local progressive rockers Dynastie Crisis, the eight self-penned songs feature delicate arrangements and lyrics that show remarkable maturity and depth. A firmly established rarity in its original incarnation.

By her returning to US she made her Broadway debut in "Shenandoah," immediately followed by the revival of "Hair," and for seven seasons she starred as "Frannie" on the Peabody Award-winning children's TV show, "The Great Space Coaster." Emily has recorded and/or performed with such diverse artists as Leonard Cohen, Buster Poindexter, Ann Hampton Callaway, Joan Osborne, Lou Reed, Steve Van Zandt, Oscar Brand, Mary Fahl, Andy LaVerne, The Klezmatics, Peter White, Kevin Mahogany, Deodato, Michael Amante, Lesley Gore, Kathie Lee Gifford, David Friedman, Christine Lavin, Ben Vereen, Bobby Caldwell, Black 47, Laurie Beechman, Patti Austin, Ronnie Spector, Catherine Russell, Julie Gold, and the legendary Neil Sedaka, with whom she toured for several years.

Tracks
1. Confession - 2:28
2. Sunflower Seeds - 1:55
3. Jesus Said -  3:52
4. My Mother’s House - 4:00
5. Song For Steven (lyrics by Jeanne Claire Severac) - 2:35
6. Born Again -  2:39
7. Song Of Decision - 2:22
8. Old Lace (To John) - 9:26
Words and Music by Emily Bindiger except where indicated.

Musicians
*Emily Bindiger - Vocals, Guitar
*Jacques Mercier - Vocals, Guitar
*Jacky Chalard - Bass
*Philippe Lhommet - Keyboards
*Geza Fenzl - Drums

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Various Artists - Essential Pebbles Vol. 2 (60's us, fantastic garage beat gems, double disc set)

With 28 volumes in their vinyl version of the series and another 23 volumes in the companion High in the Mid-Sixties series (not to mention its ten-volume Rough Diamonds set), to put it all out on compact disc would have been perhaps a bit much, even for the most perversely dedicated of fuzz fanatics. What Bomp has opted for instead is to cherry-pick the absolutely most-requested tracks from the original volumes, then pad it out with a similar number of super-obscure and ultra-rare bonus tracks. 

Highlights include the Rogues' "How Many Times," Neal Ford & the Fanatics' "Shame on You," Jaybees' "I'm a Loner," the Baker Street Irregulars doing a great version of the Yardbirds' version of "I'm a Man," the Original Sinners' "You'll Never Know," the Fading Tribesmen's "More Feathers," the Vistas' "Don't Know" and Ye Court Jesters' "But I Still Love Her." If fuzz-toned guitars, Farfisa organs and lots of tambourine is what floats your boat, then this is the compilation you've been waiting all your life for. 

