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Saturday, May 16, 2026

rep>>> Dave Mason - Headkeeper (1972 uk, amazing classic rock with psych blues and folk tinges, japan SHM-CD 2010 remaster)



Tommy Li Puma, Dave Mason's coproducer at Blue Thumb, has notified by mail various radio stations and record distributors across the country to go ahead and promote Headkeeper, in spite of the fact that Mason has brought a lawsuit against the label. For those of you who do not boycott the album, Headkeeper has plenty of moments to justify your purchase, and yet leaves you feeling that it is an incomplete, unfinished album.

Each of all the five songs on side two is a live recording of material Mason had recorded elsewhere. "Pearly Queen," a song that here is attributed to Mason and on the Traffic album is credited to Winwood and Capaldi, got itself a better treatment the first time around, simply because Winwood's vocal was funkier, grittier, more edged with irony. 

The song itself has enough propulsion in it that it doesn't need the extra added bit of soul that Winwood gives it, but then why not? Mason's interpretation here of "Feelin' Alright" is different from the one he delivered on Traffic. Then he sang with a whimpering, quaveringly insecure voice which, when joining the chorus, instantly picked up sarcastic strength. The change was always sudden and dramatic as Clark Kent leaping out of a broom closet dressed as Superman. 

In the present version, latin jazz rhythms open the song and right from the beginning all the way through, Mason sings with extroversion and authority. Now he even takes a supposedly humbled line like "Well, boy, you sure took me for one big ride," and turns it inside out to read like a gorgeous put-down. Whatever Chris Wood offered in the way of bluesy saxophone on the first version, Mark Jordan matches well with his jazz electric piano on this. 

Maybe if Headkeeper had had two sides of new material rather than just one, Mason as an artist to our view would have been standing less like "a mist upon the shore." He never has been an easy one to figure out, in his public life or in his music. With Headkeeper he by no means has painted his masterpiece, but instead has left us with some fine sketches and life studies.
by David Lubin, Rolling Stone, 4-13-72.


Tracks
1. To Be Free  - 3:19
2. In My Mind  - 3:19
3. Here We Go Again  (Solomon Burke, Cass Elliot, Bryan Garo, Jerry Gray) - 1:56
4. A Heartache, A Shadow, A Lifetime - 3:35
5. Headkeeper - 4:39
6. Pearly Queen (Jim Capaldi, Steve Winwood) - 3:32
7. Just A Song - 3:01
8. World In Changes - 4:47
9. Can't Stop Worrying, Can't Stop Loving - 3:04
10.Feelin' Alright - 5:40
All titles by Dave Mason, except where noted.

Musicians
*Dave Mason - Electric, Acoustic Guitar, Vocals
*Mark Jordan - Piano, Keyboards
*Lonnie Turner - Bass
*"Dr." Rick Jaeger - Drums
*Felix Falcon aka "Flaco" - Conga, Percussion
Special thanks to:
*Rita Coolidge - Vocals
*Spencer Davis - Vocals
*Graham Nash - Vocals
*Kathi McDonald - Vocals

1970  Dave Mason - Alone Together (2010 Japan SHM-CD) 
1971  Dave Mason And Cass Elliot (2008 remaster)

rep>>> Dave Mason - Alone Together (1970 uk, fabulous classic rock with drops of psych folk, 2010 japan SHM remaster)



Like Traffic's album "John Barleycorn Must Die", former Traffic member Dave Mason's Alone Together is a good album -- careful, well played, occasionally brilliant and well-conceived -- but like John Barleycorn, Alone Together never breaks its vinyl bonds and soars. The songwriting talent of Mason remains undiminished on Alone Together, and his easy fluid voice, long in Traffic vocalist Stevie Winwood's giant shadow, is used to maximum effect.

This is, of course, the marbled LP, a brilliant burst of color spinning on the turntable, the grooves barely discernible so the needle seems to be floating across the record. Maybe the next step could be a little cartoon around the edge of the record, like those flip-the-pages funnies, or a slow inward spiral so you could be literally hypnotized by the record.

The music is vintage Mason, veering here and there towards commercialism but never quite getting there, slick but not offensive. Falling in line with the rest of Great Britain, Mason chose old Delaney and Bonnie sidemen for the session, including Leon Russell, Jim Keltner, Carl Radle and Rita Coolidge, plus old Mother Don Preston. Russell, as always, is much in evidence, and his piano (if it is him -- the album doesn't say and we have only internal evidence), particularly on "Sad and Deep As You," is masterful.

The high point of the album is clearly "Look at You Look at Me," a song Mason wrote with Trafficker Jim Capaldi, whose tight, urgent drumming on the cut moves the song along with descretion and skill. Mason's singing is simply superb. The other exceptional cuts are "Shouldn't Have Took More Than You Gave" (Mason is not, between you and me, a great song titlist), which features the best wah-wah guitar since Clapton's initial exposition on "Tales of Brave Ulysses"; and "World in Changes," with Mason's deceptively simple lyrics pulled along by some brilliant organ work.

High commercial potential on the album is represented by "Only You Know and I Know," which has a rick-ticky rhythm reminiscent of "You Can All Join In." It's really a trivial song (like others on the album, particularly "Waitin' On You" and "Just A Song"), but it will sound great on a tinny AM radio at 60 miles an hour.
by Jon Carroll, Rolling Stone, 9/3/70.


Tracks
1. Only You Know and I Know - 4:05  
2. Can't Stop Worrying, Can't Stop Loving - 3:02  
3. Waitin' on You - 3:05  
4. Shouldn't Have Took More Than You Gave - 6:00  
5. World in Changes - 4:30  
6. Sad and Deep as You - 3:35  
7. Just a Song - 2:59  
8. Look at You, Look at Me - 7:22  
All songs by Dave Mason except track #8 co-written with Jim Capaldi

Musicians
*Dave Mason - Guitar, Vocals
*Delaney Bramlett - Guitar, Vocals
*Bonnie Bramlett - Vocals
*Leon Russell - Keyboards
*Carl Radle - Bass
*Chris Ethridge - Bass
*Larry Knechtel - Bass
*Jim Capaldi - Drums
*Jim Gordon - Drums
*Jim Keltner - Drums
*Michael DeTemple - Guitar
*Don Preston - Keyboards
*John Simon - Keyboards
*John Barbata - Drums
*Rita Coolidge - Vocals
*Mike Coolidge - Vocals
*Claudia Lennear - Vocals
*Lou Cooper - Vocals
*Bob Norwood - Vocals
*Jack Storti - Vocals

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