by Michael "Cub" Koda

Artists - Tracks

Disc 1

1. Rogues - How Many Times - 2:24

2. Neal Ford And the Fanatics - Shame on You - 2:13

3. Jelly Bean Bandits - Generation - 2:58

4. Sonny Flaherty And Mark V - Hey Conductor - 2:30

5. Denims - I'm Your Man - 2:22

6. Evil Encorporated - Hey You - 2:08

7. Ravin' Blue - It's Not Real - 2:29

8. Jaybees - I'm a Loner - 2:20

9. Spirit - Man Enough for You - 3:06

10. Wig Wags - On My Way Down the Road - 2:16

11. Four Fifths - If You Still Want Me - 2:07

12. Soul Survivors - Shakin' with Linda - 2:56

13. Magic Plants - I'm a Nothing - 2:43

14. Live Wires - Love - 3:21

15. Inmates - More Than I Have - 2:34

16. Sinners - Nice Try - 2:13

17. Cole And the Embers - Hey Girl - 2:25

18. Kama Del Sutra - She Taught Me Love - 2:17

19. Sweet Acids - That Creature - 3:01

20. Evil Encorporated - The Point Is - 2:34

21. Danny's Reasons - Triangles - 2:10

22. Baker St. Irregulars - I'm a Man - 4:47

23. Dee And Tee - Something's Comin' - 2:25

24. Yo Yo's - Crack in My Wall - 2:56

25. Original Sinners - You'll Never Know - 2:33

26. Les Lutins - Laissez-Nous Vivre - 3:23

Disc 2
1. Purple Haze - Shades of Blue - 2:18
2. Dawn 5 - Mike's Bag - 1:42
3. Denny Noie And the Catalinas - It Ain't a Big Thing - 2:20
4. Fading Tribesman - More Feathers - 2:22
5. Lost Souls - It's Not Fair - 2:06
6. Spirits Of Oxford - But You're Gone - 2:42
7. Vistas - Don't Know - 2:34
8. Chimes - #38 - 2:28
9. D.C. Drifters - Louisiana Blues - 3:23
10. Dean Kohler - Gooseberry Pie - 2:52
11. Children - I Can Feel It - 2:29
12. Why Four - Hard Life - 2:07
13. Why Four - Not Fade Away - 2:13
14. Doo And the Diddits - I'm a Man - 2:51
15. Night Watch - The Good's Gone - 2:18
16. Night Watch - Shake - 2:12
17. Rick And the Rivals - Stricken by You - 2:34
18. Sinders - Get Out of My Life - 1:34
19. Abstracts - Always Always - 2:10
20. Crying Shame - Come on Back - 2:37
21. Berries - Baby Won't You Follow Me Down - 2:34
22. Outcasts - I Wanted You - 1:59
23. Lunduns - It's Gonna Be Alright - 3:31
24. Ye Court Jesters - But I Still Love Her - 2:08
25. Checkmates - Eyes on You Baby - 2:18
26. Inner Prism - Bad Seed - 2:49
27. Classics 5 - Wine, Wine, Wine - 2:12
28. Inn Crowd - Gotta Find a Girl - 2:14
29. Lawson And Four More - If You Want Me - 2:42

More Pebbles
Essential Pebbles Vol. 3

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Wailers - Wailers Wailers Everywhere / Out Of Our Tree (1964-65 us, awesome garage beat)

August of 1964: the Fab Four are tearing it up on their first American tour, and one of the first stops is in the Pacific Northwest, where they are due to play the Seattle Center Coliseum to a typically riotous response. During a lull in the press conference prior to the show, George Harrison takes KJR dee jay Pat O'Day aside to politely enquire, "are those blokes the Wailers still around?"

Those blokes the Wailers were indeed still around, though since the onslaught of the Beatle-led British Invasion the Tacoma combos cachet had been dimmed somewhat, in record terms at least. The six year old Wailers had enjoyed a run of classic, timeless rock'n'roll singles such as Tall Cool One and Louie Louie, records that were both commercially successful and wielded considerable influence, and had additionally issued three long players, including one album - 1961s The Fabulous Wailers At The Castle that single-handedly established the benchmark for rock in the Northwest.

But like so many established American bands of that era, the Wailers confidence began to wither in the face of the ostensible glamour of their overseas cousins. So the band hit back with a fine collection of mostly self-penned British flavoured numbers, with hitherto emphasis on harmony vocals, thanks to multi-talented recent addition Ron Gardner. Released at the beginning of 1965, Wailers Wailers Everywhere is often overlooked by Wailers fans but it's a strong album and a lot better than most American attempts at Merseybeat. Of particular note is a storming take on Ya Ya, with tremendous playing from guitar god Rich Dangel.

Ironically, Dangel and original drummer Mike Burk soon tired of the bands Anglophile direction, and by the summer of 1965 both had quit the band. With the arrival of replacements, Neil Andersson on guitar and Dave Roland on drums, a new and exciting Wailers began making the scene up and down the West Coast, purveying a raucous garage-flavoured rock that owed some debt to the influence of the Wailers protoges the Sonics. Wailers' members and Etiquette label honchos Buck Ormsby and Kent Morrill wisely harnessed the youthful energy of their new line-up in the studio to produce the Out Of Our Tree album in late 1965, with the raucous, punchy single of the same name that preceded it constituting perhaps the combos finest moment on vinyl. Compared to the politely recorded "Everywhere", "Tree" was crude and deliciously distorted but remained undeniably in the Wailers tradition of stomping bring-down-the-house rock. And with punky originals like Gardener's snotty Hang Up, the masters could still teach the apprentices a thing or two.

This is the first time these classic Northwest 1960s albums have appeared on compact disc, and in common with the rest of our Etiquette series, the loaded 2-on-1 package feature great sound, rare pix and extensive notes, not to mention a handful of non-LP bonus cuts (including a classy Brian Wilson knock-off, All My Nights, All My Days). And this is not our last wail with the Fabulous Wailers, either- watch this space.

by Alec Palao 

Tracks
Wailers Wailers Everywhere 1964
1. You Better Believe It (Rich Dangel, John Ormsby, Kent Morrill) - 2.14
2. Do You Wanna Dance (Bobby Freeman) - 1.58
3. The Wailer (Rich Dangel) - 2.21
4. Tomorrow's Another Day (Rich Dangel, John Ormsby, Kent Morrill) - 3.02
5. Just A Little Bit Louder (Rich Dangel, John Ormsby, Kent Morrill) - 2.41
6. Hold Back The Dawn (Kent Morrill) - 2.04
7. Tears (Version I) (Rich Dangel, Kent Morrill) - 2.24
8. Since You Been Cone (Version 2) (Rich Dangel, John Ormsby, Kent Morrill) - 2.13
9. How Do You Feel (Rich Dangel, John Ormsby, Kent Morrill) - 2.17
10.I Think Of You (Rich Dangel, John Ormsby, Kent Morrill) - 2.27
11.Dont Take It So Hard (Rich Dangel, Kent Morrill) - 2.12
12.Ya Ya (Lee Dorsey, Morgan Robinson, Clarence Lewis) - 2.25
13.You Weren't Usinc Your Head (Version I) (Ron Gardner) - 2.12
14.Back To You (Rich Dangel, Kent Morrill) - 2.13
15.Hang Up (Version 1) (Ron Gardner) - 1:16
16.Livewire (Rich Dangel, Kent Morrill) - 2.14
17.All My Nights, All My Days (Ron Gardner) - 3.05

Out Of Our Tree 1965
18.Out Of Our Tree (Rich Dangel, John Ormsby, Kent Morrill, Neil Anderson) - 3.29
19.Mercy Mercy (Dog Covay, Ron Miller) - 2.46
20.Hang On Sloopy (Bert Russell, Wess Farell) - 3.33
21.I'm Down (J. Lennon, P. McCartney) - 2.27
22.Unchained Melody (Alex North, Hy Zaret) - 4.40
23.Baby Dont You Do It (E. Holland, L. Dozier, B. Holland) - 3.58
24.Dirty Robber (Version 4) (Rich Dangel, John Greek, Kent Morrill) - 2.36
25.I've Got Me (Rich Dangel, John Ormsby, Kent Morrill) - 2.05
26.Summertime (George Gershwin, DuBose Heyward, Ira Gershwin) - 5.04
27.Little Sister (Hank Ballard) - 1.57
28.Hang Up (Version 2) (Rich Dangel) - 2.24
29.Bama Lama Bama Loo (Richard Penniman) - 2.25

The Wailers
*Rich Dangel - Lead Guitar
*Buck Ormsby - Bass, Vocals
*Mike Burk - Drums, Vocals
*Kent Morrill - Vocals, Acoustic Guitar, Piano
*Ron Gardner - Tenor Sax, Vocals

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Various Artists - The Sound Of Young Sacramento (60's us, lightning flashes of brilliance from the golden state)

The mid-1960s rock scene in Sacramento may appear isolated and insular especially when compared to the activities of the neighbouring San Francisco Bay Area, but its teenage audience was as partisan as any other across the United States in those halcyon days. Major acts like the Stones and the Byrds played Sacramento before they ever properly visited San Francisco-.-on their rare stateside visits, the Hollies and the Zombies avoided the Bay Area altogether, heading straight for Sac. The hip programming of the city's two AM power-houses KROY and KXOA fuelled the teen market, whilst savvy promoters exploited it to the max. And there were hundreds of local garage bands ready to cater to the massive, restless audience in the city and its environs.

Five years of sleuthing have gone into the preparation of The Sound Of Young Sacramento, the latest volume in the Nuggets From the Golden State series, which focuses on the very best teen garage and folk-rock groups that visited the Bill Rase Recording Studio & Talent Centre from 1965 to 1967. Bill's modest operation in those years gave these teenage combos an affordable outlet with which to immortalise themselves on wax, and as a result many bands beat a path to his Franklin Boulevard door.

Rase custom-pressed singles for the acts to sell at their shows, often in batches of a few hundred or less, resulting in some captivatingly rare releases. Included here are several records that are acknowledged punk classics, such as the superbly snotty I'll Be Gone by the Opposite Six and the psychotic surf of Too Much Loving by Dixon's Liberty Lads. Also featured are the, lesser known yet no less worthy, records by the Children Of Stone, Hustlers, Kee-Notes and others. There's Brit-Invasion sounds from the Coachmen and cryptic minor key moodiness from the Living End and the Night.

Unlike so many other studios, Bill Rase meticulously archived all his master tapes from the period, and close examination of these has thrown up further unreleased and quite astounding gems of a punk and folk-rock variety. We therefore proudly present several previously unissued ear-opening cuts from both popular Sacramento groups like the Psy-Kicks and Fugitives, and hopelessly obscure high school combos such as the Mergers, Chelsea Sidecar, Kix and Goodtime Music Co. The high standard and idiosyncratic sound of all the recordings featured makes this an exceptionally strong and listenable compilation.

In addition, the diligent research for the project required tracing members of each act featured, which in turn uncovered a wealth of facts, photos and memorabilia, cramming the booklet with an authoritative history of both the groups and the scene from whence they came. After widely-acclaimed releases in the Nuggets' series from Sacramento-related groups like Kak, the Oxford Circle and She, The Sound Of Young Sacramento continues to mine the motherlode of great rock'n'roll from the mid-1960s heyday of California's capital.

by Alec Palao

Artists - Tracks
1.The Opposite Six - I'll Be Gone - 2:22
2.The Mergers - Love, You Funny Thing - 2:43
3.Liberty Lads - Too Much Loving - 3:55
4.The Coachmen - Money (That's What I Want) - 2:28
5.The Coachmen - And That's Why - 2:27
6.The Hustlers - Linda - 2:46
7.The Insurgents - Summertime - 2:33
8.The Kee-Notes - Quit Changing Your Mind - 1:53
9.The Psy-Kicks - Summer Tears - 2:32
10.The Psy-Kicks - The Second Time Around - 1:59
11.The Fugitives - Blowin' My Mind - 2:29
12.The Children Of Stone - Mary, Can't You See - 2:22
13.St. George And The Dragons - Trust Me - 2:41
14.The Living End - A Night Like This - 2:48
15.The Living End - Brigitta - 2:48
16.The Goodtime Music Company - Aristocrat - 2:20
17.The Goodtime Music Company - Passionate Love - 2:25
18.The Reflections - Let Me Go - 2:39
19.The Reflections - A Little Bit More - 2:34
20.Don Wright And The Head Set - Why Did You Lie? - 2:23
21.The Walking Flour - Hoochie Coochie Man - 4:30
22.The Walking Flour - I Want To Be Your Driver - 2:28
23.The Gallery Production - Do I Have To Come Right Out And Say It - 2:23
24.Organised Confusion - That I Love You - 2:47
25.The Kix - I'll Wait For You - 2:05
26.The Kix - What Would Life Be - 2:16
27.The Night - To Realize My Mind - 2:02
28.The Night - Too Much Loneliness - 3:00
29.The Chelsea Sidecar - Thinking Of You - 1:59
30.The Chelsea Sidecar - Special Girl - 2:22

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Blue Phantom - Distortions (1971 italy, fascinating heavy psych with a mushroom cloud, 2012 Kismet extra track edition)

This legendary 1971 album was recorded by unknown musicians in Milan, for use as incidental music in films, television and radio. Almost each and every track is a short, heavy acid rock symphony ... Disturbing, dissonant, and even downright menacing.  An astounding blend of creepy grooves and distorted guitar, it was released in tiny numbers in Italy, France and the UK, and is highly sought-after by collectors today. This welcome reissue comes complete with the only other track released under the Blue Phantom name. 

Tracks
1. Diodo - 3:48
2. Metamorphosis - 2:59
3. Microchaos - 2:43
4. Compression - 2:46
5. Equilibrium - 4:00
6. Dipnoi - 2:50
7. Distillation - 3:44
8. Violence - 3:08
9. Equivalence - 2:35
10.Psycho-Nebulous - 4:53
11.Uncle Jim (Bonus track) - 2:46

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Various Artists - English Freakbeat Vol.6 (1963-66 uk, exciting lost tunes)

English Freakbeat Vol. 6 the  CD has some different tracks from the original vinyl issue. Twink was one of the members of the Fairies, an under-appreciated British rhythm & blues band; Twink would later be one of the founding members of a very different band, the Pink Fairies. 

Members of the Cheynes include Mick Fleetwood, co-founder of Fleetwood Mac, as well as Peter Bardens and Phil Sawyer. They released several singles between 1963 and 1965.  The real name of the front man for Jason Eddie and the Centremen is Al Wycherley, the brother of Billy Fury, a pop star in the late 1950's. Their experimental treatment of "Singing the Blues" was released in the U.S. by Capitol Records in June 1966, Mike Patto did the vocals for Chicago Line and finally the Bo and Beep were actually Kim Fowley with Rolling Stones members.

Artists - Tracks
1. The Fairies - Get Yourself Home - 2:27
2. The Fairies - I'll Dance - 2:08
3. The Fairies - Anytime At All - 2:18
4. Junco Partners - Take This Hammer - 2:20
5. Cheynes - Respectable - 1:57
6. The Wild Ones- Bowie Man - 2:23
7. Rhythm And Blues Inc- Honey Don't - 2:28
8. Erkey Grant And Earwigs - I'm A Hog For You - 2:09
9. David John And The Mood - Bring It To Jerome - 2:14
10.David John And The Mood - I Love To See You Strut - 2:10
11.Bill And Will - Goin' To The River - 2:30
12.Blues By Five - Boom Boom - 2:20
13.Steve Aldo - Baby What You Want Me To Do - 3:38
14.Jason Eddie And Centremen - Singing The Blues - 2:33
15.Bo And Peep - Young Love - 2:41
16.Chicago Line - Shimmy Shimmy Ko Ko Bop - 2:51
17.Chicago Line - Jump Back - 3:07
18.The Wranglers - Little Liza Jane - 1:56
19.David John And The Mood - To Catch That Man - 2:12
20.David John And The Mood - Diggin' For Gold - 2:41
21.Nix-Nomads - She'll Be Sweeter Than You - 2:42
22.Bo And Peep - Rise Of The Brighton Surf - 4:22

UK Freakbeat story
English Freakbeat Vol. 1
English Freakbeat Vol. 2
English Freakbeat Vol. 3
English Freakbeat Vol. 4
English Freakbeat Vol. 5

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Window - Window (1974 us, fabulous acid psych folk rock)

Judy Kelly grew up in Dallas, Texas. She started singing at age 2 and always dreamed of singing professionally. Judy’s parents purchased her first guitar when she was 11. Her first songs were about school and the Beatles but as her lyrics and music matured, folk and folk rock became her main musical influences.

In the late 1960s, Judy began playing at folk clubs and on the college coffee house circuit. She also started singing with a garage band adding vocals to lyrics written by other band members.

In the summer of 1974, Judy asked several of her musician friends to work on a project which became the album Window. Window was released locally and the title song was picked up by Word records and included in a collection album.

This fabulous folky/psych album from the ‘70s is yet another example of another great album that fell through the cracks in the musical pavement. When references to Wi n d o w ’s self-titled album do pop up on the internet, it is usually in a Christian folk context, although there is precious little of this genre present on this lovely, wistful acoustic album. The star of the show is undoubtedly the (un-named) singer, whose range, poise and delivery are reminiscent of the vocal talents Linda Perhacs, Vashty Bunyan, and even Joni Mitchell in her Court And Spark/Hissing Of Summer Lawns heyday. 

Theres lots of trippy psych, particularly on the outstanding The Magician and Noah, and the strong, acoustic guitar-based accompaniment is tight but understated throughout. This, then, is an album that will appeal to lovers of folk-based female vocalist in particular, as well as appealing to those that just simply like good music. 

Tracks
1. Silver - 2:58
2. Noah - 3:24
3. Lullaby You - 3:26
4. Day Star - 2:29
5. Comfort Me - 2:42
6. Happy To See You - 2:15
7. Jamie - 2:33
8. Beginning - 3:29
9. The Magician - 1:56
10.You Can Pray - 2:09
11.Window - 2:07
12.Shine - 3:59
13.Jenny’s Song - 2:47
14.The Garden - 3:14
Words and Music by Judy Kelly.

Musicians
*Judy Kelly - Vocals, Piano
*Deni Kington - Harp
*Ed Helbing - Guitar
*Guy Moore - Drums
*Lisa - Contrabass
*Lela - Violin
*Cynthia - Violin
*Alan Steven - Acoustic Guitar
*Bobby Dennis - Keyboards
*Joe Cox -
*Liz Volk - Classic Piano
*Beth -
*Walter Bert Linebarger -
*Don Jordan -
*David Heyman -

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Various Artists - English Freakbeat Vol. 5 (1963-69 uk, more freakbeat treasures)

The English Freakbeat series is devoted to unearthing obscure, non-hit treasures of the British Invasion that are known only to obsessive collectors. Truth be told, many of those treasures were obscure for a reason, which makes these anthologies wildly uneven listening, but there are some gems to be found here. 

The highlights of this 21-song volume include a surprisingly pleasant slice of punk-pop from ex-Beatle drummer Pete Best, "The Way I Feel." Thane Russal's "I Need You" is a first-rate Them imitation; Geoff Goddard's "Sky Man" is a truly inspired piece of Joe Meek-produced lunacy about benign space aliens; and the Greenbeats' Merseyish "You Must Be the One" is undoubtedly the most obscure song that Mick Jagger and Keith Richards wrote in the '60s (no, the Rolling Stones never did get around to recording it). 

That gives you the flavor of the manic variety on hand here. Some of the cuts are shamelessly derivative early British R&B, and others are simply not as striking as the gushing liner notes would have you believe. The CD also includes some extremely obscure productions by Shel Talmy and Joe Meek, as well as an obscure composition by Jackie DeShannon, that in no way approximates the greatness of their famous work. 

by Richie Unterberger

Artists - Tracks
1. The Pete Best Four - The Way I Feel About You - 2:01
2. The Darwin's Theory - Daytime - 2:51
3. The Peeps - Now Is The Time - 2:31
4. The Pickwicks - Hello Lady - 2:32
5. George Bean - Why Must They Criticize? - 1:59
6. Jason Eddie And The Centremen - Come On Baby - 2:25
7. The Untamed - It's Not True - 2:27
8. Geoff Goddard - Sky Man - 2:44
9. The Eggy - You're Still Mine - 2:49
10.New York Public Library - Gotta Get Away - 2:53
11.Chris Sandford - I Wish They Wouldn't Always Say I Sound Like The Guy From The Usa Blues - 2:20
12.The Cryin' Shames - What's News Pussycat - 2:33
13.A Wild Uncertainty - A Man With Money - 2:06
14.The Truth - Baby You've Got It - 2:02
15.Billy J. Kramer - Chinese Girl - 3:11
16.The Impac - Too Far Out - 2:34
17.The Paul Stewart Movement - Too Too Good - 2:52
18.The Greenbeats - You Must Be The One -  1:59
19.Rey Anton And The Peppermint Men - You Can't Judge A Book - 2:16
20.The Four + 1 - Don't Lie To Me -  1:54
21.Thane Russal - I Need You - 2:28

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